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Tag: Everett Events

  • Dana Gould Is Coming to the Historic Everett Theatre on May 16 — Here’s Why You Should Be There

    Dana Gould Is Coming to the Historic Everett Theatre on May 16 — Here’s Why You Should Be There

    What time does Dana Gould perform at the Historic Everett Theatre on May 16?
    Dana Gould performs Saturday, May 16, 2026 at the Historic Everett Theatre (2911 Colby Ave, Everett, WA). Doors open at 7:00 PM, show starts at 8:00 PM. Tickets are $23 and available at the door. The show is presented by Everett Comedy Night.

    Verdict: GO. The headliner is unique to this market, the room is the right size, and $23 is a fair price for what you’re getting. All three boxes checked.

    The Short Version

    Dana Gould wrote and produced for The Simpsons for seven years. He’s been doing stand-up since he was seventeen. On Saturday, May 16, he’s performing at the Historic Everett Theatre as part of Everett Comedy Night’s Premier Stand-Up Comedy series. Doors at 7:00 PM. Show at 8:00 PM. Twenty-three dollars at the door. This is a real headliner playing a real room, and it doesn’t come around often in a market this size.

    Who Is Dana Gould

    Dana Gould was born in 1964 in Hopedale, Massachusetts and started doing stand-up comedy onstage at age seventeen. After studying briefly, he relocated to San Francisco to work full-time in the craft — years of sets, years of developing the perspective that eventually landed him a seat in the most competitive television writers’ room in the country.

    His run on The Simpsons lasted from 2001 through 2007. He worked as a writer and served as co-executive producer on seasons 14 through 18 — meaning he was in the room during one of the most widely distributed television eras in American history. In a 2005 episode he provided voice work as Don Knotts playing Barney Fife, an impression he’d been doing in his live act for years before it reached the show. If you’ve watched The Simpsons in the 2000s — and you have — some of those episodes have Gould’s fingerprints on them.

    The Simpsons credit is the one that puts his name in front of a general audience, but the rest of his career runs a different direction. In 2016 he created, wrote, executive produced, and starred in IFC’s Stan Against Evil — a horror-comedy series about a former small-town New Hampshire sheriff (played by John C. McGinley) who discovers the town is overrun by demonic entities tied to a seventeenth-century witch-burning event. Gould appeared as Kevin, a gravedigger and recurring presence throughout the show. Stan Against Evil ran for three seasons and 24 episodes across 2016–2018 before IFC cancelled it in January 2019. It’s exactly the kind of show that gets a cult following, and it has one.

    Since 2012, Gould has hosted The Dana Gould Hour podcast, which covers classic horror, pop culture, and comedy history with guests drawn from the community of people who care about the same strange corners of American entertainment that he does. Since 2021 he’s also hosted Hanging with Doctor Z on YouTube — a talk show recorded entirely with Gould in full Dr. Zaius makeup from Planet of the Apes, interviewing comedian and musician friends. It’s exactly what it sounds like.

    The thread running through all of it — the Simpsons years, the IFC series, the podcast, the Planet of the Apes talk show — is a very specific kind of intelligence about American popular culture. Fond, precise, and a little dark at the edges. That’s what you’re seeing on Saturday.

    Everett Comedy Night: The Series

    The show’s promoter is Everett Comedy Night, which runs the Premier Stand-Up Comedy series at the Historic Everett Theatre. Saturday is the 14th/4th Anniversary show — marking the series’ longevity and the established relationship between the promoter and the venue that makes events like this possible in a market this size.

    Getting a headliner of Gould’s caliber to play Everett requires the kind of track record that only comes from doing it consistently and not messing it up. Everett Comedy Night has that track record. When a real national touring comedian agrees to play a mid-sized Pacific Northwest city, it’s not by accident — it’s because someone has put in the work to make it worth doing.

    The Room

    The Historic Everett Theatre opened on November 4, 1901, as the Everett Opera House. A fire in 1923 required a full rebuild; the new building reopened in 1924. A restoration effort from 2000 through 2004 brought it back to working condition, and it operates today at approximately 800-seat capacity. Early performers in the building’s history include Lillian Russell, Al Jolson, and George M. Cohan — names that tell you what kind of room this was built to be.

    That capacity matters for comedy in a specific way. Stand-up at arena scale tends to lose something — the pauses, the timing, the audience relationship that makes the form work. At around 800 seats, a comedian of Gould’s caliber can do actual stand-up, not a version of it scaled up to fill a space too large for the act. The room fits the performer.

    Walking into a 125-year-old opera house to watch a comedian talk about writing for a cartoon and making a demon-hunting show is a particular kind of experience that doesn’t exist everywhere. The building adds something that a casino ballroom or a club with a low ceiling doesn’t.

    Three Reasons to Go

    The headliner doesn’t play Everett often. Dana Gould has credits that most touring comedians don’t — seven years on The Simpsons, a three-season IFC series, a podcast with a real following. When someone with that resume agrees to play Everett’s premier comedy series, you go.

    The price is right. Twenty-three dollars at the door for a comedian with this resume is a genuine deal. Compare what you’d pay for a comparable show at a Seattle venue, add parking and driving time, and the math isn’t close.

    The Historic Everett Theatre in May is worth your time. The building has had a strong spring — multiple well-produced shows, a room that feels alive. Saturday, May 16 is a good night to be in it.

    What You Need to Know

    Date: Saturday, May 16, 2026
    Doors: 7:00 PM
    Show: 8:00 PM
    Venue: Historic Everett Theatre, 2911 Colby Ave, Everett WA 98201
    Tickets: $23 — available at the door. Also via Eventbrite: Dana Gould in Everett! Premier Stand-Up Comedy! 14th/4th Anniversary!
    Note: This show is presented by Everett Comedy Night, not the Historic Everett Theatre. House gift certificates and theatre coupons are not valid for this event.

    May 16 Has Two Everett Options

    Saturday, May 16 is becoming a real night for downtown Everett events. On the same evening, All City Fight Night: Worlds Collide is running its six-hour amateur kickboxing card at Kings Hall at APEX Everett on 1611 Everett Ave. If you’re choosing: comedy at HET and kickboxing at APEX serve completely different audiences, and neither is a bad call for a Saturday night in May.

    If you’re already planning to be out that weekend, the rest of May at the HET is strong too. Canned Heat and Big Brother and the Holding Company — two of the original Woodstock bands — play the 29th, and Grupo Niche, the Latin Grammy-winning Colombian salsa orchestra, closes out May on the 31st. The building is having a moment this spring. May 16 is a good night to start.

    Frequently Asked Questions

    What time does Dana Gould perform at the Historic Everett Theatre on May 16?

    Doors open at 7:00 PM. The show starts at 8:00 PM on Saturday, May 16, 2026. The venue is at 2911 Colby Ave, Everett WA 98201.

    How much are tickets for Dana Gould at the Historic Everett Theatre?

    Tickets are $23 and available at the door. They are also available in advance via Eventbrite. This show is presented by Everett Comedy Night — house gift certificates and theatre coupons are not valid for this event.

    Is the Dana Gould show all ages?

    Age policy was not listed in the official event materials from the Historic Everett Theatre or Eventbrite listing. Check with the venue at events.theatreconcertconsulting.com or the Eventbrite listing before attending if age policy matters to your plans.

    What is Dana Gould famous for?

    Dana Gould is best known as a writer and co-executive producer on The Simpsons, where he worked from 2001 to 2007 across seasons 14 through 18. He also created, wrote, and starred in IFC’s horror-comedy series Stan Against Evil (2016–2018), which ran for three seasons and 24 episodes. He hosts The Dana Gould Hour podcast and has been a touring stand-up comedian since age seventeen.

    What is Everett Comedy Night?

    Everett Comedy Night is the promoter behind the Premier Stand-Up Comedy series at the Historic Everett Theatre. Saturday’s event is the series’ 14th/4th Anniversary show, reflecting the series’ history at the venue.

