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Tag: Everett Events

  • All City Fight Night: Worlds Collide Lands at Kings Hall on May 16 — A Six-Hour Amateur Kickboxing Card on Everett’s Best New Stage

    All City Fight Night: Worlds Collide Lands at Kings Hall on May 16 — A Six-Hour Amateur Kickboxing Card on Everett’s Best New Stage

    Q: What is All City Fight Night: Worlds Collide and when is it at APEX Everett?
    A: All City Fight Night: Worlds Collide is an amateur kickboxing card on Saturday, May 16, 2026 at Kings Hall inside APEX Everett (1611 Everett Avenue, third floor). Doors are at 5 PM and the event runs until 11 PM. VIP tickets are on sale through Ticketmaster; general admission is set to drop later. The card features fighters from across the Pacific Northwest and is open to all ages with the venue’s standard event policies.

    Verdict: GO. Three reasons, named: (1) amateur kickboxing on this scale is genuinely scarce in the I-5 corridor north of Seattle, and the matchups are billed as fighters traveling in from across the Pacific Northwest “and beyond,” (2) Kings Hall is the right room for a fight night — it is the largest room at APEX Everett, with sight lines built for stage-forward shows and capacity that sits in the meaningful middle between a club and an arena, and (3) the format is six hours of action from doors to last bell, which is the kind of value that does not happen at a music show in this city.

    The Friday-and-Saturday-night culture in downtown Everett right now is mostly tribute bands and touring rock acts at the Historic Everett Theatre and Tony V’s Garage. May 16 breaks that pattern. If you have ever wanted to watch live combat sports without driving to Tacoma or down to Tukwila, this is the date you put on the calendar.

    What’s Actually on the Card

    The official All City Fight Night listing through APEX Everett describes “Worlds Collide” as an evening of amateur kickboxing with fighters drawn from across the Pacific Northwest and beyond. The promoter pitches every bout as action-packed and skill-forward — language that the APEX events page reproduces verbatim from the All City Fight Night camp.

    A few specifics worth holding onto. Doors open at 5 PM. The event is scheduled to run six hours, ending at 11 PM. The venue is Kings Hall, which is the third-floor performance space inside APEX Everett at 1611 Everett Avenue. VIP tickets are already on sale through Ticketmaster — the event listing carries Ticketmaster’s “GA tickets drop soon” call-out at the time of publication, which means general admission has not yet been released to the public. Watch the Ticketmaster page if you want a non-VIP seat.

    The promoter — All City Fight Night, based in Everett — runs amateur kickboxing cards on a recurring basis under the same brand. Their .com lists the May 16 Kings Hall date among their upcoming events and routes ticketing directly to the same Ticketmaster URL APEX uses on its venue page. Two independent sources, same date, same venue, same ticket URL: the show is real.

    Why Kings Hall Is the Right Room for This

    Kings Hall is the largest performance room inside APEX Everett, a multi-floor downtown entertainment complex that the operators have built out specifically around live programming. It sits on the third floor of the building. Four other rooms operate inside APEX — El Sid, the Box Office Bar, Penny Lane, and the rooftop — but Kings Hall is where the touring acts land. The Crystal Method and Rabbit in the Moon are playing the same room on June 13. Antwane Tyler and Fretland played it on May 2.

    A kickboxing card needs a room with a center-stage focal point and clear sight lines from every level. Kings Hall delivers that. The capacity sits in the right zone for a regional amateur card — large enough to feel like a real event, small enough that no seat in the building is bad. That matters for combat sports because fight nights die in cavernous arenas where the crowd cannot see the canvas.

    The age policy for a typical Kings Hall touring show is 18-plus or 21-plus depending on the act. The All City Fight Night listing on the APEX events page does not explicitly call out an age restriction in the visible event metadata, so confirm at the door or via the Ticketmaster purchase flow before you bring anyone under 21.

    What “Amateur Kickboxing” Actually Means

    If you have not been to a live fight card before, here is the short version. Amateur kickboxing in the United States operates under sanctioning bodies that enforce weight classes, headgear and shin-pad requirements, three-round bout formats, and strict referee oversight. The fighters are not professionals — they do not get paid purses — but the talent at this level can be extraordinary. Many of the fighters on a card like this one are training out of legitimate gyms in the region and chasing either pro debuts or amateur national titles.

    Pacific Northwest amateur kickboxing has a deeper bench than most casual fans realize. Seattle, Tacoma, Spokane, Portland, and the smaller Snohomish County gyms feed cards like this one. The “and beyond” language in the promoter’s pitch suggests fighters traveling in from outside the immediate region as well — possibly British Columbia, Oregon, or Northern California, depending on the matchmaking.

    Six hours of fight cards typically means somewhere in the range of 10 to 14 bouts, with breaks between fights. Plan accordingly. Eat before you arrive. The Box Office Bar and El Sid downstairs in the APEX complex are options for between-fight food and drink without leaving the building.

    How to Get In and Where to Park

    APEX Everett sits at 1611 Everett Avenue in downtown Everett, two blocks east of Wetmore and a block north of Pacific. Kings Hall is the third-floor space; you’ll see signage in the lobby. The building has its own elevator access for upper floors.

    Parking in downtown Everett on a Saturday night is real but not impossible. The Everpark Garage at 2802 Wetmore Avenue runs $1 per hour and is a five-minute walk to APEX. Street parking on Hewitt, Wetmore, and Colby is free after 6 PM. The lots on the north side of Everett Avenue closer to APEX itself fill up first.

    VIP ticket holders should check their Ticketmaster confirmation for any included perks — fight cards in this format sometimes include early entry, reserved seating, or meet-and-greet access depending on the package. The general admission tickets, when they release, will be the standing-or-first-come seating in the rest of the room.

    What This Says About APEX’s Programming

    The question every venue operator in the city was quietly asking when APEX Everett opened was whether downtown could support another mid-size live entertainment room. The booking pattern through spring 2026 is the answer. Kings Hall is booking rock, electronic, country, comedy, and now combat sports — a programming spread that suggests the operators are betting on the room’s flexibility rather than a single genre.

    A May 16 fight card slotted between a country show on May 2 and an electronic-music night on June 13 is exactly the kind of programming a healthy mid-size venue does. Tony V’s Garage cannot host a kickboxing card. Historic Everett Theatre will not. The Funko Field grandstand is a baseball park, not a fight venue. Kings Hall is the only Everett room equipped to put on this kind of show, and they’re using it.

    The downtown cultural calendar is denser in May 2026 than in any month since pre-2020. Sorticulture is three weeks out. Schack Art Center’s Contemporary Northwest Artists exhibit opens May 28. The Historic Everett Theatre has Richard Marx on May 8, Corduroy on May 9, Canned Heat and Big Brother and the Holding Company on May 29. Tony V’s has a full slate. Inside that calendar, the All City Fight Night date is the one event that brings a different audience downtown — combat-sports fans who do not necessarily show up for a Pearl Jam tribute or a garden festival. That is good for the city.

    The Bottom Line

    May 16, 5 PM doors, 11 PM finish, Kings Hall at APEX Everett, 1611 Everett Avenue, third floor. VIP tickets through Ticketmaster now; GA when it drops. Six hours of amateur kickboxing on the best mid-size stage in downtown Everett. If the matchups even come close to the promoter’s pitch, this is the most interesting Saturday night the city has hosted in months.

    Wear something you can move in. The room is upstairs.

    Frequently Asked Questions

    Where is All City Fight Night: Worlds Collide on May 16, 2026?
    Kings Hall, the third-floor performance room at APEX Everett, 1611 Everett Avenue, downtown Everett.

    What time does it start?
    Doors at 5 PM, event runs through 11 PM Pacific Time.

    How do I buy tickets?
    VIP tickets are on sale through Ticketmaster. General admission is listed as “drop soon” on the APEX official event page and the All City Fight Night promoter’s site. Watch the Ticketmaster event page (event ID 0F00645A8B44775F) for the GA release.

    Is there an age restriction?
    The official APEX listing does not call out a specific age restriction in the visible event metadata. Confirm at point of purchase on Ticketmaster or at the door, especially if you plan to bring guests under 21.

    Where do I park?
    Everpark Garage at 2802 Wetmore Avenue is $1 per hour and a five-minute walk. Free street parking on Hewitt, Wetmore, and Colby after 6 PM. Lots closer to APEX on Everett Avenue fill up first.

    What kind of fights are on the card?
    Amateur kickboxing. The promoter pitches the bill as fighters from across the Pacific Northwest and beyond, with every bout described as action-packed and skill-forward.

    Where else is APEX programming this spring?
    The Crystal Method and Rabbit in the Moon are playing Kings Hall on June 13. Antwane Tyler, Fretland, and Racyne Parker played the same room May 2. APEX is becoming the booked-most-nights room in downtown Everett.



  • Polkadot Cadaver Is Coming to Tony V’s Garage on June 11 — Here’s Why This One Is Worth Your Thursday Night

    Polkadot Cadaver Is Coming to Tony V’s Garage on June 11 — Here’s Why This One Is Worth Your Thursday Night

    Polkadot Cadaver Is Coming to Tony V’s Garage on June 11 — Here’s Why This One Is Worth Your Thursday Night

    You’ve probably walked past Tony V’s Garage a hundred times without knowing what’s happening inside on any given Thursday. Here’s what’s happening on June 11, 2026: Polkadot Cadaver, one of the most genuinely weird and genuinely heavy bands working in American rock right now, is setting up at 1716 Hewitt Avenue and playing until nearly midnight. Tickets are $23.18 on Eventbrite. Doors open before 8 PM. Angry Toons open the night.

    That’s the short version. The longer version involves a 20-year creative obsession, a frontman who spent a decade rewriting what underground metal could sound like, and a venue that keeps pulling in acts Everett has no business booking — and yet somehow does.

    What Polkadot Cadaver Actually Sounds Like

    Polkadot Cadaver is the project of Todd Smith, who you might know better as the voice and primary creative force behind Dog Fashion Disco. If Dog Fashion Disco is the kind of band name that either stops you cold or makes you immediately pull up YouTube, you already have a sense of the territory. Smith has spent most of his adult life making music that doesn’t fit cleanly into any genre — avant-garde metal, experimental rock, dark circus, jazz-inflected hard rock — and Polkadot Cadaver is where that restlessness gets its most concentrated form.

