What is the new bronze sculpture at the Port of Everett? A bronze figure of a young girl looking out over the marina, installed in late 2025 along the Central Marina esplanade between Pacific Rim Plaza and Boxcar Park. Sultan-based artist Kevin Pettelle created the piece, inspired by a 1940s photograph of Kathy Reinell Bowen — daughter of Reinell Boats founder Edward Reinell — taken by her father between what were then Pier 1 and Pier 2 of the Everett boat harbor.
If you’ve walked the Central Marina esplanade at the Port of Everett anytime in the last few months, you’ve probably already met her. A small bronze figure in a plaid jacket and saddle shoes, looking past the slips toward what is now a working international Seaport. She doesn’t have a plaque calling her by name, but she has one — and the story behind her is one of the more quietly remarkable pieces of public art the Port has installed.
We’ve been spending a lot of time on the waterfront chasing what’s coming next — the Sawyer and Carling at 95 percent occupancy, the steakhouse pitch for the last Restaurant Row parcel, Marina Azul almost open, the next phase of Millwright office space pre-leasing. It’s easy in that mode to walk right past the things that are already finished. The Bowen bronze is one of them. And it’s worth a stop.
Who is the girl in the bronze?
Her name is Kathy Reinell Bowen. The original photograph was taken in the 1940s by her father, Edward Reinell, founder of Reinell Boats — one of the boat-building names woven into Everett’s mid-century maritime history. In the photo she’s about four or five years old, standing at the edge of the small Everett boat harbor that sat between what was then Pier 1 and Pier 2. The pose is unposed in the way good family photos are: she’s just looking out at the water, the way a kid does when grownups are talking and the boats are more interesting.
The photograph hung at the Everett Yacht Club for years. According to Historic Everett, a former classmate of Bowen’s spotted it on the wall, recognized her, and that’s how the Port and the artist were eventually able to put a name to the picture. That’s the kind of detail that makes this piece land differently than most public art commissions. It isn’t a generic bronze of a generic kid. It’s a real person, identified by the people who knew her, immortalized at a place her family helped build.
The artist: Kevin Pettelle, Sultan, WA
The sculpture was created by Kevin Pettelle, a bronze artist based in Sultan, Washington — about an hour east of Everett up the Skykomish Valley. Pettelle has done figurative bronze work across the Pacific Northwest for decades, and the Bowen piece is among the last bronze sculptures he says he plans to make in his career. That detail alone makes the installation feel less like another city beautification line item and more like a closing chapter from a working artist who chose to spend it on Everett.
The bronze itself is full of details you only catch on a second look. The buttons on her coat are stamped with the Port’s Waterfront Place logo. The patina on her scarf fans out in a pattern designed to mimic light moving across water. She’s wearing the same plaid jacket and saddle shoes from the photograph, in the same pose. Pettelle didn’t redraw the girl — he reached back into the original frame and pulled her out three-dimensionally.
Where to find her
The sculpture sits along the Central Marina esplanade, in the stretch between Pacific Rim Plaza and Boxcar Park. If you’re parking at Waterfront Place and walking south toward Boxcar, you’ll pass her on the water side of the path. The vista was deliberately chosen — she’s looking out across the marina toward the slips, not at the buildings behind her. The whole installation is essentially asking you to share her view for a minute.
It’s an easy add to any waterfront walk. From the Bluewater Distilling end of Fisherman’s Harbor it’s about a five-minute stroll south along the esplanade. From Boxcar Park itself it’s even closer — head north along the water and you’ll be there in two or three minutes.
How the piece fits the Port’s bigger public art push
The Bowen bronze isn’t standing alone out there. The Port has been quietly building a public art collection along Waterfront Place for several years now — most visibly the illuminated orca installation that anchors the southern end of Boxcar Park, plus several smaller historical interpretation pieces and signage installations through Pacific Rim Plaza. The Port’s stated goal is to layer in art that connects the working maritime past to the redeveloped present without feeling like a museum tour.
That layering matters for a place like Waterfront Place. This is a redevelopment of a working harbor — the Port still moves around 16 million tons of cargo a year, the marina is the largest public marina on the West Coast with 2,300 slips, and 1.6 million people visited the waterfront in 2024 alone. There’s real potential for the new restaurants, hotels, and apartments to flatten that history into background. The Bowen piece is a small but pointed counter to that — a reminder that the Reinell name and the boat-building families and the kids who grew up on these docks are part of why this place is worth redeveloping in the first place.
Why this matters more than a typical public art install
Most public art at master-planned developments is decorative. A nice piece, well-lit, photographed for the marketing site, mostly invisible to the people who live there after the first month. The Bowen bronze is doing something different. It’s connecting a specific local family — Reinell Boats, the photograph, the yacht club, the classmate who recognized her — to a specific physical spot on the redeveloped waterfront. That’s harder to walk past.
It also pairs really well with the Port’s broader case for the waterfront, which is essentially: this place was always something to people. The redevelopment isn’t building a destination from scratch. It’s building a destination on top of a working harbor that already had stories, families, and kids who looked out at boats. The bronze makes that argument quietly and without a press release.
What we’d like to see next
One thing that’s still missing: signage. Right now there’s no plaque at the sculpture explaining who Bowen is, who Pettelle is, or what the original photograph was. People stop, look, take a picture, and walk on without the story. Adding a small interpretive sign — even just a QR code linking to the Port’s public art page — would multiply the value of the piece without changing it. The Port has done this well at other Waterfront Place installations and at Boxcar Park; this one deserves the same treatment.
Beyond that, the Bowen bronze sets a real bar for what additional public art on the waterfront should look like. As Phase 2 of Waterfront Place opens up new public spaces around Eclipse Mill Park and the Millwright District, the Port has a chance to keep going in this direction — local families, real people, specific photographs, named artists. Not generic.
Frequently Asked Questions
Where is the new Port of Everett bronze sculpture located?
Along the Central Marina esplanade at Waterfront Place, between Pacific Rim Plaza and Boxcar Park. It’s on the water side of the walking path.
Who is the girl depicted in the bronze?
Kathy Reinell Bowen, daughter of Edward Reinell, founder of Reinell Boats. The original photograph was taken by her father in the 1940s when she was approximately 4-5 years old.
Who created the sculpture?
Sultan, WA-based bronze artist Kevin Pettelle. The Port of Everett commissioned the piece, and Pettelle has indicated it’s among the last bronze sculptures he plans to make in his career.
When was the sculpture installed?
Late 2025, with a public unveiling held in February 2026.
Are there other public art pieces at the Port of Everett?
Yes. The Port has been building a public art collection along Waterfront Place for several years, including the illuminated orca installation at Boxcar Park, historical interpretation pieces at Pacific Rim Plaza, and signage installations throughout the development.
Is there a fee to see it?
No. The esplanade is a public walkway. Free parking is available throughout Waterfront Place — see the Port’s 2026 visitor parking guide for current rates and locations.
What was the original photograph?
A 1940s candid taken by Edward Reinell of his daughter Kathy looking out over the small Everett boat harbor that sat between what were then Pier 1 and Pier 2. The photograph hung at the Everett Yacht Club for decades, where a classmate of Bowen’s eventually recognized her.