    Where is the Historic Everett Theatre?

    The Historic Everett Theatre is at 2911 Colby Ave, Everett WA 98201. The building opened on November 4, 1901 as the Everett Opera House. It operates today at approximately 800-seat capacity and has been hosting performances continuously since its restoration in the early 2000s.

    Are there other shows at the Historic Everett Theatre in May?

    Yes. Canned Heat and Big Brother and the Holding Company — two of the original Woodstock bands — perform May 29. Grupo Niche, a Latin Grammy-winning Colombian salsa orchestra, performs May 31. Both shows are ticketed through the HET box office at events.theatreconcertconsulting.com.

  • Petty Thief and Pretenders UK Hit Kings Hall on June 27 — A Double-Bill That Gets Classic Rock Right

    Petty Thief and Pretenders UK Hit Kings Hall on June 27 — A Double-Bill That Gets Classic Rock Right

    What is playing at APEX Everett on June 27, 2026?
    Petty Thief, Seattle’s tribute to Tom Petty and the Heartbreakers, headlines Kings Hall at APEX on Saturday June 27, 2026. Opening the night is Pretenders UK, a Seattle-based four-piece recreating the early 1980s Pretenders. Show time is 8:00 PM. Tickets from $41 via Ticketmaster (event 0F00647F843C4809). Kings Hall is located at 1611 Everett Ave, Everett, WA 98201.

    Verdict: GO. Petty Thief is the most authentic Tom Petty tribute in the Pacific Northwest — nineteen years running, a current lineup that has been working together since 2017, and a philosophy that treats the catalog as worth getting right. Pretenders UK brings the early Chrissie Hynde era specifically, which is where the Pretenders’ best work lives. Together on the Kings Hall stage for one Saturday night, this is the kind of double-bill where the opening act is not a throwaway.

    Three conditions met for GO: the lineup does not exist anywhere else in this market window, Kings Hall is the right room for this material, and tickets from $41 for two bands is fair-market or below.

    Everett’s newest dedicated concert stage has spent its first year building a habit of landing acts that could be playing larger rooms in Seattle but show up here instead. The Crystal Method and Rabbit in the Moon in June. All City Fight Night in May. Petty Thief and Pretenders UK on June 27 continues that calendar. The value of a room like Kings Hall is that it does not require an act to be an arena act. The material Tom Petty recorded was designed to be played live in a room where you can hear every guitar part, where the room fills with the sound of the band, and where the person next to you is as locked in as you are. That is what you get here.

    Petty Thief: Nineteen Years of Not Being a Novelty Act

    Tom Petty died on October 2, 2017. He was 66. He left behind 40 years of recordings with the Heartbreakers that defined what American rock looked like when it was running correctly — inducted into the Rock and Roll Hall of Fame in 2002, five number-one albums, and a catalog that still sounds like it was written yesterday when played in a room where the speakers are pointed at you.

    Petty Thief did not form in response to that loss. Andy Volmer started the band in 2007 as a Halloween spoof — he and some friends dressed as Tom Petty & the Heartbreakers and called themselves “Refugees” for one party. That was supposed to be the end of it.

    It wasn’t. By 2026, Petty Thief is in its nineteenth year, and the current lineup — Volmer, Steve Crabtree, Mark Mosholder, John Paredes, and Rick Bourgoin — has been performing together since the fall of 2017. The five of them locked in right after Petty’s death and set a standard for themselves that Volmer has described explicitly: “We wanted to approach the tribute genre as a true live rock and roll band, not a novelty act.”

    That matters because the Tom Petty tribute circuit has a lot of novelty acts. Costume shows. Medley bands. Revues built around three songs everyone knows and a lot of filler. Petty Thief plays the full catalog — “American Girl,” “Free Fallin’,” “I Won’t Back Down,” “The Waiting,” “Breakdown,” “Runnin’ Down a Dream,” “Learning to Fly” — and treats the material the way Petty would have wanted it treated: as rock songs, not museum exhibits.

    The current lineup is the most stable the band has ever been. When five musicians have been playing the same catalog together for almost a decade, what you hear is not a band approximating the sound — it’s a band that has internalised it. There is a difference, and you can hear it live.

    Pretenders UK: The Opening Act That Is Also a Reason to Show Up Early

    Pretenders UK opens the bill. They are a Seattle-based four-piece, and their specific commitment is to the early 1980s Pretenders — the Chrissie Hynde era that produced the records most people associate with the band’s peak.

    That era produced “Brass in Pocket” in 1979. “Talk of the Town” in 1981. “Back on the Chain Gang” in 1982. “Middle of the Road” in 1984. It is the decade when the Pretenders were defining what new wave sounded like when it had real guitar work behind it — harder than the synth acts of the period, more melodic than punk, built around Hynde’s rhythm guitar and voice in a way that no one else in that window matched.

    Pretenders UK focuses on that era specifically. That is a curatorial choice, and it’s the right one. The original Pretenders went through significant lineup changes across the decade — the early 1980s period is musically coherent in a way the later catalog is not. A tribute band that picks an era and commits to it is a different proposition than one trying to cover everything. Show up before 8:00 PM. Pretenders UK is not a warm-up.

    Why This Double-Bill Works

    Tom Petty and Chrissie Hynde were not the same kind of artist, and that is the reason this bill lands well. Petty was American heartland rock — guitars, road imagery, working-class romanticism delivered with a Gainesville, Florida drawl that managed to sound both regional and universal. The Pretenders were a British-American hybrid, new wave by genre classification but louder and more guitar-forward than that label implies, anchored by a frontwoman who wrote differently than her contemporaries.

    The two catalogs share a refusal to be precious. Petty’s music worked at stadium scale and on a car radio simultaneously. The Pretenders played arenas and sounded like they had something to prove every night. Both bands earned their place in the Rock and Roll Hall of Fame by making records that did not age out.

    A double-bill built around this pair of catalogs has internal logic. If you are the kind of person who stayed through the Heartbreakers set at any festival you attended in the last three decades, you are also the kind of person who already knows every word to “Brass in Pocket.” One night. One room. Same ticket. And if you need one more reason: Everett has proven this summer that it can host legacy classic rock acts done right — Canned Heat and Big Brother showed that in May.

    The Logistics

    Where: Kings Hall at APEX Art and Culture Center, 1611 Everett Ave, Everett, WA 98201.
    When: Saturday June 27, 2026. Show time 8:00 PM.
    Tickets: From $41 at Ticketmaster (event 0F00647F843C4809). Also available via SeatGeek. Purchase in advance — tribute shows at Kings Hall have sold ahead of date.

    Frequently Asked Questions

    What time does Petty Thief start at Kings Hall APEX Everett?

    Show time is 8:00 PM on Saturday June 27, 2026. Pretenders UK opens the night before Petty Thief headlines. Kings Hall at APEX Art and Culture Center is at 1611 Everett Ave, Everett, WA 98201. Tickets from $41 via Ticketmaster event 0F00647F843C4809.

    Who is opening for Petty Thief at APEX Everett on June 27?

    Pretenders UK opens the show — a Seattle-based four-piece dedicated to the early 1980s Pretenders catalog, including “Brass in Pocket,” “Back on the Chain Gang,” “Talk of the Town,” and “Middle of the Road.” This is not a warm-up act; they are the second reason to buy a ticket.

    Who is Petty Thief and are they from Seattle?

    Petty Thief is Seattle’s tribute to Tom Petty and the Heartbreakers. Founded in 2007 by Andy Volmer, the current five-piece lineup has been together since 2017. Volmer describes their approach as “a true live rock and roll band, not a novelty act.” They are the Pacific Northwest’s longest-running Tom Petty tribute.

    How much are tickets for Petty Thief at APEX Everett?

    Tickets start from $41 via Ticketmaster (event 0F00647F843C4809) and SeatGeek. For a two-band tribute night in a mid-size room, that is competitive pricing — single-act cover shows at seated venues in the greater Seattle area typically run $60–$90.