    The band formed in the mid-2000s, initially as something of a side project while Dog Fashion Disco was on hiatus, and quickly developed its own distinct identity. Where Dog Fashion Disco can be theatrical and sprawling, Polkadot Cadaver tends to be heavier, faster, and more unsettling. The aesthetic runs toward horror and dark carnival imagery — not in a theatrical Halloween-costume way but in a genuinely off-kilter, dissonant-chord, what-key-is-this way. If you want a reference point: think late-period Primus meets Dillinger Escape Plan meets a Tom Waits album recorded in a basement at 2 AM. That still doesn’t quite capture it, but it’s closer than “metal band.”

    Albums like Megaton Shotblast (2009) and Sex Offender (2010) established the band’s reputation in the underground metal and experimental rock communities — not household names, but the kind of records that people who find them tend to keep for the rest of their lives. Smith’s vocal range is a significant part of what makes it work: he can go from a clean croon to a full thrash scream inside the same measure, and the band is tight enough to follow him wherever that goes.

    Why Tony V’s Is the Right Room for This

    Tony V’s Garage at 1716 Hewitt Avenue is a 400-capacity standing-room venue in the middle of downtown Everett. It books the kind of music that the Paramount doesn’t — touring acts who are too big for a bar but not quite at the theater level, with ticket prices that reflect that honestly. Twenty-three dollars gets you into a room where the stage is close enough that you can see the set list taped to the floor monitors.

    That intimacy matters for a band like Polkadot Cadaver. This is not music that benefits from distance. The odd time signatures and left-field genre pivots land differently when you’re close enough to feel the bass in your sternum. Tony V’s has hosted enough touring metal and hard rock acts over the years to know how to run a show at this volume level — the sound system is built for it, the staff know what they’re doing, and the crowd that shows up on a Thursday night for a bill like this tends to be there because they did the research, not because they stumbled in off the street.

    In a mid-size city with no dedicated all-ages metal venue and a concert market dominated by the Xfinity Center and the HET’s theater programming, Tony V’s fills a gap that matters. Polkadot Cadaver playing Everett at all is genuinely unusual — this is not a band that has historically saturated the Pacific Northwest touring circuit, and June 11 may be the only Washington date on this run.

    Angry Toons Opens

    Angry Toons is on the bill as the opening act. If you’ve been to enough shows at Tony V’s, you’ve probably encountered them — a local and regional punk-metal act that knows how to warm up a room without overstaying its welcome. Openers at this venue tend to take the set seriously, and getting the crowd moving before Polkadot Cadaver requires a band that can commit to the room’s energy. Showing up early is worth it. Doors and the opener are part of what makes a Thursday night at a 400-cap venue feel like an event rather than just a show.

    The Ticket Math

    $23.18 is the Eventbrite all-in price as of this writing, and the listing shows tickets in stock. The show is Thursday, June 11 — it starts at 8:00 PM and runs until 11:30 PM per the Eventbrite listing. That’s a real show, not a 45-minute set and out.

    For context: a comparable touring underground metal act at a Seattle venue would run you $28–$35 plus the drive, parking, and the particular joy of standing in line on Capitol Hill in the rain. June in Everett is drier, the venue is walkable from the downtown core, and the ticket is cheaper. The math is not complicated.

    Tickets are available now at eventbrite.com. Tony V’s Garage is at 1716 Hewitt Avenue, Everett WA 98201.

    The Bigger Picture

    Everett’s live music scene has a specific reputation problem: people who don’t live here assume there isn’t one. Shows at Tony V’s, APEX, and the Historic Everett Theatre have been quietly building a counter-argument to that for years, but the argument only works if people show up. Polkadot Cadaver is the kind of booking that — if the room fills — demonstrates that Everett can sustain a touring circuit for underground and experimental acts, not just cover bands and casino headliners.

    That’s not why you should go. You should go because Todd Smith is a genuinely exceptional songwriter and performer and the show is $23 on a Thursday night twelve minutes from most of downtown Everett. But the side effect of going is that it tells the booking infrastructure something useful: that this city will show up for something strange and heavy if you give it the chance.

    June 11. Tony V’s Garage. 8 PM. Polkadot Cadaver and Angry Toons. $23.18 at the door or on Eventbrite now while tickets last.

    Frequently Asked Questions

    What is Polkadot Cadaver?

    Polkadot Cadaver is an avant-garde metal and experimental rock project fronted by Todd Smith, the vocalist and primary songwriter of Dog Fashion Disco. The band blends heavy guitar riffs with jazz influences, dark carnival imagery, and unconventional song structures.

    Where is Tony V’s Garage in Everett?

    Tony V’s Garage is at 1716 Hewitt Avenue in downtown Everett, Washington 98201 — a standing-room live music venue with a capacity of approximately 400.

    How much are tickets to Polkadot Cadaver at Tony V’s on June 11, 2026?

    Tickets are $23.18 all-in and available through Eventbrite. The show starts at 8:00 PM and runs until approximately 11:30 PM.

    Is Polkadot Cadaver related to Dog Fashion Disco?

    Yes. Polkadot Cadaver is the primary side project and creative outlet for Todd Smith, the frontman of Dog Fashion Disco. The two bands share members and a similar avant-garde, dark aesthetic, though Polkadot Cadaver is generally heavier and more experimental in execution.

  • The Crystal Method and Rabbit in the Moon Are Playing Kings Hall in Everett This June — And This Bill Is Worth Clearing Your Calendar For

    The Crystal Method and Rabbit in the Moon Are Playing Kings Hall in Everett This June — And This Bill Is Worth Clearing Your Calendar For


    Q: What is The Crystal Method known for?
    The Crystal Method is a GRAMMY-nominated American electronic music act — originally the duo of Ken Jordan and Scott Kirkland, formed in Las Vegas in 1993 — who pioneered big beat electronica in the United States. Their platinum-selling debut album Vegas (1997) is one of the best-selling electronic albums in American history. Scott Kirkland now carries the project solo. On June 13, 2026, The Crystal Method headlines Kings Hall at APEX Everett alongside Florida rave legends Rabbit in the Moon.

    Verdict: GO. A GRAMMY-nominated act who headlined EDC, Lollapalooza, and Ultra Miami paired with one of the most theatrical rave acts America ever produced — all in an 800-person room. This is the kind of bill that plays much bigger cities than Everett.

    The Crystal Method and Rabbit in the Moon are coming to Kings Hall at APEX Everett on Saturday, June 13, 2026. Show time is 9:00 PM. Tickets start at $64 through Live Nation and Ticketmaster. This is an 18-and-older event.

    If you’re an electronic music fan living anywhere in Snohomish County and you’ve been waiting for a show that doesn’t require a drive to Seattle or a trip to a festival — this is the one.

    The Crystal Method: 30 Years of American Electronic Music, Distilled to One Stage

    There’s a version of American popular culture in the late 1990s and early 2000s that doesn’t exist without The Crystal Method’s fingerprints on it. The music appeared in video games, in films, in car commercials, in television soundtracks for the better part of a decade. It was everywhere because it was good — a specific American take on big beat and electronica that felt more muscular than what was coming out of the UK at the same time.

    Ken Jordan and Scott Kirkland formed The Crystal Method in Las Vegas in 1993, cutting their teeth on the early Los Angeles rave circuit after relocating. Their debut album, Vegas, came out in August 1997. It sold more than one million copies in the United States and was certified platinum by the RIAA in 2007. For a genre that was still fighting for shelf space in American record stores, that number meant something.

    They were GRAMMY-nominated. They headlined EDC, Lollapalooza, and Ultra Miami. They played more than 1,300 shows over the course of their run together. The Tweekend album in 2001 and Legion of Boom in 2004 followed Vegas into the Billboard Top 50 — high-altitude performance for electronic albums in that era. Divided by Night and the records that followed kept the project active through the 2010s.

    In 2017, Ken Jordan retired from music. Scott Kirkland carried the name forward as a solo project, continuing to write and perform as The Crystal Method. His most recent release, The Trip Out, is the seventh studio album under the Crystal Method banner and his second solo outing — a record that sounds like someone who has been making this music for 30 years and still finds it interesting.

    When Kirkland takes the stage at Kings Hall in June, he brings all of that history with him. The set will pull from the full catalog. If you have any nostalgia for Busy Child or Keep Hope Alive or Trip Like I Do, those songs still hit in a live setting in ways that the recordings don’t fully prepare you for.

    Rabbit in the Moon: The Most Theatrical Rave Act America Ever Produced

    The Crystal Method is the headliner. Rabbit in the Moon is the reason to arrive early.

    Rabbit in the Moon formed in Tampa, Florida, in the fall of 1992 — producer T.Confucius, DJ Monk, and performance artist Bunny. Orlando in the early 1990s was the underground rave capital of the American Southeast, and Rabbit in the Moon was among the acts who built that scene from nothing. They were among the first artists to mix theatrical live performance — costumes, staging, physical presence — with rave music at a time when most electronic acts were simply standing behind CDJs.

    Their 1993 track “O.B.E.” (Out-of-Body Experience) became one of the foundational records of American progressive breaks. Muzik magazine named it the most sought-after record of the previous decade when they ranked it in 2003 — a decade after it came out. That’s the kind of cultural shelf life that requires something genuinely original at the source.

    Their style draws from psychedelic trance, house music, and breakbeat, with a live presentation that prioritizes spectacle. A Rabbit in the Moon set isn’t background music for a room. It demands your attention. If you’ve never seen them, June 13 is an education.

    Kings Hall at APEX: The Right Room for This Bill

    This show happens in Kings Hall, the large-format concert room on the third floor of APEX Art and Culture Center at 1611 Everett Ave, Everett WA 98201.

    Kings Hall holds around 800 people. That’s the critical number here. The Crystal Method has played festival main stages and clubs that hold 5,000. Rabbit in the Moon has played massive warehouse events. When either of these acts plays a room this size, the energy concentrates. The show you get in an 800-person room is categorically different from what happens on a festival bill at scale — closer, louder from your position, more immediate.

    APEX has been booking at this level consistently: Antwane Tyler, Fretland, and Racyne Parker in May, The Crystal Method in June, Los Lobos and Los Lonely Boys in August. The booking calendar suggests the venue is staking a claim as a regional anchor for acts that don’t have a natural home between small clubs and arena shows. This is exactly the kind of venue Everett’s cultural calendar has needed.

    The venue is 18+ for this show. Tickets start at $64 through Live Nation (livenation.com) and Ticketmaster.

    The verdict breakdown:

    • Act unique to this market? Yes. Neither The Crystal Method nor Rabbit in the Moon has a scheduled Pacific Northwest show outside Everett in this window. If you want to see this bill in 2026, this is your show.
    • Right room for the act? Yes. 800 seats focuses rather than dilutes what both these acts do live.
    • Ticket price fair-market or below? From $64 for a co-headlining bill at this level is below what comparable shows cost in Seattle or Portland.

    Three for three. GO.