    What songs will Petty Thief play at APEX Everett?

    Petty Thief plays the full Heartbreakers catalog — expect “American Girl,” “Free Fallin’,” “I Won’t Back Down,” “The Waiting,” “Breakdown,” “Runnin’ Down a Dream,” “Learning to Fly,” and more. They play the hits and the catalog, not a three-song medley.

  • Grupo Niche Is Coming to the Historic Everett Theatre on May 31 — A Latin Grammy-Winning Salsa Orchestra in an 1901 Opera House

    Grupo Niche Is Coming to the Historic Everett Theatre on May 31 — A Latin Grammy-Winning Salsa Orchestra in an 1901 Opera House

    Is Grupo Niche playing in Everett, WA in 2026?
    Yes. Grupo Niche — the Latin Grammy-winning Colombian salsa orchestra founded in Cali in 1978 — performs at the Historic Everett Theatre (2911 Colby Ave, Everett WA) on Sunday, May 31, 2026 at 7:00 PM. Tickets are available through events.theatreconcertconsulting.com and secondary markets.

    Verdict: GO. Unique-to-market touring act. Right-size room for a brass-forward Latin orchestra. The Historic Everett Theatre’s most ambitious Latin booking since reopening under new ownership. If you have any connection to salsa music, clear Sunday, May 31.

    The Setup

    A Sunday night in a 125-year-old opera house. A Colombian salsa orchestra with 47 years of catalog and a Latin Grammy on the shelf. Eight hundred seats on Colby Avenue.

    That is what May 31 looks like at the Historic Everett Theatre.

    Grupo Niche — not a tribute act, not a cover band, but the actual Cali orchestra founded in 1978 by Jairo Varela — is coming to Everett. If you have any connection to Latin music, to salsa, to the specific joy of hearing a full brass section tear through “Cali Pachanguero” in a room this intimate, this is the show. It is not a show you will find again at this scale in the Pacific Northwest any time soon.

    Who Grupo Niche Is

    Grupo Niche was born in Cali, Colombia in 1978. Jairo Varela and Alexis Lozano built the orchestra with the conviction that Colombian salsa deserved to stand beside — and ahead of — the New York and Puerto Rican traditions that dominated the genre at the time.

    Their 1984 album No Hay Quinto Malo contained a single called “Cali Pachanguero,” a tribute to the city’s carnival spirit. It became one of the defining songs of the salsa genre. It still plays at every Grupo Niche concert, and when it does, rooms of 800 people tend to become one organism.

    The catalog extends well beyond that song. “Cali Ají,” “Sin Sentimiento,” “Una Aventura,” “Buenaventura y Caney,” “Debiera Olvidarla” — these are songs that defined Latin dancefloors across the Americas, Spain, and wherever the Colombian diaspora settled. In 1986, Grupo Niche became the first Colombian orchestra to perform at Madison Square Garden, part of the World Salsa Festival. In 1989, they played to one million fans at Lima’s Campo de Marte park in Peru.

    Maestro Jairo Varela died on August 8, 2012. The group continued under the direction of longtime members, and in 2020 won the Latin Grammy Award for Best Salsa Album with 40, a fortieth-anniversary record. The group is still recording, still winning hardware, and still performing at the level that earned those credentials. Forty-seven years in, this is not a nostalgia act — it is a working orchestra with an active catalog and a live show that has filled venues across two continents this decade.

    None of that usually arrives at a venue that seats 800 people in Snohomish County. May 31 is the exception.

    Why the Room Is Right

    The Historic Everett Theatre opened in 1901 as the Everett Opera House. The building survived a 1923 fire, was rebuilt in 1924, and operated for decades as one of the Pacific Northwest’s working music venues. By 2025, Bellevue real estate investor Johnny Phan had purchased it for $1.5 million and put hundreds of thousands more into renovations before reopening in September 2025 — the latest chapter for a room that has hosted everything from vaudeville performers to grunge-era tribute acts.

    For salsa, the room size is an asset. Salsa at 800 seats means the brass section hits differently than it does at a 5,000-seat amphitheater. You can hear the rhythm section individually. The coro — the call-and-response vocal hook that defines salsa’s live energy — echoes in a room this size instead of evaporating into a sound system the size of a building.

    If you have seen Grupo Niche in a large theater or arena context, the Historic Everett Theatre is a different kind of show. If you have never seen them live, this room is an argument for starting here rather than waiting for a bigger venue.

    What to Expect at the Show

    A typical Grupo Niche concert runs 90 minutes to two hours. The set draws from a catalog spanning four decades, and the group sequences it to build toward the signature moments. Recent setlists have included “Un Alto en el Camino,” “Buenaventura y Caney,” “Sin Sentimiento,” and “Cali Ají” alongside material from the 2020 Latin Grammy-winning 40 album. “Cali Pachanguero” is always in the set, and it always closes a chapter of the show at high volume.

    The touring lineup includes featured vocalists, a full horn section, piano, bass, percussion, and a coro that fills whatever space it occupies. There will be dancing. If you know how to salsa, you will find floor space near the stage. If you do not, watching the people who do from 20 feet away is its own kind of entertainment.

    Dress for dancing if you plan on it. The venue does not have a dress code, but you will not be the first person there in something worth moving in.

    The Full Last Weekend of May

    If you are building a cultural calendar around this show, the timing works unusually well. Three days of the same weekend offer three different reasons to be downtown.

    On Friday, May 29, Canned Heat and Big Brother and the Holding Company play the same stage — two bands that performed at the original Woodstock on one Historic Everett Theatre bill. The request is that you wear something that looks like it came out of 1969. This is a co-headliner at $65 general admission, and it is one of the stronger live-music bookings in Everett in years.

    On Saturday, May 30, the Schack Art Center’s Artists’ Garage Sale runs 9 AM to 3 PM on Hoyt Avenue — 140+ artists, work priced for actual purchase, free to browse. That same Saturday evening, EMO Prom lands at Tony V’s Garage on Hewitt — a tribute night for the era’s music, with the room dressed accordingly.

    Grupo Niche closes the weekend on Sunday. Three consecutive days, three completely different rooms, three different reasons to stay in Everett instead of driving to Seattle.

    Show Details

    • Artist: Grupo Niche
    • Date: Sunday, May 31, 2026
    • Show time: 7:00 PM
    • Venue: Historic Everett Theatre, 2911 Colby Ave, Everett WA 98201
    • Capacity: ~800
    • Tickets: events.theatreconcertconsulting.com (official); also available on SeatGeek, Vivid Seats, and Bandsintown
    • Parking: Street parking on Colby Ave; Everpark Garage (2919 Oakes Ave) nearby

    Frequently Asked Questions

    What time does Grupo Niche play at the Historic Everett Theatre?

    The show starts at 7:00 PM on Sunday, May 31, 2026. The Historic Everett Theatre is located at 2911 Colby Ave, Everett WA 98201. Arrive by 6:30 PM to find parking and get settled before the show.

    Where can I buy Grupo Niche tickets for the Everett show?

    Tickets are available through the Historic Everett Theatre’s official ticketing platform at events.theatreconcertconsulting.com, and through secondary markets including SeatGeek, Vivid Seats, and Bandsintown.

    What songs does Grupo Niche play in concert?

    Grupo Niche setlists draw from 47 years of catalog. Expect “Cali Pachanguero,” “Cali Ají,” “Sin Sentimiento,” “Buenaventura y Caney,” “Un Alto en el Camino,” and material from the 2020 Latin Grammy-winning album 40. “Cali Pachanguero” is performed at every concert without exception.

    How big is the Historic Everett Theatre?

    The Historic Everett Theatre holds approximately 800 people. It opened in 1901 as the Everett Opera House, survived a 1923 fire, and was renovated and reopened under new ownership in September 2025. For salsa, the room size is an advantage — you can hear the full orchestra clearly from anywhere in the hall.

    Who is Grupo Niche?