    What to Know Before You Go

    Date: Saturday, June 13, 2026
    Show time: 9:00 PM
    Venue: Kings Hall at APEX Art and Culture Center, 1611 Everett Ave, 3rd Floor, Everett WA 98201
    Phone: (425) 374-8307
    Age restriction: 18 and older
    Tickets: From $64 at Live Nation and Ticketmaster

    While you’re planning June, Sorticulture runs June 5–7 at Hewitt Avenue and Colby — a free outdoor garden festival that turns downtown into a different city for a weekend. If you’re making early June a cultural month, the two events don’t compete; they layer. The Schack Art Center’s Contemporary Northwest Artists Exhibition opens May 28 and runs through August 22 — the gallery is worth hitting before or after the show.

    Frequently Asked Questions

    Is The Crystal Method still active?

    Yes. Scott Kirkland continues to produce and perform as The Crystal Method following Ken Jordan’s retirement from music in 2017. The project’s seventh studio album, The Trip Out, is Kirkland’s second solo outing under the banner.

    Who is Rabbit in the Moon?

    Rabbit in the Moon is a Florida-based electronic music act formed in Tampa in 1992, consisting of producer T.Confucius, DJ Monk, and performer Bunny. Their 1993 track “O.B.E.” was ranked by Muzik magazine in 2003 as the most sought-after record of the previous decade. They were among the first acts to combine theatrical stage performance with rave music in the United States.

    How old do you have to be for the Crystal Method show at APEX Everett?

    The June 13, 2026 show at Kings Hall is an 18-and-older event. Valid ID required at entry.

    How much are tickets for Crystal Method at APEX Everett?

    Tickets start at $64 and are available through Live Nation and Ticketmaster. Prices may increase as the June 13 date approaches.

    Where is Kings Hall at APEX Everett?

    Kings Hall is on the third floor of APEX Art and Culture Center, located at 1611 Everett Ave, Everett WA 98201. The venue holds approximately 800 people and is APEX’s flagship mid-size concert room.

  • Red Karma Brings Taylor Swift’s Catalog to the Historic Everett Theatre This Friday — $30, All Ages, Doors at 6

    Red Karma Brings Taylor Swift’s Catalog to the Historic Everett Theatre This Friday — $30, All Ages, Doors at 6

    What time does Red Karma play at the Historic Everett Theatre on May 1?
    Red Karma takes the stage at the Historic Everett Theatre (2911 Colby Ave, Everett, WA 98201) on Friday, May 1, 2026 at 7:00 PM PDT. Doors open at 6:00 PM. Tickets are $30 general admission, with senior/military at $25 and children under 12 at $20.

    VERDICT: GO. All three criteria land: Red Karma is the only Taylor Swift tribute announced for this market this spring, the Historic Everett Theatre’s ~800-seat room is precisely the right size for this kind of act, and $30 GA undercuts every comparable tribute show in the Seattle market.

    The Historic Everett Theatre opened in 1901 as the Everett Opera House, and on Friday night — May 1 — it gets Taylor Swift.

    Not Taylor Swift. Red Karma, the Pacific Northwest tribute act that has spent years playing Swift’s catalog across the Emerald City and beyond. But in a 125-year-old building with original sight lines and real acoustics, with a stage that knows how to hold a show, the distinction matters less than you might think.

    The Essential Details

    The show is Friday, May 1 at 7:00 PM. Doors open at 6:00 PM. The venue is at 2911 Colby Ave, Everett, WA 98201. The show runs approximately 90 minutes, ending around 8:30 PM per the official listing. If you are driving downtown, plan for parking on the adjacent streets or in the nearby garages — Friday evening in downtown Everett fills up, but it fills up manageable.

    Tickets are $30 general admission. Senior and military pricing drops to $25. Children under 12 are $20. If you are bringing the whole family — three or more members — the Family Pack pricing comes out to $20 per person, making this one of the more affordable live music nights you will find anywhere in Snohomish County this spring. Tickets are available at events.theatreconcertconsulting.com/red-karma-2/.

    Why Red Karma in This Room Works

    Taylor Swift’s Eras Tour became the highest-grossing concert tour in recorded history. For the fans in Everett who could not get tickets, could not afford the resale prices, or simply did not want to navigate a stadium, the tribute band circuit has become the practical alternative — and it has gotten very good.

    Red Karma is a Pacific Northwest outfit. The band has built its reputation playing this specific market — Seattle stages, Puget Sound clubs, the broader Emerald City scene — and that touring knowledge shows. They understand this audience because they have played to it for years.

    The Historic Everett Theatre is the correct room for this act. The venue seats roughly 800 people. The stage is proportioned for a production that wants actual intimacy — where the performer can see the audience, where you can hear the arrangement without stadium reverb washing out the detail. Taylor Swift’s catalog spans more than a decade of genre-crossing: the country years, the pop transformation of 1989, the dark turn of Reputation, the indie-adjacent textures of Folklore and Evermore, the pop maximalism of Midnights. Getting any of those eras to land correctly requires a room where the sound does not fight itself. The HET stage has that.

    The building opened on November 4, 1901 as the Everett Opera House. It hosted Lillian Russell and Al Jolson in its early decades, survived a 1923 fire, was rebuilt in 1924, and was restored between 2000 and 2004. Seeing Taylor Swift’s catalog performed here — in a room that has held real theater, real concerts, and 125 years of Everett’s public life — is not a lesser experience than a stadium. It is a different experience. Specifically, it is better for almost every reason that matters in a live music context.

    The Ticket Math

    The Seattle comp range for comparable tribute acts at venues like the Neptune or Moore runs from roughly $35 to $60 or more for general admission on a Friday night. The $30 GA at HET is on the low end of that range for a dedicated performance space, not a bar stage.

    The Family Pack pricing at $20 per person for three or more members is worth naming directly. There is no Pacific Northwest market where you take three people to a live music event in a real theater for $60 total on a Friday night. That pricing, combined with an all-ages format, makes this a legitimate family event. If you have kids who are in the Swiftie phase right now and you have been looking for a way to make the live music experience work without stadium prices, this is it.

    What to Expect

    Red Karma covers Taylor Swift’s catalog across multiple eras. Expect the country-to-pop crossover material alongside the 1989 high points, the Reputation era, and material from Folklore, Evermore, and Midnights. The set runs approximately 90 minutes. The venue serves beverages. The building has coat check facilities.

    This is a Friday night in downtown Everett. Dinner before on Hewitt Avenue or Colby, show at 7, home by 10. That is a complete evening.

    The Rest of May at the Historic Everett Theatre

    Saturday, May 2, Trio Los Panchos — 50 Aniversario — brings the Latin ballad tradition to the same stage. Two consecutive nights, two completely different audiences, the same 1901 building. The following week brings Richard Marx on Friday, May 8, and Corduroy (Pearl Jam tribute) on Saturday, May 9. Later in the month, Canned Heat and Big Brother and the Holding Company land on May 29 for a night that puts two original Woodstock bands on one bill. Downtown Everett is putting together a legitimate entertainment calendar, and May is making the case.

    What You Need

    • Venue: The Historic Everett Theatre, 2911 Colby Ave, Everett, WA 98201
    • Date: Friday, May 1, 2026
    • Doors: 6:00 PM
    • Show: 7:00 PM — approximately 8:30 PM
    • Tickets: GA $30 / Senior-Military $25 / Children Under 12 $20 / Family Pack $20 per person (3+ members)
    • Ages: All ages
    • Buy tickets: events.theatreconcertconsulting.com/red-karma-2/

    Frequently Asked Questions

    Is the Red Karma show at the Historic Everett Theatre all-ages?

    Yes. The May 1, 2026 show is all-ages, with Family Pack pricing available for groups of three or more at $20 per person.

    What time do doors open for Red Karma at HET?

    Doors open at 6:00 PM. The show starts at 7:00 PM and runs approximately 90 minutes.

    How much are tickets for Red Karma at the Historic Everett Theatre?

    General admission is $30. Senior/military pricing is $25. Children under 12 are $20. Family pack (3 or more people) is $20 per person.

    Where is the Historic Everett Theatre?

    2911 Colby Ave, Everett, WA 98201. Phone: 253-422-4553. The building opened November 4, 1901 as the Everett Opera House.

    Is Red Karma a Seattle-area band?

    Red Karma is a Pacific Northwest tribute act based in the Seattle area, performing Taylor Swift’s catalog “across the stages of the Emerald City and beyond.”

    What songs does Red Karma play?

    Red Karma covers Taylor Swift’s catalog across multiple eras — from the country-era hits through Fearless and Red, through the pop transformation of 1989, Reputation, and into Folklore, Evermore, and Midnights.

    What other shows are coming to the Historic Everett Theatre in May?

    Richard Marx plays May 8, Corduroy (Pearl Jam tribute) plays May 9, and Canned Heat with Big Brother and the Holding Company headline May 29. Trio Los Panchos — 50 Aniversario — plays May 1 (same night as Red Karma, separate show). May at the HET is unusually strong.

  • Corduroy: The Pearl Jam Experience Lands at the Historic Everett Theatre May 9 — A Bay Area Tribute Plays the Grunge Catalog Inside a 1901 Opera House

    Corduroy: The Pearl Jam Experience Lands at the Historic Everett Theatre May 9 — A Bay Area Tribute Plays the Grunge Catalog Inside a 1901 Opera House

    Where can I see a Pearl Jam tribute band in Everett, WA? Corduroy: The Pearl Jam Experience plays the Historic Everett Theatre at 2911 Colby Avenue on Saturday, May 9, 2026. Doors open at 7:00 PM and the show starts at 8:00 PM. It’s an all-ages show. General Admission tickets are $40, with an Early Bird Special at $30 while supplies last. The dance floor will be open.

    Verdict: GO. This is a unique-to-this-market booking — a touring Pearl Jam tribute landing at Seattle’s nearest historic opera house — in the right-size room, at fair-market pricing for an all-ages show. Two of three GO criteria clear cleanly. The third — value — is well above the bar at $30 Early Bird.

    The Historic Everett Theatre opened in 1901 as the Everett Opera House. It is a 125-year-old building with a restored stage, hard sight lines, and roughly 800 seats when fully sold. That is the kind of room Pearl Jam grew out of — small theaters, opera houses, the rooms a band books before the rooms get too big to feel anything in. Forty miles down I-5, in a basement off the Off Ramp Café in October 1990, five guys playing under the name Mookie Blaylock opened a show that became Pearl Jam. The band has since played stadiums on every continent that has them. The Historic Everett Theatre is closer to the room those five guys started in than anything Pearl Jam has played in three decades.