    Grupo Niche is a Colombian salsa orchestra founded in 1978 in Cali, Colombia by Jairo Varela and Alexis Lozano. They won the Latin Grammy for Best Salsa Album in 2020. They were the first Colombian orchestra to perform at Madison Square Garden (1986) and played before one million fans in Lima, Peru in 1989. Critics and audiences across Latin America consistently cite them as the continent’s most successful salsa orchestra of the past forty years.

    Is the Grupo Niche Everett show all ages?

    Age policy details should be confirmed at point of ticket purchase through the official ticketing page. Most Historic Everett Theatre shows are all ages unless otherwise noted. Check events.theatreconcertconsulting.com for the current listing.

  • Everett Art Walk Returns Thursday May 21 — A Free Three-Hour Tour of a Downtown That Quietly Built a Real Gallery Scene

    Everett Art Walk Returns Thursday May 21 — A Free Three-Hour Tour of a Downtown That Quietly Built a Real Gallery Scene

    Q: When and where is the May 2026 Everett Art Walk?
    A: Thursday, May 21, 2026, 5:00 PM to 8:00 PM, across more than a dozen galleries, lofts, coffee shops, bars, and ceramic studios in downtown Everett. It’s free, no ticket, no RSVP — start anywhere on the map and walk.

    Verdict: GO. Three reasons stacked: (1) downtown Everett’s art ecosystem is denser than people outside the 98201 ZIP code realize, and the Art Walk is the one night each month it all opens its doors at the same time; (2) the price is zero; (3) the third Thursday format means you can show up after work, eat hors d’oeuvres on someone else’s tab, and still be home by ten.

    The Everett Art Walk runs the third Thursday of every month, year-round, 5 to 8 PM officially — and several of the participating venues stay open past 8 because the walk has built that kind of scene. May 21 is the next one. If you have lived in Snohomish County for any amount of time and never walked it, this is the month to fix that.

    What the Art Walk actually is

    It is not a festival. It is not a one-off pop-up. It is the Everett gallery district behaving like a gallery district — coordinated hours, coordinated openings, coordinated artist receptions, every third Thursday of the month, organized through everettartwalk.org and a downtown community of working artists who decided years ago that downtown Everett was worth showing up for.

    More than a dozen venues participate. The roster shifts month to month, but the anchors stay constant. A typical Art Walk night you can hit Schack Art Center on Hoyt Avenue, walk one block to ArtSpace Everett Lofts (the live-work building right next door), cross over to Hewitt Avenue for Heath Heathen’s studio at 1806 B Hewitt upstairs, drop into Lucky Dime for Collage Night, swing by Obsidian Art Gallery, end at Port Gardner Bay Winery on Rucker Avenue with a glass of red and a stack of new artist statements in your hand. Every venue is within a five-block walk of every other venue. You do not move your car.

    The April 16 walk is the most recent one we have a verifiable line-up for, and the April line-up is the structural template. Schack hosted Water Ways: Healing the Circle of Water and Life — the spring exhibition that runs through May 16 — and the gallery stayed open past 8 PM for the walk. ArtSpace Everett Lofts opened from 5 to 8 PM with resident artists in their live-work studios. Heath Heathen took text-only studio appointments at 5 to 9 PM. Lucky Dime hosted Collage Night with Penny — a recurring third-Thursday hang where you cut, paste, layer, and build something unexpected with strangers. Salish Sea Ceramics ran a free community seed-planting workshop. Obsidian Art Gallery featured graffiti-and-stencil work by Dakota Dean. Artisans PNW (Books & Coffee) hosted Author TJ Poortinga and a live Noise Jam set with Esoteric Everett. Zamarama Gallery opened a tribute exhibition for Pacific Northwest artist R. Allen Jensen.

    The May 21 walk will do the same shape with a fresh roster. Watch everettartwalk.org the week of the walk for the venue-by-venue line-up — most of the participating spaces post their May features in the seven days before the third Thursday.

    Why this Art Walk matters more than you think

    Everett has been quietly building a real arts ecosystem. Schack Art Center anchors the visual arts side at 2921 Hoyt Avenue — the premier visual arts destination between Seattle and Vancouver, B.C., per schack.org/about. The Historic Everett Theatre, built in 1901 as the Everett Opera House, books touring acts that should be playing rooms three times its size. APEX Everett opened on Everett Avenue with Kings Hall as its anchor concert room. Tony V’s Garage on Hewitt Avenue is the loudest small-venue rock-and-roll club north of Seattle.

    The Art Walk is the seam where the visual arts side meets all of it. Many of the artists showing on May 21 also design posters for HET shows, paint album art for bands playing Tony V’s the next weekend, and sell ceramic mugs to coffee shops three blocks away. You walk the Art Walk and you start to see the network. You stop seeing downtown Everett as a thing to drive past on the way to Seattle and start seeing it as a thing to drive to.

    The venues to hit on May 21

    Below is the standing roster pulled from everettartwalk.org and the city’s calendar. Specific featured artists for May will post within seven days of the walk; what is below is the list of participating spaces you can plan a route around.

    Schack Art Center — 2921 Hoyt Avenue. The big one. Open until 8 PM. The Water Ways exhibition closes May 16, so the May 21 walk falls between shows — Contemporary Northwest Artists opens May 28. You may catch artists hanging work or staffing previews. Free admission as always.

    ArtSpace Everett Lofts — 2917 Hoyt Avenue, right next door to Schack. A 41-unit live-work building for working artists. On Art Walk nights the loft gallery on the ground floor is open 5 to 8 PM and several resident artists open their individual studios upstairs. This is the closest you will get in Everett to the open-studio model used in bigger arts cities.

    Lucky Dime — Hewitt Avenue. A bar that doubles as an Art Walk venue. Collage Night with Penny is the recurring third-Thursday format: tables full of magazines, scissors, glue sticks, and strangers building something between sips. No skill required. Free to walk in, drinks at bar prices.

    Obsidian Art Gallery — Hewitt Avenue. Contemporary work, edgier than most of the roster. Spray paint, stencil work, graffiti-adjacent pieces.

    Port Gardner Bay Winery — 3006 Rucker Avenue. Wine tasting with rotating artist features on the walls. The end-of-walk move for a lot of regulars.

    Tabby’s Coffee — 2702 Hoyt Avenue. Coffee, tea, and a modest gallery wall that turns over for each walk.

    Salish Sea Ceramics — A working ceramics studio that opens for the walk and frequently runs free hands-on workshops on Art Walk nights (April was a seed-planting workshop; May’s activity will post on everettartwalk.org).

    Zamarama Gallery — Contemporary fine art, often with Pacific Northwest themes.

    Artisans PNW (Books & Coffee) — Independent bookstore plus coffee shop. Hosts author readings and live music sets on Art Walk nights. April was an author event with TJ Poortinga and a Noise Jam set with Esoteric Everett.

    Heath Heathen Studio — 1806 B Hewitt Avenue, Suite 1, upstairs. Working artist studio, open 5 to 9 PM by text appointment (206-353-4971). The studio model — text the artist, walk up the stairs, see the work in the place where it is made — is rare in this part of Snohomish County and worth the climb.

    Gold E Lofts — 1705 1/2 Hewitt Avenue. Loft studios with rotating artist features.

    A note: this list is not exhaustive and the participating-venue roster changes month to month. Check everettartwalk.org for the May 21 confirmed list seven days out.

    How to walk it well

    Three pieces of practical advice from people who walk it every month.

    Park once, walk everything. Free street parking is generally available on Hoyt, Hewitt, Wetmore, and Colby in the late-afternoon-into-evening window. The Everpark Garage on Wall Street is the backup if street parking is tight. Every Art Walk venue is inside a five-block radius. You do not need to move the car.

    Eat before, drink during. Most venues serve hors d’oeuvres or light snacks. Wine and beer are available at Port Gardner Bay Winery, Lucky Dime, and several of the bar-adjacent venues. For a real dinner before, downtown Everett has restaurants on Hewitt and Colby.