    That is the frame for what happens on Saturday, May 9.

    The Show

    Corduroy: The Pearl Jam Experience is a Bay Area-based tribute band founded in the summer of 2016 in San Francisco. They are one of eleven Pearl Jam tribute acts worldwide that were selected to perform at the TEN 30th Anniversary Online Tribute Concert organized by Grunge Magazine in August 2021 — a peer-vetted credential, not a self-applied one. The band’s catalog runs from 1991 through current Pearl Jam material, which means the Ten, Vs., Vitalogy, and No Code eras get their full treatment alongside the post-2000 records.

    The Everett show is officially billed as Corduroy’s 10th Anniversary celebration — they took the stage as a band in summer 2016 and are working a year-long anniversary run through 2026.

    The basics, verified:

    • Date: Saturday, May 9, 2026
    • Doors: 7:00 PM | Show: 8:00 PM
    • Venue: The Historic Everett Theatre, 2911 Colby Avenue, Everett, WA 98201
    • Tickets: General Admission $40 (Early Bird Special $30 while available)
    • Age: All Ages
    • Format: Dance floor open

    Both the official venue listing at events.theatreconcertconsulting.com and Bandsintown event #108180402 confirm identical date, time, and venue.

    Why “Corduroy” Is the Right Name for a Tribute

    If you have to be a Pearl Jam tribute band, “Corduroy” is the name to take. The original song lives on Vitalogy, Pearl Jam’s third studio album, released in 1994. It hit number 13 on Billboard’s Modern Rock Tracks chart without ever being released as a commercial single. Eddie Vedder wrote it after seeing a replica of one of his thrift-store corduroy jackets in a fashion store at a markup of hundreds of dollars. The song is about a relationship — not between two people, but between one person and a million of them. It is the song where Pearl Jam, at the peak of their commercial moment, lashed out at the culture industry that had spent two years selling the band back to its own audience at retail.

    A tribute band naming itself after that specific track is making a small, sharp argument: we are here for the music, not the merch. That is the right argument to make in a 125-year-old room in downtown Everett.

    The Venue: Why It Matters

    The Historic Everett Theatre opened on November 4, 1901, as the Everett Opera House — a 1,200-seat room that hosted Lillian Russell, Al Jolson, and George M. Cohan in its earliest years. A 1923 fire gutted it. The building was reconstructed in 1924 as the New Everett Theater. The 2000–2004 restoration brought it back to its current configuration of roughly 800 seats with a working stage, full sound system, and the original architecture intact at the bones.

    For a Pearl Jam tribute show, this is the right room. Pearl Jam’s grunge-era catalog was written for spaces this size — the Crocodile, the Off Ramp, the Moore. When you scale those songs up to a stadium, you lose the feedback, the room noise, the sweat in the crowd. When you scale them down to a theater that has been hosting live performance since the McKinley administration, the songs carry differently. Black sounds like Black in an 800-seat opera house. It does not sound like Black in a 50,000-seat baseball park.

    Surrounding Context: The Historic Everett Theatre’s May Slate

    May 9 sits inside the busiest month the Historic Everett Theatre has run this spring. The full month, all dates verified against the venue’s Tickible JSON-LD:

    • Friday, May 1 — Red Karma: Taylor Swift tribute, doors 6:00 PM
    • Saturday, May 2 — Trio Los Panchos Nostalgia Tour: 50 Aniversario, externally ticketed via Tickeri
    • Friday, May 8 — Richard Marx: After Hours tour
    • Saturday, May 9 — Corduroy: The Pearl Jam Experience (this show)
    • Saturday, May 16 — Dana Gould: stand-up comedy via Eventbrite
    • Friday, May 29 — Canned Heat with Big Brother and the Holding Company: two original Woodstock bands co-headlining

    Six bookings in May, four of them music, two of them co-headlining heritage acts. The Historic Everett Theatre is not running a quiet spring — and June’s Sorticulture festival spills into the venue too with a free Ciscoe Morris lecture on June 7.

    What to Expect in the Room

    A few practical notes for anyone who has not seen a tribute show in this venue before. The dance floor will be open, per the event description — that is unusual for the Historic Everett Theatre and signals that the front of the house is being run as a standing pit rather than seated rows for this show. If you want to sit, arrive early and pick your spot. If you want to stand, arrive when doors open and walk to the front. Confirm seating policy at the box office on the night.

    The venue is at 2911 Colby Avenue. Street parking is free after 5:00 PM throughout downtown on Saturdays. The Everpark Garage is two blocks away on Hewitt Avenue if street is full.

    Why Pearl Jam Tributes Work Differently in the Pacific Northwest

    Pearl Jam was formed in Seattle in 1990 by Jeff Ament, Stone Gossard, and Mike McCready. Eddie Vedder joined as lead singer after writing lyrics on the back of a tape he received in San Diego. The band’s first official show was at the Off Ramp Café on October 22, 1990 — they took the stage as Mookie Blaylock and announced their new name as Pearl Jam onstage. Forty miles north of the Off Ramp, the Historic Everett Theatre was almost a century old by the time Vedder walked into a Seattle basement to audition.

    A Pearl Jam tribute playing the Historic Everett Theatre is not a tribute act passing through a generic venue. It is a tribute act playing the catalog of the Pacific Northwest’s defining rock band in a Pacific Northwest building that is older than the band’s drummer’s grandparents. Bay Area-based Corduroy gets to play Black, Yellow Ledbetter, Even Flow, and Alive in a room where the audience will know every word and where the building itself has been hosting live music since the year of Theodore Roosevelt’s first vice presidency.

    That is a specific kind of show. It does not happen often. It is happening on May 9.

    How to Get Tickets

    Tickets are sold through the Historic Everett Theatre’s box office at events.theatreconcertconsulting.com/corduroy-the-pearl-jam-experience/. The Early Bird Special at $30 is the better value while it lasts; once those run out, General Admission opens at $40. Both tiers sit well below the $50–$70 range that comparable tribute shows pull in Seattle proper. For an all-ages 800-cap room with a restored historic stage, this is fair-market pricing on the low side.

    The dance floor is open. Doors at 7:00 PM. Show at 8:00 PM. Bring layers — Everett Aprils get cold after sundown and the walk back to your car is two blocks of downtown air.

    Frequently Asked Questions

    What time does Corduroy: The Pearl Jam Experience start at the Historic Everett Theatre?

    Doors open at 7:00 PM and the show begins at 8:00 PM on Saturday, May 9, 2026.

    How much do tickets cost?

    General Admission is $40. An Early Bird Special is available at $30 while supplies last. Both tiers are sold through the venue’s box office.

    Is the show all ages?

    Yes. The Historic Everett Theatre lists this as an all-ages show, with the dance floor open during the performance.

    Where is the Historic Everett Theatre?

    The venue is at 2911 Colby Avenue, Everett, WA 98201, in downtown Everett. The building opened in 1901 as the Everett Opera House.

    Who is Corduroy: The Pearl Jam Experience?

    Corduroy is a San Francisco-based tribute band founded in summer 2016. They were one of eleven Pearl Jam tribute bands selected globally for Grunge Magazine’s TEN 30th Anniversary Online Tribute Concert in August 2021. The Everett show is part of their ten-year anniversary run.

    Is there parking at the Historic Everett Theatre?

    Free street parking is available throughout downtown Everett after 5:00 PM on Saturdays. The Everpark Garage on Hewitt Avenue is the nearest paid garage, two blocks from the venue.

    What other shows are happening at the Historic Everett Theatre in May 2026?

    The May slate includes Red Karma (Taylor Swift tribute) on May 1, Richard Marx on May 8, Dana Gould comedy on May 16, and Canned Heat with Big Brother and the Holding Company on May 29.



  • Sorticulture 2026 Returns to Downtown Everett June 5–7 — Ciscoe Morris, 140+ Vendors, and the Free Festival the City Built Its Summer Around

    Sorticulture 2026 Returns to Downtown Everett June 5–7 — Ciscoe Morris, 140+ Vendors, and the Free Festival the City Built Its Summer Around

    What is Sorticulture 2026? Sorticulture is Everett’s free Garden Arts Festival, held Friday through Sunday, June 5–7, 2026. The festival runs along Colby and Wetmore avenues in downtown Everett with 140+ garden artists and nurseries, the Sunnyside Nursery Garden Stage at Hewitt and Colby, free outdoor yoga at Wetmore Plaza, a wine garden hosted by Wick-Ed Wine & Social Club, and a Sunday afternoon lecture from Ciscoe Morris at the Historic Everett Theatre.

    Verdict: GO. Three reasons we’re calling it without hedging. (1) The lineup is unique to this market — over 140 garden artists and nurseries on one downtown grid, plus Ciscoe Morris on a 1901 stage on Sunday, plus the City of Everett, Schack Art Center, Funko, and Imagine Children’s Museum all within four blocks. (2) The room is the right size for the act — Sorticulture isn’t a stadium festival; it’s a downtown street festival that closes Colby and Wetmore and lets the venues hold the weekend. (3) Ticket value is honest: the festival is free, the yoga is free, the Ciscoe lecture is free, and the only money that has to leave your pocket is whatever you spend on plants, a glass of wine, or a food truck dumpling. The math is on Sorticulture’s side.

    If you have ever told yourself you should spend more weekends downtown, this is the one. Clear the calendar.

    The dates, the hours, the address — all of it

    Friday, June 5: 10 a.m. to 6 p.m.

    Saturday, June 6: 10 a.m. to 6 p.m.

    Sunday, June 7: 10 a.m. to 4 p.m.

    The festival fills the heart of downtown Everett along Colby Avenue from Everett Avenue to the north and Pacific Avenue to the south, then expands east and west along California Street toward Funko and Hewitt Avenue toward Port Gardner Bay. That’s a real footprint. You can spend three hours here without retracing your steps.

    Admission is free for all three days. No wristband, no ticket, no RSVP. Walk in.

    Ciscoe Morris at the Historic Everett Theatre — Sunday at 1 p.m.

    The single highest-leverage block on the schedule is Sunday, June 7, at 1 p.m. inside the Historic Everett Theatre at 2911 Colby Ave. Ciscoe Morris — the Pacific Northwest gardening voice most local gardeners grew up listening to on KIRO and watching on KING 5 — is giving a free lecture titled “Newest plant picks and Q&A,” and the venue’s own listing confirms it as a “free educational lecture on June 7, 1:00 pm.” This is a building that opened in 1901 as the Everett Opera House. The seating is real, the sight lines are real, and Ciscoe at 1 p.m. on a Sunday is the kind of programming you usually have to pay for at a botanical garden gala.

    If you have to pick one ticketed-feeling thing to do across the whole weekend, this is it. And it isn’t ticketed — it’s free.

    The Sunnyside Nursery Garden Stage — at Hewitt and Colby

    The festival’s main outdoor classroom sits at the intersection of Hewitt and Colby — about as central as Everett gets. The Sunnyside Nursery Garden Stage runs classes across all three days. Trevor Cameron from Sunnyside Nursery is the workhorse of the lineup, with sessions including “Hydrangea-licious!” (a deep cut on modern reblooming hydrangeas), “Japanese Maples,” “Gardening in the Shade,” and a “Pitcher Plants (Carnivorous Plants)” workshop at 11 a.m. that we’d happily watch sober.

    The stage is sponsored by Sunnyside Nursery — the venerable Marysville garden center that has been a fixture on the I-5 corridor for decades — and that sponsorship is the reason the stage exists in a recognizable form year after year. The festival itself is supported in part by Snohomish County Lodging Tax grants, which is what local lodging-tax dollars look like when they actually land in something the city’s residents can use.

    Free outdoor yoga at Wetmore Plaza

    Saturday and Sunday mornings, 11 a.m., Wetmore Plaza. Free. Hosted by Yoga Shala Everett. This is one of those rare festival add-ons that actually delivers — open-air yoga in a closed-street setting, surrounded by 140+ vendor booths, with garden art and the smell of plants on three sides. Bring a mat. If you forget the mat, bring a towel. If you forget the towel, the grass at Wetmore Plaza is forgiving.

    The wine garden, the food trucks, the kids

    The wine garden is hosted by Wick-Ed Wine & Social Club at 2707 Colby Ave, with live music inside the wine-garden zone. Snacks, beverages, and food trucks run throughout the festival footprint. You will not need to leave Sorticulture to eat.

    Youth activities are programmed by Imagine Children’s Museum, Everett Parks, and Funko — yes, that Funko. The Funko HQ flagship sits at 2802 Wetmore, less than two blocks from the festival’s spine, and Funko’s youth booths are part of why families with elementary-school kids treat Sorticulture as a default June weekend. The kids don’t run out of things to do, which is the entire point.

    Getting there, parking, and the Everett Transit shuttle

    ADA parking runs along Wetmore Avenue between Everett and California avenues. The downtown public parking garage is free on weekends — under-promoted but true. Pay lots in the immediate vicinity are inexpensive on a per-hour basis. And critically, Everett Transit runs a complimentary shuttle service to Sorticulture, which means if you live in north or south Everett you don’t need to fight the I-5 weekend traffic at all.

    Plan the visit as a downtown afternoon, not a quick stop. Park once. Walk the festival. Eat. Sit through a class. Walk back.

    How Sorticulture fits the rest of the weekend

    The Saturday night card downtown is heavy. Tony V’s Garage at 1716 Hewitt typically books shows the same weekend as Sorticulture, and the Historic Everett Theatre runs evening programming around the festival days too — recent culture-desk coverage of Schack Art Center’s Contemporary Northwest Artists exhibition opens around the same week, so a smart Saturday looks like Sorticulture during the day, gallery walk through Schack on Hoyt Avenue late afternoon, dinner downtown, and a show after sundown.

    The downtown cultural cluster — Schack at 2921 Hoyt, the Historic Everett Theatre at 2911 Colby, Funko at 2802 Wetmore, Tony V’s at 1716 Hewitt, and Imagine Children’s Museum nearby — is the reason Sorticulture works as well as it does. The festival is the pretext. The cluster is the product.

    What to actually buy at Sorticulture (the only opinionated section)

    If you have never been: skip the impulse buys on Friday and walk the entire grid first. The most interesting work — handmade pots, garden steel, ceramic ware, sculptural plant supports — sits in the middle blocks of the footprint, not the edges, and the best vendors sell out by Saturday afternoon. If you see a piece on Friday and it’s between $50 and $200, buy it then; if it’s over $200, sleep on it and come back Saturday morning before the foot traffic ramps. If you’re plant shopping, hit the Sunnyside Nursery presence and the regional nurseries first — the festival is one of the few places those nurseries bring inventory off their home lots.

    Frequently Asked Questions

    When is Sorticulture 2026?

    Friday through Sunday, June 5–7, 2026, with festival hours of 10 a.m. to 6 p.m. on Friday and Saturday and 10 a.m. to 4 p.m. on Sunday. Admission is free.

    Where exactly is Sorticulture held?

    Downtown Everett, along Colby Avenue from Everett Avenue (north) to Pacific Avenue (south), and east-west along California Street toward Funko HQ and Hewitt Avenue toward Port Gardner Bay. The Sunnyside Nursery Garden Stage is at the intersection of Hewitt and Colby.

    Is Ciscoe Morris really speaking at Sorticulture 2026?

    Yes. Ciscoe Morris is presenting “Newest plant picks and Q&A” on Sunday, June 7, 2026, at 1 p.m. inside the Historic Everett Theatre at 2911 Colby Ave. The event is free per the venue’s own listing and is part of the festival’s continuous-learning programming.

    How much does Sorticulture cost?

    Sorticulture is free. There are no admission fees, no wristbands, and no ticket purchases required for general festival access, the Sunnyside Nursery Garden Stage classes, the outdoor yoga, or the Ciscoe Morris lecture at the Historic Everett Theatre.

    Where do I park for Sorticulture?

    ADA parking is along Wetmore Avenue between Everett and California avenues. The downtown public parking garage is free on weekends. Affordable pay lots are available in the immediate vicinity. Everett Transit also runs a complimentary shuttle service to the festival.

    Is Sorticulture good for kids?

    Yes. Youth activities are programmed by Imagine Children’s Museum, Everett Parks, and Funko. Strollers work fine on the closed-street footprint, and Wetmore Plaza has open space for kids who need to burn energy between vendor stops.

    Are dogs allowed at Sorticulture?

    Sorticulture is an outdoor downtown street festival on closed public streets, so well-behaved leashed dogs are generally welcome in the festival footprint. Dogs are typically not permitted inside indoor venues like the Historic Everett Theatre or vendor tents that explicitly post otherwise. Bring water and watch the heat.

    What time does Ciscoe Morris speak?

    Sunday, June 7, 2026, at 1 p.m. inside the Historic Everett Theatre at 2911 Colby Ave. The lecture title is “Newest plant picks and Q&A” and seating is first-come.




  • Canned Heat and Big Brother and the Holding Company Land at the Historic Everett Theatre May 29 — Two Bands That Played the Original Woodstock, on One Stage in Downtown Everett


    Q: When and where can I see Canned Heat and Big Brother and the Holding Company in Everett?

    Friday, May 29, 2026 at the Historic Everett Theatre (2911 Colby Ave). Doors open at 6:00 PM, show at 7:00 PM. General Admission $65, Senior/Military $60, Family Pack (3+ tickets) $55 each. Tickets and the official listing are at events.theatreconcertconsulting.com.

    If you have ever wished you could have been at Max Yasgur’s farm in August 1969, the Historic Everett Theatre is doing the next best thing this spring. On Friday, May 29, 2026, two of the original Woodstock bands — Canned Heat and Big Brother and the Holding Company — are sharing one downtown Everett stage for a single night, in a venue that has been hosting live music in this town since five years before the Wright Brothers flew at Kitty Hawk.

    The official ask from the box office is delightful: “Dress up in your favorite 60’s hippie gear.” The official price tag on the marquee event is reasonable: $65 General Admission, $60 Senior/Military, $55 Family Pack when you buy three or more. And the official venue is a 1901 opera house at 2911 Colby Avenue, two blocks off Hewitt, that has been quietly building one of the most interesting tribute and heritage-act calendars on the I-5 corridor.

    This is one to clear the calendar for. Here is everything you need to know.

    The Show: Two Headliners, One Night, Doors at 6

    According to the official Historic Everett Theatre listing for the event, here are the confirmed details:

    • Date: Friday, May 29, 2026
    • Doors: 6:00 PM
    • Show: 7:00 PM (event ends approximately 10:30 PM per the venue’s posted end time)
    • Venue: The Historic Everett Theatre, 2911 Colby Ave, Everett, WA 98201
    • General Admission: $65
    • Senior / Military: $60
    • Family Pack: $55 per ticket when buying 3 or more
    • Box office / tickets: events.theatreconcertconsulting.com (the official ticketing site for the venue)

    This is a co-headlining bill. Both bands are listed equally on the venue’s marquee, both are playing full sets, and both are being marketed as a tribute to Woodstock-era rock. The “Relive Woodstock 1969” subtitle is the venue’s own framing.

    The HeraldNet entertainment desk also flagged the show in their April 22, 2026 weekly preview, which is how a lot of folks in Snohomish County first heard about it. If you missed that one in the paper, this is your second look.

    Who Is Canned Heat in 2026?

    Canned Heat formed in Los Angeles in 1966 — roughly six decades ago, depending on which day you count from. They are not a tribute band. They are the band, with original member Adolfo “Fito” de la Parra still anchoring the kit as drummer, bandleader, and unofficial historian of the project. Per the band’s official bio published on the venue’s event page, the current touring lineup is:

    • Fito de la Parra — drums, bandleader (in his 58th year with the group)
    • Dale Spalding — vocals, harmonica, guitar (18-year tenure as of 2026; coming out of New Orleans, with a deep blues résumé)
    • Rick Reed — bass (joined four years ago after stints with Paul Butterfield, John Mayall, and the Chicago Blues Reunion)
    • Jimmy Vivino — lead guitar and vocals (best known for his 28-year run as guitarist, arranger, and music director for Late Night with Conan O’Brien; before that, a 20-year career playing with Al Kooper, Charlie Musselwhite, Michael McDonald, and many others)

    The catalog they are pulling from is genuinely iconic. Per the band’s official biography, their three signature worldwide hits are “On The Road Again,” “Going Up The Country,” and “Let’s Work Together.” They played the 1967 Monterey Pop Festival. They headlined the original Woodstock in 1969 — Canned Heat’s set notes from setlist.fm and the Woodstock archives confirm they took the stage Saturday, August 16, 1969 around 7:30 PM at sunset, ripping through “Going Up the Country” and closing with “On the Road Again” as the encore.

    What makes this stop interesting beyond the catalog: in 2024, Canned Heat released “Finyl Vinyl,” their first studio album in fifteen years. The venue’s listing notes the record put the band back on charts around the world and got named to multiple Top 10 Blues Albums of the Year lists. So when they hit the stage at Everett, they are not just running through the hits. There is a reason to bring fresh ears.

    Who Is Big Brother and the Holding Company in 2026?