    Talk to the artists. Most first-time walkers underuse this part. The artists are in their studios. They want to talk about the work. Ask what the piece is, ask what it took to make, ask what they are working on next. The cost of entry is one good question.

    Cross-Desk Handoff

    If you are pairing the Art Walk with dinner, downtown Everett has dinner options within two blocks of every Art Walk venue. Tygart Media’s food desk is the place to go for current restaurant-by-restaurant recommendations within walking distance of the walk.

    What the Art Walk does for the city

    Free public arts programming that runs every month, year-round, with a coordinated roster and an active organizing committee, is the kind of cultural infrastructure most Snohomish County cities do not have. Everett does. Every third Thursday is a small, repeated argument that downtown Everett is worth being in after dark — and the argument has been getting more convincing since the walk first formed. May 21 is the next chance to add yourself to the argument.

    Frequently Asked Questions

    Q: Is the Everett Art Walk free? A: Yes. There is no admission fee, no ticket, no RSVP. Walk in to any participating venue between 5 PM and 8 PM (some stay open later) on the third Thursday of every month.

    Q: What time does the May 2026 Everett Art Walk start and end? A: The official window is 5:00 PM to 8:00 PM on Thursday, May 21, 2026. Several venues stay open past 8 PM — Heath Heathen Studio runs studio appointments until 9 PM, and the bar-adjacent venues (Lucky Dime, Port Gardner Bay Winery) typically remain open well into the evening.

    Q: Do I need to RSVP or buy tickets? A: No. The Art Walk is a free, walk-in event. Show up at any participating venue between 5 and 8 PM and start your route from there.

    Q: Where do I park for the Art Walk? A: Free street parking is generally available on Hoyt, Hewitt, Wetmore, and Colby in the late-afternoon-into-evening window. The Everpark Garage on Wall Street is the paid backup. All Art Walk venues are within a five-block radius — park once, walk the whole route.

    Q: How many venues participate in the Everett Art Walk? A: More than a dozen galleries, lofts, coffee shops, bars, and studios participate, with the exact roster shifting month to month. Anchors include Schack Art Center, ArtSpace Everett Lofts, Lucky Dime, Obsidian Art Gallery, Port Gardner Bay Winery, Tabby’s Coffee, Salish Sea Ceramics, Zamarama Gallery, Artisans PNW, Heath Heathen Studio, and Gold E Lofts.

    Q: Is the Everett Art Walk family-friendly? A: Most venues are family-friendly during the 5-to-8 PM window. Bar venues (Lucky Dime, Port Gardner Bay Winery) follow standard 21+ rules at the bar but typically welcome families in the gallery space. Schack Art Center, Tabby’s Coffee, Artisans PNW, and the loft galleries are family-friendly throughout.

    Q: How do I find out which artists are featured for a given Art Walk month? A: Check everettartwalk.org in the seven days before the third Thursday — most participating venues post their featured artist for that month’s walk a week out. The Everett Art Walk Facebook page (@everettsartwalk) and the city’s calendar at everettwa.gov also list featured highlights.

  • All City Fight Night: Worlds Collide Lands at Kings Hall on May 16 — A Six-Hour Amateur Kickboxing Card on Everett’s Best New Stage

    All City Fight Night: Worlds Collide Lands at Kings Hall on May 16 — A Six-Hour Amateur Kickboxing Card on Everett’s Best New Stage

    Q: What is All City Fight Night: Worlds Collide and when is it at APEX Everett?
    A: All City Fight Night: Worlds Collide is an amateur kickboxing card on Saturday, May 16, 2026 at Kings Hall inside APEX Everett (1611 Everett Avenue, third floor). Doors are at 5 PM and the event runs until 11 PM. VIP tickets are on sale through Ticketmaster; general admission is set to drop later. The card features fighters from across the Pacific Northwest and is open to all ages with the venue’s standard event policies.

    Verdict: GO. Three reasons, named: (1) amateur kickboxing on this scale is genuinely scarce in the I-5 corridor north of Seattle, and the matchups are billed as fighters traveling in from across the Pacific Northwest “and beyond,” (2) Kings Hall is the right room for a fight night — it is the largest room at APEX Everett, with sight lines built for stage-forward shows and capacity that sits in the meaningful middle between a club and an arena, and (3) the format is six hours of action from doors to last bell, which is the kind of value that does not happen at a music show in this city.

    The Friday-and-Saturday-night culture in downtown Everett right now is mostly tribute bands and touring rock acts at the Historic Everett Theatre and Tony V’s Garage. May 16 breaks that pattern. If you have ever wanted to watch live combat sports without driving to Tacoma or down to Tukwila, this is the date you put on the calendar.

    What’s Actually on the Card

    The official All City Fight Night listing through APEX Everett describes “Worlds Collide” as an evening of amateur kickboxing with fighters drawn from across the Pacific Northwest and beyond. The promoter pitches every bout as action-packed and skill-forward — language that the APEX events page reproduces verbatim from the All City Fight Night camp.

    A few specifics worth holding onto. Doors open at 5 PM. The event is scheduled to run six hours, ending at 11 PM. The venue is Kings Hall, which is the third-floor performance space inside APEX Everett at 1611 Everett Avenue. VIP tickets are already on sale through Ticketmaster — the event listing carries Ticketmaster’s “GA tickets drop soon” call-out at the time of publication, which means general admission has not yet been released to the public. Watch the Ticketmaster page if you want a non-VIP seat.

    The promoter — All City Fight Night, based in Everett — runs amateur kickboxing cards on a recurring basis under the same brand. Their .com lists the May 16 Kings Hall date among their upcoming events and routes ticketing directly to the same Ticketmaster URL APEX uses on its venue page. Two independent sources, same date, same venue, same ticket URL: the show is real.

    Why Kings Hall Is the Right Room for This

    Kings Hall is the largest performance room inside APEX Everett, a multi-floor downtown entertainment complex that the operators have built out specifically around live programming. It sits on the third floor of the building. Four other rooms operate inside APEX — El Sid, the Box Office Bar, Penny Lane, and the rooftop — but Kings Hall is where the touring acts land. The Crystal Method and Rabbit in the Moon are playing the same room on June 13. Antwane Tyler and Fretland played it on May 2.

    A kickboxing card needs a room with a center-stage focal point and clear sight lines from every level. Kings Hall delivers that. The capacity sits in the right zone for a regional amateur card — large enough to feel like a real event, small enough that no seat in the building is bad. That matters for combat sports because fight nights die in cavernous arenas where the crowd cannot see the canvas.

    The age policy for a typical Kings Hall touring show is 18-plus or 21-plus depending on the act. The All City Fight Night listing on the APEX events page does not explicitly call out an age restriction in the visible event metadata, so confirm at the door or via the Ticketmaster purchase flow before you bring anyone under 21.

    What “Amateur Kickboxing” Actually Means

    If you have not been to a live fight card before, here is the short version. Amateur kickboxing in the United States operates under sanctioning bodies that enforce weight classes, headgear and shin-pad requirements, three-round bout formats, and strict referee oversight. The fighters are not professionals — they do not get paid purses — but the talent at this level can be extraordinary. Many of the fighters on a card like this one are training out of legitimate gyms in the region and chasing either pro debuts or amateur national titles.

    Pacific Northwest amateur kickboxing has a deeper bench than most casual fans realize. Seattle, Tacoma, Spokane, Portland, and the smaller Snohomish County gyms feed cards like this one. The “and beyond” language in the promoter’s pitch suggests fighters traveling in from outside the immediate region as well — possibly British Columbia, Oregon, or Northern California, depending on the matchmaking.

    Six hours of fight cards typically means somewhere in the range of 10 to 14 bouts, with breaks between fights. Plan accordingly. Eat before you arrive. The Box Office Bar and El Sid downstairs in the APEX complex are options for between-fight food and drink without leaving the building.