    Big Brother and the Holding Company is the band that, more than any other, you associate with Janis Joplin’s voice cutting through the late 1960s. They wrote and recorded “Piece of My Heart,” “Summertime” (the Gershwin standard, reimagined as a haunted blues), “Ball and Chain,” and “Bye Bye Baby” — songs that defined a moment. They were Janis’s band. They played Monterey Pop. They played Woodstock. They were the hinge between San Francisco psychedelia and stadium rock.

    The band has continued touring since reforming in 1987. Per their official bbhc.com bio and the venue’s event listing, the current lineup centers on two original members: drummer/songwriter David Getz and bassist/songwriter Peter Albin — both of whom were on the records, both of whom were on the Monterey and Woodstock stages. They are joined on this run by Darby Gould on lead vocals (formerly of Jefferson Starship; she handles the Janis catalog, including “Piece of My Heart,” “Summertime,” “Down On Me,” “Ball and Chain,” “Me and Bobby McGee,” and “Mercedes Benz”) and Tom Finch on guitar.

    The venue’s listing for May 29 calls them “the original architects” of the songs and notes that the band continues to introduce new material alongside the catalog. That is the right framing. This is not a tribute act. This is the band — with the original rhythm section — performing songs they wrote.

    About the Venue: A 1901 Opera House Hosting Woodstock-Era Legends

    The Historic Everett Theatre opened on November 4, 1901 as the Everett Opera House. Per the venue’s history page and Cinema Treasures, it was originally designed to seat 1,200 — about a sixth of Everett’s entire population at the time. The building faces 70 feet along Colby Avenue near the intersection with Hewitt and fills a trapezoidal lot 119 feet deep. In its first decades it hosted Lillian Russell, Al Jolson, Eddie Foy and the Seven Little Foys, and George M. Cohan. A 1923 fire gutted the interior. The theatre was rebuilt and reopened in 1924 as the New Everett Theatre.

    Today the venue’s working capacity is approximately 800. It is one of the longest-continuously-operating performing arts venues in Washington State, and its 125-year heritage is exactly the kind of room a Canned Heat set was made for: hardwood floors, a real stage, a real audience, no festival mud.

    Address: 2911 Colby Ave, Everett, WA 98201. Two blocks off Hewitt Avenue. Walking distance to most of downtown.

    Should You Go? Yes. Here Is the Honest Take.

    This is a curated recommendation, not a press release. There are three reasons this show is worth clearing your Friday for:

    1. The age math is real. Fito de la Parra is in his 58th year with Canned Heat. David Getz and Peter Albin have been playing these songs since they wrote them. Co-headlining tours of bands of this vintage do not come through Everett every year. Most folks who want to see a Woodstock-era band live at this point are buying a Las Vegas residency ticket and a flight. This is a $65 ticket eight blocks from the Funko HQ.

    2. The venue is the right size. The Historic Everett Theatre’s ~800-seat configuration means you will actually hear the band, see the band, and feel the room. Canned Heat at a stadium amphitheater is a different experience than Canned Heat in an 1,200-original-seat opera house. Pick the room.

    3. The pricing is not a gimmick. General Admission at $65 with a Senior/Military rate of $60 and a Family Pack rate of $55 (when buying 3+) is fair-market for a co-headlining heritage-act bill. Ticketmaster resale on this kind of pairing tends to land north of $100. Buy direct from the venue and you are getting the real number.

    The room is going to lean older — many of the people in attendance are going to have first-hand memories of these songs on the radio in 1969. Bring earplugs anyway. Canned Heat’s current live mix is loud the way it is supposed to be loud.

    The “Dress Up in Your 60’s Hippie Gear” Thing

    The venue’s official event listing — including their meta description — leads with the line “DRESS UP IN YOUR FAVORITE 60’S HIPPIE GEAR.” This is not optional flair on the marketing; it is the actual ask. Everett does not get a lot of theme nights at this scale. If you have a fringed vest in the closet, this is its night.

    If you don’t, downtown Everett’s vintage shops on Hewitt have you covered. Bell-bottoms, a tie-dye, a headband, you are good to go.

    How to Buy Tickets

    Tickets are sold through the official venue ticketing site at events.theatreconcertconsulting.com under the Canned Heat with Big Brother and the Holding Company event listing. The three available ticket types as of publication:

    • General Admission — $65
    • General Admission Senior/Military — $60
    • Family Pack (3+ tickets) — $55 per ticket

    A small ticketing fee is added at checkout, per the venue’s standard. Do not buy resale; buy direct from the venue’s Tickible-powered store.

    The Bigger Picture: The Historic Everett Theatre’s Spring 2026 Calendar

    The Canned Heat / Big Brother bill is the headliner of a May calendar that has been quietly stacking up. The same week, the Historic Everett Theatre is also presenting:

    • May 1 — Red Karma (Taylor Swift Tribute)
    • May 8 — Richard Marx (After Hours Tour, Friday, the show we already covered separately)
    • May 9 — Corduroy: The Pearl Jam Experience
    • May 16 — Dana Gould (stand-up comedy, presented by Everett Comedy Night)

    For a 1901 opera house running 800-seat shows, that is a serious month. Canned Heat closes it out the night before Memorial Day weekend.

    Frequently Asked Questions

    Is this a tribute band or the original Canned Heat?

    This is the original Canned Heat. Drummer and bandleader Adolfo “Fito” de la Parra has been with the band since 1968 and is in his 58th year as of 2026. The current lineup also includes Dale Spalding (vocals/harmonica/guitar), Rick Reed (bass), and Jimmy Vivino (lead guitar — formerly the music director for Late Night with Conan O’Brien). Per the band’s official bio published on the venue’s listing, this is the touring lineup.

    Is this a tribute band or the original Big Brother and the Holding Company?

    This is the original Big Brother and the Holding Company, with original members David Getz on drums and Peter Albin on bass — both of whom played on the Janis Joplin–era records, the 1967 Monterey Pop Festival, and the 1969 Woodstock Festival. Lead vocals on this tour are handled by Darby Gould (formerly of Jefferson Starship), who covers the Janis catalog. Tom Finch is on guitar.

    What time does the show start?

    Doors open at 6:00 PM. Show starts at 7:00 PM. The venue’s posted end time is approximately 10:30 PM.

    Where is the Historic Everett Theatre?

    2911 Colby Avenue, Everett, WA 98201. Two blocks west of Hewitt Avenue, in the heart of downtown Everett.

    How much are tickets?

    General Admission is $65. Senior/Military is $60. Family Pack (when buying 3 or more tickets in one order) is $55 per ticket. A small ticketing fee is added at checkout.

    Is there assigned seating?

    The venue’s listing offers General Admission tickets for this event, meaning seating is first-come, first-served within the 800-capacity room. Arriving close to doors at 6:00 PM is recommended for sight lines.

    What should I wear?

    The venue’s official event listing requests that attendees “dress up in your favorite 60’s hippie gear.” This is encouraged but not enforced. Tie-dye, fringe, bell-bottoms, headbands, and 1960s-era denim all welcome.

    Will Canned Heat play “On The Road Again” and “Going Up The Country”?

    The band’s current set list pulls from their full catalog of three worldwide hits — “On The Road Again,” “Going Up The Country,” and “Let’s Work Together” — alongside material from their 2024 album Finyl Vinyl, which was their first studio release in fifteen years and earned multiple Top 10 Blues Albums of the Year placements. Specific setlist for the Everett date has not been published in advance.

    Will Big Brother and the Holding Company play the Janis Joplin–era songs?

    Yes. Per the band’s official bio, lead vocalist Darby Gould performs the Janis catalog including “Piece of My Heart,” “Summertime,” “Ball and Chain,” “Down On Me,” “Me and Bobby McGee,” and “Mercedes Benz.” The venue’s listing specifically names “Piece of My Heart,” “Summertime,” “Ball and Chain,” and “Bye Bye Baby” as part of the show.

    Is the Historic Everett Theatre accessible?

    The Historic Everett Theatre is a 1901-built opera house with 1924 reconstruction. For specific accessibility questions including ADA seating and accessible entrances, contact the venue directly via the box office number listed on theeveretttheatre.org.

    Are food and drinks available at the venue?

    Concession options at the Historic Everett Theatre vary by event. Check the venue’s FAQ at theatreconcertconsulting.com/frequently-asked-questions for current concession details.

    Bottom Line

    Two of the bands that defined the late-1960s American rock canon — both with original members on stage, both with current studio material to back the catalog — are co-headlining one night at a 1901 opera house in downtown Everett for $65 a ticket on Friday, May 29. This is the kind of show Everett used to drive to Seattle to see. On May 29, Seattle is going to be driving here.

    Get the tickets. Wear the fringe. Show up at 6.

  • Schack Art Center Opens Its Biggest Art Week of the Spring on May 28 — Contemporary Northwest Artists Exhibition and Summer Auction Drop the Same Day

    May 28 is the day Schack Art Center stops being a casual drop-in and becomes the best weeknight art plan in Snohomish County. Two of the biggest things the gallery does all year — the Contemporary Northwest Artists Exhibition and the Summer Auction — open on the exact same Thursday. One runs through August 22. The other runs for eleven days. If you’ve been meaning to spend more time inside 2921 Hoyt Avenue, this is the week it earns your calendar.

    Here’s what’s going on, why it matters, and why downtown Everett’s best free art experience just got a lot more interesting.

    Quick answer: Schack Art Center’s Contemporary Northwest Artists Exhibition opens Thursday, May 28, 2026, and runs through August 22. The Summer Auction — a benefit supporting Schack’s free exhibitions and arts education programs — also opens May 28 and runs through June 7. Both are at Schack Art Center, 2921 Hoyt Avenue in downtown Everett. Gallery hours are Tuesday–Saturday 10 AM–5 PM and Sunday 12 PM–5 PM, and admission to the gallery is always free.

    Contemporary Northwest Artists: A Regional Snapshot That Actually Feels Current

    Schack is calling the headline show Contemporary Northwest Artists, and the framing is direct. In the gallery’s own words, the exhibition “showcases contemporary work by Northwest artists across all mediums” and “brings together artists working today to offer a wide-ranging view of current creative practices in the region, highlighting the voices, ideas, and approaches shaping the Northwest art scene now.”

    Translate that out of gallery speak: this isn’t a retrospective. It isn’t an invitational of the same five names you already know. It’s a living, present-tense look at what people in the Pacific Northwest are actually making right now — painting, sculpture, glass, fiber, ceramics, mixed media, the whole range of mediums Schack normally cycles through.

    That matters for two reasons.

    First, the Northwest has a genuinely distinct art identity, and the case can be made that Everett sits closer to the center of it than most people assume. The Schack building has quietly grown into, in its own words, “the premier visual arts destination between Seattle and Vancouver, B.C.” When a venue at that level programs a broad Northwest-artists show, it becomes a reference point for what the region thinks of itself this year.

    Second, this show sets the tone for the whole summer at Schack. It opens May 28 and doesn’t close until August 22. That’s almost three months of anchor programming, which means every Art Walk, every weekend drop-in, every out-of-town guest you drag to Hoyt Avenue between Memorial Day and the start of school lands inside the same curated experience.

    If you can only make one trip to Schack this summer, make the trip after the show is fully installed — usually a week or two after opening — and plan to spend at least 45 minutes. This kind of multi-medium group show rewards slow viewing.

    The Summer Auction: 11 Days, Real Art, and Why the Benefit Side Actually Matters

    While the Contemporary Northwest Artists Exhibition is the long-running headline, the Summer Auction is the action. It runs Thursday, May 28 through Sunday, June 7 — so call it one long opening weekend, plus another weekend, plus the weekdays in between.

    Schack’s own description of the Summer Auction: guests are invited to “browse and bid on original artwork, unique experiences, and curated packages while supporting Schack’s free exhibitions and arts education programs.”

    A few things are worth pulling out of that sentence.

    “Original artwork” is doing heavy lifting. Schack sits inside a North American Reciprocal Museum network and has steadily built a reputation for actual working artists donating actual working pieces — not poster prints, not reproductions. If you’ve ever wanted to buy a piece of Northwest art from the kind of artist who normally only shows in gallery settings, auction week is the window where the price point drops into range for regular Everett households.

    “Unique experiences and curated packages” is the part that usually sneaks up on first-time bidders. Studio visits, classes at Schack, dinner packages with local partners, behind-the-scenes gallery experiences — the non-artwork lots tend to draw competitive bidding specifically because they can’t be bought anywhere else the rest of the year.

    “Supporting Schack’s free exhibitions and arts education programs” is the part that should make you care even if you’re not bidding. Schack runs a heavy education program — classes for kids, teens, and adults, plus partnerships with Everett schools — and the reason its gallery is free every day of the week is because events like the Summer Auction close the funding gap. Bidding isn’t just shopping; it’s the mechanism that keeps Everett’s biggest gallery an open-door space.

    Why This Week Is a Bigger Deal Than It Sounds

    A lot of towns the size of Everett don’t have a gallery like Schack. A lot of galleries Schack’s size don’t run free public exhibitions seven days a week. A lot of free galleries don’t simultaneously run a regional headline show and a funding-critical auction on the exact same opening week.

    The stacked calendar is the story. One building, two major events, both starting May 28, both running inside a walkable downtown district that is slowly but clearly becoming one of the best evening art experiences in Snohomish County.

    If you’ve been following the slow cultural momentum downtown — Artists’ Garage Sale waitlists hitting capacity earlier each year, APEX Everett filling Kings Hall on weekends, the Historic Everett Theatre booking touring acts, Tony V’s Garage drawing legitimate regional touring bands — this Schack week fits the same pattern. Everett’s cultural weight is moving from “cute for a small city” into “actual regional destination,” and May 28 is one of the weeks that makes the case.

    How to Plan Your Visit

    Address: Schack Art Center, 2921 Hoyt Avenue, Everett, WA 98201

    Gallery hours (free admission): Tuesday–Saturday 10 AM–5 PM, Sunday 12 PM–5 PM (closed Mondays)

    Phone: (425) 309-7723

    Contact: artsinfo@schack.org

    Parking: Everpark Garage a block away (hourly), plus street parking on Hoyt and Wetmore

    Best day to go: A Thursday or Friday evening when downtown Everett is already awake — you can pair the visit with dinner on Hewitt Avenue or a show at the Historic Everett Theatre

    Best way to approach the Summer Auction: Start at the gallery in person to see pieces in context before bidding — the lighting and scale on a wall tell you more about a piece than any catalog image

    Frequently Asked Questions

    When does the Contemporary Northwest Artists Exhibition open at Schack Art Center? Thursday, May 28, 2026. It runs through August 22, 2026 at Schack Art Center, 2921 Hoyt Avenue in downtown Everett.

    When is Schack Art Center’s 2026 Summer Auction? The Summer Auction runs from Thursday, May 28, 2026 through Sunday, June 7, 2026. Bidding supports Schack’s free exhibitions and arts education programs.

    How much does it cost to visit Schack Art Center? Gallery admission is free. The Summer Auction is an event you can browse without bidding; costs only apply if you place winning bids.

    What are Schack Art Center’s hours? Tuesday through Saturday from 10 AM to 5 PM, and Sunday from 12 PM to 5 PM. Schack is closed on Mondays.

    Where is Schack Art Center? 2921 Hoyt Avenue, Everett, WA 98201, in downtown Everett between Pacific Avenue and Hewitt Avenue.

    Can I buy original artwork at Schack’s Summer Auction if I’m not an art collector? Yes. The Summer Auction is designed for a broad community of bidders, not just established collectors. Lots include original artwork as well as unique experiences and curated packages at a range of price points.

    What’s coming up after the Contemporary Northwest Artists show? Schack’s instructor exhibition, Years in the Making, opens June 18, 2026 and also runs through August 22. It features work by the artists who teach at Schack Art Center.

    Is Schack Art Center good for families? Yes. Schack is a family-friendly gallery and runs extensive arts education programming including classes for kids and teens. The Summer Auction itself is not specifically a family event, but visiting the gallery during auction week is a normal daytime drop-in.

  • Richard Marx’s After Hours Tour Lands at the Historic Everett Theatre May 8 — And This Friday Night Is Already Running Out of Seats

    Richard Marx — yes, that Richard Marx, the guy who held down the top of the Billboard Hot 100 in the late ’80s like it was his personal lease — is bringing his After Hours Tour into the Historic Everett Theatre on Friday, May 8, 2026 at 7:30 PM. One night. One of the most historically loaded rooms on Colby Avenue. And according to Bandsintown’s listing for the show, ticket availability is already down to a sliver.

    If you came up on “Right Here Waiting” on the car radio, if “Hold On to the Nights” was your slow-dance song, if “Endless Summer Nights” is permanently wired into your summer memory — this is the kind of show that only makes sense to skip if you truly hate joy. It is also, genuinely, one of the more unexpected bookings Everett has landed this spring.

    Here is everything worth knowing before you click buy.

    The Show at a Glance

    • **Who:** Richard Marx — five-time No. 1 Billboard hitmaker, After Hours Tour
    • **What:** Richard Marx live, supporting his January 2026 jazz-infused album After Hours
    • **When:** Friday, May 8, 2026 — 7:30 PM
    • **Where:** Historic Everett Theatre, 2911 Colby Avenue, Everett, WA 98201
    • **Tickets:** Official box office and links through everetttheater.org and theeveretttheatre.org; also listed on Bandsintown
    • **Availability:** Bandsintown’s listing for the Everett date showed very limited inventory remaining at time of publish

    If you have ever talked yourself out of a show because “we’ll grab tickets closer to the date” — do not do that here.

    Why This Booking Is a Big Deal for Everett

    Let’s zoom out for a second. The Historic Everett Theatre is not a 5,000-seat amphitheater. It is an intimate, roughly 800-seat room with 1901 opera-house bones — a building that’s been hosting touring artists since vaudeville was the dominant American art form. An artist with Richard Marx’s catalog — the kind of catalog that would sell out rooms five times the Everett Theatre’s size in bigger markets — playing a venue this small and this historic is the entire reason we keep telling people to watch this theater’s calendar.

    Between this booking, Canned Heat with Big Brother and the Holding Company on April 29, Trio Los Panchos on May 7, and Corduroy’s Pearl Jam tribute on May 9, the Historic Everett Theatre is quietly putting up one of the most stacked weekends in its modern concert history. Richard Marx on a Friday and a tribute to Pearl Jam the very next night in the same 1901 room — that’s not an accident of scheduling. That’s a room that’s been carefully programmed by people who know what they’re doing.

    About the After Hours Tour

    After Hours is Richard Marx’s jazz-infused studio album, released January 16, 2026. According to Marx’s interview with Billboard and his official tour site, the record was cut entirely live with a 24-piece ensemble — full takes, no studio patchwork, the way jazz records used to be made. The album’s lead-up singles included:

    • **”Big Band Boogie”** featuring saxophonist Kenny G
    • **”All I Ever Needed”** — a jazz-infused ballad featuring trumpeter Chris Botti
    • **”Magic Hour”** — co-written with Marx’s wife, Daisy Fuentes

    The tour officially kicked off April 16, 2026 and moves through Australia, the United States, the United Kingdom, and Canada through the year, including headline stops at Red Rocks and the London Palladium. Marx is also joining Rod Stewart for select dates on Stewart’s tour, and the two released a duet version of “Young at Heart” in 2026.

    The Everett Theatre show sits in a tight West Coast run. According to the official tour site, it is sandwiched between the Elsinore Theatre in Salem, Oregon (May 9) and the Holly Theatre in Medford, Oregon (May 10) — meaning Everett is the northernmost stop on that West Coast swing. This is the room and the date for the Puget Sound region. There is no closer option.

    What to Expect from the Setlist

    Tours built around a new jazz record still tend to honor the hits. On Richard Marx’s recent runs, the setlist has braided the new After Hours material with the songs everyone in the theater actually came to hear: “Right Here Waiting,” “Hold On to the Nights,” “Endless Summer Nights,” “Hazard,” “Satisfied,” “Should’ve Known Better,” “Now and Forever.”

    Here’s the career footnote worth appreciating while you’re there: according to his Wikipedia entry and Billboard’s own historical chart data, Richard Marx is the only male artist in history whose first seven singles all reached the top five of the Billboard Hot 100. That is an absurd statistic. That is a “you were extremely good at this” statistic. Sitting in a theater built in 1901 watching the guy who did that perform them live with a band — that’s the kind of thing you tell people about at work on Monday.

    Historic Everett Theatre: The Quick History

    If this is your first time inside the Historic Everett Theatre, here’s the context that makes the night hit harder:

    • **1901** — Opens as the Everett Opera House, hosting opera, vaudeville, and legitimate theater. Early-20th-century performers to grace the stage included Lillian Russell, Al Jolson, Eddie Foy and the Seven Little Foys, and George M. Cohan.
    • **1923** — A fire tears through the building, destroying the interior and collapsing part of the front wall.
    • **1924** — Rebuilt and reopened as the 1,200-seat New Everett Theater.
    • **2000–2004** — Restored to its current form. The room now operates as a classic movie screen, concert venue, and stage-production house, seating roughly 800.