    How to Get In and Where to Park

    APEX Everett sits at 1611 Everett Avenue in downtown Everett, two blocks east of Wetmore and a block north of Pacific. Kings Hall is the third-floor space; you’ll see signage in the lobby. The building has its own elevator access for upper floors.

    Parking in downtown Everett on a Saturday night is real but not impossible. The Everpark Garage at 2802 Wetmore Avenue runs $1 per hour and is a five-minute walk to APEX. Street parking on Hewitt, Wetmore, and Colby is free after 6 PM. The lots on the north side of Everett Avenue closer to APEX itself fill up first.

    VIP ticket holders should check their Ticketmaster confirmation for any included perks — fight cards in this format sometimes include early entry, reserved seating, or meet-and-greet access depending on the package. The general admission tickets, when they release, will be the standing-or-first-come seating in the rest of the room.

    What This Says About APEX’s Programming

    The question every venue operator in the city was quietly asking when APEX Everett opened was whether downtown could support another mid-size live entertainment room. The booking pattern through spring 2026 is the answer. Kings Hall is booking rock, electronic, country, comedy, and now combat sports — a programming spread that suggests the operators are betting on the room’s flexibility rather than a single genre.

    A May 16 fight card slotted between a country show on May 2 and an electronic-music night on June 13 is exactly the kind of programming a healthy mid-size venue does. Tony V’s Garage cannot host a kickboxing card. Historic Everett Theatre will not. The Funko Field grandstand is a baseball park, not a fight venue. Kings Hall is the only Everett room equipped to put on this kind of show, and they’re using it.

    The downtown cultural calendar is denser in May 2026 than in any month since pre-2020. Sorticulture is three weeks out. Schack Art Center’s Contemporary Northwest Artists exhibit opens May 28. The Historic Everett Theatre has Richard Marx on May 8, Corduroy on May 9, Canned Heat and Big Brother and the Holding Company on May 29. Tony V’s has a full slate. Inside that calendar, the All City Fight Night date is the one event that brings a different audience downtown — combat-sports fans who do not necessarily show up for a Pearl Jam tribute or a garden festival. That is good for the city.

    The Bottom Line

    May 16, 5 PM doors, 11 PM finish, Kings Hall at APEX Everett, 1611 Everett Avenue, third floor. VIP tickets through Ticketmaster now; GA when it drops. Six hours of amateur kickboxing on the best mid-size stage in downtown Everett. If the matchups even come close to the promoter’s pitch, this is the most interesting Saturday night the city has hosted in months.

    Wear something you can move in. The room is upstairs.

    Frequently Asked Questions

    Where is All City Fight Night: Worlds Collide on May 16, 2026?
    Kings Hall, the third-floor performance room at APEX Everett, 1611 Everett Avenue, downtown Everett.

    What time does it start?
    Doors at 5 PM, event runs through 11 PM Pacific Time.

    How do I buy tickets?
    VIP tickets are on sale through Ticketmaster. General admission is listed as “drop soon” on the APEX official event page and the All City Fight Night promoter’s site. Watch the Ticketmaster event page (event ID 0F00645A8B44775F) for the GA release.

    Is there an age restriction?
    The official APEX listing does not call out a specific age restriction in the visible event metadata. Confirm at point of purchase on Ticketmaster or at the door, especially if you plan to bring guests under 21.

    Where do I park?
    Everpark Garage at 2802 Wetmore Avenue is $1 per hour and a five-minute walk. Free street parking on Hewitt, Wetmore, and Colby after 6 PM. Lots closer to APEX on Everett Avenue fill up first.

    What kind of fights are on the card?
    Amateur kickboxing. The promoter pitches the bill as fighters from across the Pacific Northwest and beyond, with every bout described as action-packed and skill-forward.

    Where else is APEX programming this spring?
    The Crystal Method and Rabbit in the Moon are playing Kings Hall on June 13. Antwane Tyler, Fretland, and Racyne Parker played the same room May 2. APEX is becoming the booked-most-nights room in downtown Everett.



  • Polkadot Cadaver Is Coming to Tony V’s Garage on June 11 — Here’s Why This One Is Worth Your Thursday Night

    Polkadot Cadaver Is Coming to Tony V’s Garage on June 11 — Here’s Why This One Is Worth Your Thursday Night

    Polkadot Cadaver Is Coming to Tony V’s Garage on June 11 — Here’s Why This One Is Worth Your Thursday Night

    You’ve probably walked past Tony V’s Garage a hundred times without knowing what’s happening inside on any given Thursday. Here’s what’s happening on June 11, 2026: Polkadot Cadaver, one of the most genuinely weird and genuinely heavy bands working in American rock right now, is setting up at 1716 Hewitt Avenue and playing until nearly midnight. Tickets are $23.18 on Eventbrite. Doors open before 8 PM. Angry Toons open the night.

    That’s the short version. The longer version involves a 20-year creative obsession, a frontman who spent a decade rewriting what underground metal could sound like, and a venue that keeps pulling in acts Everett has no business booking — and yet somehow does.

    What Polkadot Cadaver Actually Sounds Like

    Polkadot Cadaver is the project of Todd Smith, who you might know better as the voice and primary creative force behind Dog Fashion Disco. If Dog Fashion Disco is the kind of band name that either stops you cold or makes you immediately pull up YouTube, you already have a sense of the territory. Smith has spent most of his adult life making music that doesn’t fit cleanly into any genre — avant-garde metal, experimental rock, dark circus, jazz-inflected hard rock — and Polkadot Cadaver is where that restlessness gets its most concentrated form.

    The band formed in the mid-2000s, initially as something of a side project while Dog Fashion Disco was on hiatus, and quickly developed its own distinct identity. Where Dog Fashion Disco can be theatrical and sprawling, Polkadot Cadaver tends to be heavier, faster, and more unsettling. The aesthetic runs toward horror and dark carnival imagery — not in a theatrical Halloween-costume way but in a genuinely off-kilter, dissonant-chord, what-key-is-this way. If you want a reference point: think late-period Primus meets Dillinger Escape Plan meets a Tom Waits album recorded in a basement at 2 AM. That still doesn’t quite capture it, but it’s closer than “metal band.”

    Albums like Megaton Shotblast (2009) and Sex Offender (2010) established the band’s reputation in the underground metal and experimental rock communities — not household names, but the kind of records that people who find them tend to keep for the rest of their lives. Smith’s vocal range is a significant part of what makes it work: he can go from a clean croon to a full thrash scream inside the same measure, and the band is tight enough to follow him wherever that goes.

    Why Tony V’s Is the Right Room for This

    Tony V’s Garage at 1716 Hewitt Avenue is a 400-capacity standing-room venue in the middle of downtown Everett. It books the kind of music that the Paramount doesn’t — touring acts who are too big for a bar but not quite at the theater level, with ticket prices that reflect that honestly. Twenty-three dollars gets you into a room where the stage is close enough that you can see the set list taped to the floor monitors.

    That intimacy matters for a band like Polkadot Cadaver. This is not music that benefits from distance. The odd time signatures and left-field genre pivots land differently when you’re close enough to feel the bass in your sternum. Tony V’s has hosted enough touring metal and hard rock acts over the years to know how to run a show at this volume level — the sound system is built for it, the staff know what they’re doing, and the crowd that shows up on a Thursday night for a bill like this tends to be there because they did the research, not because they stumbled in off the street.

    In a mid-size city with no dedicated all-ages metal venue and a concert market dominated by the Xfinity Center and the HET’s theater programming, Tony V’s fills a gap that matters. Polkadot Cadaver playing Everett at all is genuinely unusual — this is not a band that has historically saturated the Pacific Northwest touring circuit, and June 11 may be the only Washington date on this run.

    Angry Toons Opens

    Angry Toons is on the bill as the opening act. If you’ve been to enough shows at Tony V’s, you’ve probably encountered them — a local and regional punk-metal act that knows how to warm up a room without overstaying its welcome. Openers at this venue tend to take the set seriously, and getting the crowd moving before Polkadot Cadaver requires a band that can commit to the room’s energy. Showing up early is worth it. Doors and the opener are part of what makes a Thursday night at a 400-cap venue feel like an event rather than just a show.