    In other words: the same room that hosted Al Jolson in the 1910s is hosting Richard Marx on May 8. That lineage is not a marketing line. It is the physical building. That matters.

    Getting There + Logistics

    • **Address:** 2911 Colby Avenue, Everett, WA 98201
    • **Start time:** Doors typically open an hour before showtime; show at 7:30 PM
    • **Parking:** Colby Avenue street parking plus nearby downtown Everett garages — the Everpark Garage is one of the closest options for downtown events
    • **Box office / ticket links:** everetttheater.org and theeveretttheatre.org both route to the official ticketing. Show is also listed on Bandsintown for tracking
    • **Food and drink before the show:** Downtown Everett’s Hewitt Avenue is a four-minute walk. Tony V’s Garage, Lucky Dime, the restaurants along the Colby/Hewitt corridor — any of them will put you inside the theater well before the 7:30 curtain

    The Honest Verdict

    If you are the kind of person who already has tickets, you didn’t need this article. You’ve known for weeks.

    If you are the kind of person who wasn’t paying attention — this is your nudge. Five No. 1 Billboard hits. A brand-new jazz record cut live with a 24-piece ensemble. A 125-year-old theater that Al Jolson once played. Tickets already showing as limited availability. A Friday night in Everett.

    It is not complicated. Go.

    Frequently Asked Questions

    Q: What time does Richard Marx go on at the Historic Everett Theatre?

    A: The show is scheduled for Friday, May 8, 2026 at 7:30 PM. Doors typically open around an hour before showtime.

    Q: Where is the Historic Everett Theatre located?

    A: The Historic Everett Theatre is at 2911 Colby Avenue, Everett, WA 98201, in downtown Everett.

    Q: Are tickets still available for Richard Marx in Everett?

    A: At time of publication, Bandsintown’s listing for the Everett date showed very limited inventory remaining. Check everetttheater.org, theeveretttheatre.org, or Bandsintown for the current availability — this show may already be sold out by the time you read this.

    Q: What tour is this show part of?

    A: This is Richard Marx’s After Hours Tour, supporting his January 2026 jazz-infused album of the same name. The Everett date sits in a West Coast run between Salem, Oregon (May 9) and Medford, Oregon (May 10).

    Q: Will Richard Marx play his old hits or just new jazz material?

    A: Based on setlists from the tour, Marx is braiding material from the new After Hours album with his catalog of Billboard hits including “Right Here Waiting,” “Hold On to the Nights,” “Endless Summer Nights,” and “Hazard.”

    Q: How big is the Historic Everett Theatre?

    A: The current seating capacity is roughly 800 seats. That makes this show an unusually intimate setting for an artist of Richard Marx’s commercial stature.

    Q: Is the venue all-ages?

    A: The Historic Everett Theatre hosts all-ages concerts as a general rule. Verify at the box office if you’re bringing younger family members.

    Q: What’s the best place to eat before the show?

    A: Downtown Everett’s Hewitt Avenue corridor is a short walk. Tony V’s Garage, Lucky Dime, and the Colby/Hewitt dining cluster all work if you want to grab dinner and walk to the theater.

  • If You Missed Emo the First Time, Everett’s Bringing It Back — EMO Prom Lands at Tony V’s Garage May 30

    When and where is the EMO Prom at Tony V’s Garage?
    My Chemical Fauxmance presents The EMO Prom at Tony V’s Garage, 1716 Hewitt Ave in downtown Everett, on Saturday, May 30, 2026, from 8:00 PM to 11:30 PM. Tickets are sold through Eventbrite.

    If you spent any part of the mid-2000s drawing lyrics on your Chuck Taylors, this one’s for you. On Saturday, May 30, 2026, Tony V’s Garage turns 1716 Hewitt Avenue into a full-on time machine: My Chemical Fauxmance is throwing The EMO Prom, and on paper it might be the most purely fun night the downtown Everett music scene has on its spring calendar.

    The tag line from the organizer is, as it should be, unsubtle: “a night full of nostalgia, tears, and epic tunes.” Black eyeliner is not required, but it is extremely encouraged.

    The show at a glance

    • Date: Saturday, May 30, 2026
    • Time: 8:00 PM – 11:30 PM
    • Venue: Tony V’s Garage, 1716 Hewitt Ave, Everett, WA 98201
    • Host / band: My Chemical Fauxmance
    • Tickets: Eventbrite (search “My Chemical Fauxmance Presents The EMO Prom”)
    • Refund policy: Refunds available up to 7 days before the event, per the Eventbrite listing
    • Ages / bar policy: Tony V’s runs both 21+ and all-ages (bar with ID) nights; check the Eventbrite listing for this specific show’s designation

    Three and a half hours is a real commitment from a tribute-format band, which tells you exactly what kind of night this is. This isn’t a set and a soundcheck. This is a theme party with a live soundtrack — somewhere between a prom, a karaoke bar, and a Warped Tour flashback, all compressed onto the dance floor of the best small music room in downtown Everett.

    Why this show matters for the Hewitt Ave scene

    Tony V’s Garage has quietly become one of the most consistently interesting live music rooms north of Seattle, and that’s not a small claim. In the last few weeks alone, the venue has stacked a Tsunami Bomb all-ages punk show, an all-female Black Sabbath tribute, a night with Tony Foresta of Municipal Waste, and an Altered 90s tribute set on its calendar. This is a bar on Hewitt that will book Fall Out Boy tributes, actual hardcore legends, rock-and-roll burlesque, and emo prom nights on back-to-back weekends — and the crowd shows up for all of it.

    The EMO Prom fits that pattern perfectly. It’s themed, it’s social, it’s designed to fill the room, and it leans into the part of live music that Tony V’s does better than any other spot in Everett: it gives people a reason to show up together, in costume, ready to sing every word.

    If you haven’t been, a quick orientation: Tony V’s is a 21+ and all-ages dual-use rock room on Hewitt with a long bar along one wall and a sightline to the stage that’s surprisingly good even when the room is packed. Tickets sell through Eventbrite or at the door, and the venue’s own FAQ is blunt about it: don’t buy off secondary markets; they can’t help you if something goes wrong.

    What to actually expect from an “emo prom”

    Let’s be honest about the bit. My Chemical Fauxmance is, by name, a My Chemical Romance–forward tribute project. Emo Prom nights in the broader DIY touring circuit typically pull from the same handful of 2005–2012 anthems every serious fan can recite in their sleep: MCR, Fall Out Boy, Paramore, Taking Back Sunday, Jimmy Eat World, Dashboard Confessional, All Time Low, Panic! At The Disco. Exact setlist hasn’t been publicly posted yet, and we’re not going to invent one for you — but if you grew up on any of that era, you’re in the target demographic and you already know what songs are going to wreck you when the chorus hits.

    The “prom” framing is the point. Dress the part. Bring a date — or don’t, emo nights are extremely fine alone. Take one good photo before the mascara gives up. That’s the night.

    A few things worth knowing before you go

    • Get there early. Tony V’s recommends arriving early for good sightlines, and themed nights like this one historically sell faster as the date approaches.
    • Will call is at the door when doors open. Print the ticket or pull it up on your phone.
    • The bar is separate from the all-ages floor on mixed-age nights — pay attention to the Eventbrite designation for this specific show.
    • Parking on Hewitt is street meters plus the Everpark Garage a few blocks away. Plan a ride home if you’re drinking.

    What else Tony V’s is running around this show

    If EMO Prom isn’t your exact speed but the Tony V’s model is, there’s more on the spring calendar worth circling:

    • UNVEILED – A Rock Show for Change is listed on the venue’s Eventbrite for Saturday, May 2, 2026 at 8 PM. The organizer is framing it as a benefit-style rock night; we’d suggest confirming the cause and lineup directly on the Eventbrite listing before you buy.
    • Altered 2ks with Centuries (a Fall Out Boy tribute) hits the stage Saturday, June 6, 2026 at 8 PM — so if you want to extend the 2000s pop-punk reenactment one more week past the EMO Prom, the venue is already set up for it.
    • Polkadot Cadaver and Angry Toons play a Thursday night slot on June 11, 2026 — a real left turn from the tribute-night crowd and worth the detour if you like your rock heavier and weirder.

    That three-show stretch, plus the EMO Prom itself, is a pretty complete picture of what Tony V’s Garage does when it’s at its best: a mix of themed nostalgia nights, working tribute acts, and genuinely off-center touring bands, all landing on the same Hewitt Avenue floor.

    The take

    EMO Prom is one of the easiest recommendations we’ve had to make all month. It’s themed, it’s affordable, it’s local, it’s at the right venue, and the ceiling on “how much fun is this going to be” is basically set by how committed the room gets. Based on every other theme night Tony V’s has thrown in the last year, that ceiling is high.

    Put Saturday, May 30 on the calendar. Find the black jeans. We’ll see you on Hewitt.

    Frequently Asked Questions

    What is the EMO Prom at Tony V’s Garage?

    It’s a themed live music night presented by My Chemical Fauxmance at Tony V’s Garage in downtown Everett on Saturday, May 30, 2026, running from 8:00 PM to 11:30 PM. The event is billed as an emo-era nostalgia party with a live performance.

    Where is Tony V’s Garage?

    Tony V’s Garage is at 1716 Hewitt Avenue, Everett, WA 98201, in the heart of downtown Everett’s bar and music corridor.

    How much are tickets to the EMO Prom?

    Tickets are sold through Eventbrite. Exact pricing may vary by tier, and service charges apply to online purchases per Tony V’s official policy. Check the official Eventbrite listing for current pricing.

    Is the EMO Prom 21+ or all-ages?

    Tony V’s Garage hosts both 21+ and all-ages (bar with ID) shows, and each Eventbrite listing specifies which format a given show follows. Check the EMO Prom Eventbrite page for the age policy on this specific night.

    Who is My Chemical Fauxmance?

    My Chemical Fauxmance is a themed tribute-style act built around My Chemical Romance and adjacent emo-era material. They’re the billed performer and producer of the EMO Prom night at Tony V’s Garage.

    What time do doors open?

    The event page lists the start at 8:00 PM. Tony V’s recommends arriving early for good sightlines. Will-call tickets are available at the entrance once doors open.

    What should I wear to an EMO Prom?

    The organizer’s own language: “black eyeliner and Converse sneakers.” Anything 2005–2012 emo-era is on-theme — band tees, skinny jeans, studded belts, messy side-parts. Prom formalwear with an emo twist works too.

    Are refunds available?

    Per the Eventbrite listing, refunds are available up to 7 days before the event. Tickets are otherwise non-refundable and non-transferable per Tony V’s Garage policy.