    The Ticket Math

    $23.18 is the Eventbrite all-in price as of this writing, and the listing shows tickets in stock. The show is Thursday, June 11 — it starts at 8:00 PM and runs until 11:30 PM per the Eventbrite listing. That’s a real show, not a 45-minute set and out.

    For context: a comparable touring underground metal act at a Seattle venue would run you $28–$35 plus the drive, parking, and the particular joy of standing in line on Capitol Hill in the rain. June in Everett is drier, the venue is walkable from the downtown core, and the ticket is cheaper. The math is not complicated.

    Tickets are available now at eventbrite.com. Tony V’s Garage is at 1716 Hewitt Avenue, Everett WA 98201.

    The Bigger Picture

    Everett’s live music scene has a specific reputation problem: people who don’t live here assume there isn’t one. Shows at Tony V’s, APEX, and the Historic Everett Theatre have been quietly building a counter-argument to that for years, but the argument only works if people show up. Polkadot Cadaver is the kind of booking that — if the room fills — demonstrates that Everett can sustain a touring circuit for underground and experimental acts, not just cover bands and casino headliners.

    That’s not why you should go. You should go because Todd Smith is a genuinely exceptional songwriter and performer and the show is $23 on a Thursday night twelve minutes from most of downtown Everett. But the side effect of going is that it tells the booking infrastructure something useful: that this city will show up for something strange and heavy if you give it the chance.

    June 11. Tony V’s Garage. 8 PM. Polkadot Cadaver and Angry Toons. $23.18 at the door or on Eventbrite now while tickets last.

    Frequently Asked Questions

    What is Polkadot Cadaver?

    Polkadot Cadaver is an avant-garde metal and experimental rock project fronted by Todd Smith, the vocalist and primary songwriter of Dog Fashion Disco. The band blends heavy guitar riffs with jazz influences, dark carnival imagery, and unconventional song structures.

    Where is Tony V’s Garage in Everett?

    Tony V’s Garage is at 1716 Hewitt Avenue in downtown Everett, Washington 98201 — a standing-room live music venue with a capacity of approximately 400.

    How much are tickets to Polkadot Cadaver at Tony V’s on June 11, 2026?

    Tickets are $23.18 all-in and available through Eventbrite. The show starts at 8:00 PM and runs until approximately 11:30 PM.

    Is Polkadot Cadaver related to Dog Fashion Disco?

    Yes. Polkadot Cadaver is the primary side project and creative outlet for Todd Smith, the frontman of Dog Fashion Disco. The two bands share members and a similar avant-garde, dark aesthetic, though Polkadot Cadaver is generally heavier and more experimental in execution.

  • The Crystal Method and Rabbit in the Moon Are Playing Kings Hall in Everett This June — And This Bill Is Worth Clearing Your Calendar For

    The Crystal Method and Rabbit in the Moon Are Playing Kings Hall in Everett This June — And This Bill Is Worth Clearing Your Calendar For


    Q: What is The Crystal Method known for?
    The Crystal Method is a GRAMMY-nominated American electronic music act — originally the duo of Ken Jordan and Scott Kirkland, formed in Las Vegas in 1993 — who pioneered big beat electronica in the United States. Their platinum-selling debut album Vegas (1997) is one of the best-selling electronic albums in American history. Scott Kirkland now carries the project solo. On June 13, 2026, The Crystal Method headlines Kings Hall at APEX Everett alongside Florida rave legends Rabbit in the Moon.

    Verdict: GO. A GRAMMY-nominated act who headlined EDC, Lollapalooza, and Ultra Miami paired with one of the most theatrical rave acts America ever produced — all in an 800-person room. This is the kind of bill that plays much bigger cities than Everett.

    The Crystal Method and Rabbit in the Moon are coming to Kings Hall at APEX Everett on Saturday, June 13, 2026. Show time is 9:00 PM. Tickets start at $64 through Live Nation and Ticketmaster. This is an 18-and-older event.

    If you’re an electronic music fan living anywhere in Snohomish County and you’ve been waiting for a show that doesn’t require a drive to Seattle or a trip to a festival — this is the one.

    The Crystal Method: 30 Years of American Electronic Music, Distilled to One Stage

    There’s a version of American popular culture in the late 1990s and early 2000s that doesn’t exist without The Crystal Method’s fingerprints on it. The music appeared in video games, in films, in car commercials, in television soundtracks for the better part of a decade. It was everywhere because it was good — a specific American take on big beat and electronica that felt more muscular than what was coming out of the UK at the same time.

    Ken Jordan and Scott Kirkland formed The Crystal Method in Las Vegas in 1993, cutting their teeth on the early Los Angeles rave circuit after relocating. Their debut album, Vegas, came out in August 1997. It sold more than one million copies in the United States and was certified platinum by the RIAA in 2007. For a genre that was still fighting for shelf space in American record stores, that number meant something.

    They were GRAMMY-nominated. They headlined EDC, Lollapalooza, and Ultra Miami. They played more than 1,300 shows over the course of their run together. The Tweekend album in 2001 and Legion of Boom in 2004 followed Vegas into the Billboard Top 50 — high-altitude performance for electronic albums in that era. Divided by Night and the records that followed kept the project active through the 2010s.

    In 2017, Ken Jordan retired from music. Scott Kirkland carried the name forward as a solo project, continuing to write and perform as The Crystal Method. His most recent release, The Trip Out, is the seventh studio album under the Crystal Method banner and his second solo outing — a record that sounds like someone who has been making this music for 30 years and still finds it interesting.

    When Kirkland takes the stage at Kings Hall in June, he brings all of that history with him. The set will pull from the full catalog. If you have any nostalgia for Busy Child or Keep Hope Alive or Trip Like I Do, those songs still hit in a live setting in ways that the recordings don’t fully prepare you for.

    Rabbit in the Moon: The Most Theatrical Rave Act America Ever Produced

    The Crystal Method is the headliner. Rabbit in the Moon is the reason to arrive early.

    Rabbit in the Moon formed in Tampa, Florida, in the fall of 1992 — producer T.Confucius, DJ Monk, and performance artist Bunny. Orlando in the early 1990s was the underground rave capital of the American Southeast, and Rabbit in the Moon was among the acts who built that scene from nothing. They were among the first artists to mix theatrical live performance — costumes, staging, physical presence — with rave music at a time when most electronic acts were simply standing behind CDJs.

    Their 1993 track “O.B.E.” (Out-of-Body Experience) became one of the foundational records of American progressive breaks. Muzik magazine named it the most sought-after record of the previous decade when they ranked it in 2003 — a decade after it came out. That’s the kind of cultural shelf life that requires something genuinely original at the source.

    Their style draws from psychedelic trance, house music, and breakbeat, with a live presentation that prioritizes spectacle. A Rabbit in the Moon set isn’t background music for a room. It demands your attention. If you’ve never seen them, June 13 is an education.

    Kings Hall at APEX: The Right Room for This Bill

    This show happens in Kings Hall, the large-format concert room on the third floor of APEX Art and Culture Center at 1611 Everett Ave, Everett WA 98201.

    Kings Hall holds around 800 people. That’s the critical number here. The Crystal Method has played festival main stages and clubs that hold 5,000. Rabbit in the Moon has played massive warehouse events. When either of these acts plays a room this size, the energy concentrates. The show you get in an 800-person room is categorically different from what happens on a festival bill at scale — closer, louder from your position, more immediate.

    APEX has been booking at this level consistently: Antwane Tyler, Fretland, and Racyne Parker in May, The Crystal Method in June, Los Lobos and Los Lonely Boys in August. The booking calendar suggests the venue is staking a claim as a regional anchor for acts that don’t have a natural home between small clubs and arena shows. This is exactly the kind of venue Everett’s cultural calendar has needed.

    The venue is 18+ for this show. Tickets start at $64 through Live Nation (livenation.com) and Ticketmaster.

    The verdict breakdown:

    • Act unique to this market? Yes. Neither The Crystal Method nor Rabbit in the Moon has a scheduled Pacific Northwest show outside Everett in this window. If you want to see this bill in 2026, this is your show.
    • Right room for the act? Yes. 800 seats focuses rather than dilutes what both these acts do live.
    • Ticket price fair-market or below? From $64 for a co-headlining bill at this level is below what comparable shows cost in Seattle or Portland.

    Three for three. GO.

    What to Know Before You Go

    Date: Saturday, June 13, 2026
    Show time: 9:00 PM
    Venue: Kings Hall at APEX Art and Culture Center, 1611 Everett Ave, 3rd Floor, Everett WA 98201
    Phone: (425) 374-8307
    Age restriction: 18 and older
    Tickets: From $64 at Live Nation and Ticketmaster

    While you’re planning June, Sorticulture runs June 5–7 at Hewitt Avenue and Colby — a free outdoor garden festival that turns downtown into a different city for a weekend. If you’re making early June a cultural month, the two events don’t compete; they layer. The Schack Art Center’s Contemporary Northwest Artists Exhibition opens May 28 and runs through August 22 — the gallery is worth hitting before or after the show.

    Frequently Asked Questions

    Is The Crystal Method still active?

    Yes. Scott Kirkland continues to produce and perform as The Crystal Method following Ken Jordan’s retirement from music in 2017. The project’s seventh studio album, The Trip Out, is Kirkland’s second solo outing under the banner.

    Who is Rabbit in the Moon?

    Rabbit in the Moon is a Florida-based electronic music act formed in Tampa in 1992, consisting of producer T.Confucius, DJ Monk, and performer Bunny. Their 1993 track “O.B.E.” was ranked by Muzik magazine in 2003 as the most sought-after record of the previous decade. They were among the first acts to combine theatrical stage performance with rave music in the United States.

    How old do you have to be for the Crystal Method show at APEX Everett?

    The June 13, 2026 show at Kings Hall is an 18-and-older event. Valid ID required at entry.

    How much are tickets for Crystal Method at APEX Everett?

    Tickets start at $64 and are available through Live Nation and Ticketmaster. Prices may increase as the June 13 date approaches.

    Where is Kings Hall at APEX Everett?

    Kings Hall is on the third floor of APEX Art and Culture Center, located at 1611 Everett Ave, Everett WA 98201. The venue holds approximately 800 people and is APEX’s flagship mid-size concert room.

  • Red Karma Brings Taylor Swift’s Catalog to the Historic Everett Theatre This Friday — $30, All Ages, Doors at 6

    Red Karma Brings Taylor Swift’s Catalog to the Historic Everett Theatre This Friday — $30, All Ages, Doors at 6

    What time does Red Karma play at the Historic Everett Theatre on May 1?
    Red Karma takes the stage at the Historic Everett Theatre (2911 Colby Ave, Everett, WA 98201) on Friday, May 1, 2026 at 7:00 PM PDT. Doors open at 6:00 PM. Tickets are $30 general admission, with senior/military at $25 and children under 12 at $20.

    VERDICT: GO. All three criteria land: Red Karma is the only Taylor Swift tribute announced for this market this spring, the Historic Everett Theatre’s ~800-seat room is precisely the right size for this kind of act, and $30 GA undercuts every comparable tribute show in the Seattle market.

    The Historic Everett Theatre opened in 1901 as the Everett Opera House, and on Friday night — May 1 — it gets Taylor Swift.

    Not Taylor Swift. Red Karma, the Pacific Northwest tribute act that has spent years playing Swift’s catalog across the Emerald City and beyond. But in a 125-year-old building with original sight lines and real acoustics, with a stage that knows how to hold a show, the distinction matters less than you might think.

    The Essential Details

    The show is Friday, May 1 at 7:00 PM. Doors open at 6:00 PM. The venue is at 2911 Colby Ave, Everett, WA 98201. The show runs approximately 90 minutes, ending around 8:30 PM per the official listing. If you are driving downtown, plan for parking on the adjacent streets or in the nearby garages — Friday evening in downtown Everett fills up, but it fills up manageable.

    Tickets are $30 general admission. Senior and military pricing drops to $25. Children under 12 are $20. If you are bringing the whole family — three or more members — the Family Pack pricing comes out to $20 per person, making this one of the more affordable live music nights you will find anywhere in Snohomish County this spring. Tickets are available at events.theatreconcertconsulting.com/red-karma-2/.

    Why Red Karma in This Room Works

    Taylor Swift’s Eras Tour became the highest-grossing concert tour in recorded history. For the fans in Everett who could not get tickets, could not afford the resale prices, or simply did not want to navigate a stadium, the tribute band circuit has become the practical alternative — and it has gotten very good.

    Red Karma is a Pacific Northwest outfit. The band has built its reputation playing this specific market — Seattle stages, Puget Sound clubs, the broader Emerald City scene — and that touring knowledge shows. They understand this audience because they have played to it for years.

    The Historic Everett Theatre is the correct room for this act. The venue seats roughly 800 people. The stage is proportioned for a production that wants actual intimacy — where the performer can see the audience, where you can hear the arrangement without stadium reverb washing out the detail. Taylor Swift’s catalog spans more than a decade of genre-crossing: the country years, the pop transformation of 1989, the dark turn of Reputation, the indie-adjacent textures of Folklore and Evermore, the pop maximalism of Midnights. Getting any of those eras to land correctly requires a room where the sound does not fight itself. The HET stage has that.

    The building opened on November 4, 1901 as the Everett Opera House. It hosted Lillian Russell and Al Jolson in its early decades, survived a 1923 fire, was rebuilt in 1924, and was restored between 2000 and 2004. Seeing Taylor Swift’s catalog performed here — in a room that has held real theater, real concerts, and 125 years of Everett’s public life — is not a lesser experience than a stadium. It is a different experience. Specifically, it is better for almost every reason that matters in a live music context.

    The Ticket Math

    The Seattle comp range for comparable tribute acts at venues like the Neptune or Moore runs from roughly $35 to $60 or more for general admission on a Friday night. The $30 GA at HET is on the low end of that range for a dedicated performance space, not a bar stage.

    The Family Pack pricing at $20 per person for three or more members is worth naming directly. There is no Pacific Northwest market where you take three people to a live music event in a real theater for $60 total on a Friday night. That pricing, combined with an all-ages format, makes this a legitimate family event. If you have kids who are in the Swiftie phase right now and you have been looking for a way to make the live music experience work without stadium prices, this is it.

    What to Expect

    Red Karma covers Taylor Swift’s catalog across multiple eras. Expect the country-to-pop crossover material alongside the 1989 high points, the Reputation era, and material from Folklore, Evermore, and Midnights. The set runs approximately 90 minutes. The venue serves beverages. The building has coat check facilities.

    This is a Friday night in downtown Everett. Dinner before on Hewitt Avenue or Colby, show at 7, home by 10. That is a complete evening.

    The Rest of May at the Historic Everett Theatre

    Saturday, May 2, Trio Los Panchos — 50 Aniversario — brings the Latin ballad tradition to the same stage. Two consecutive nights, two completely different audiences, the same 1901 building. The following week brings Richard Marx on Friday, May 8, and Corduroy (Pearl Jam tribute) on Saturday, May 9. Later in the month, Canned Heat and Big Brother and the Holding Company land on May 29 for a night that puts two original Woodstock bands on one bill. Downtown Everett is putting together a legitimate entertainment calendar, and May is making the case.

    What You Need

    • Venue: The Historic Everett Theatre, 2911 Colby Ave, Everett, WA 98201
    • Date: Friday, May 1, 2026
    • Doors: 6:00 PM
    • Show: 7:00 PM — approximately 8:30 PM
    • Tickets: GA $30 / Senior-Military $25 / Children Under 12 $20 / Family Pack $20 per person (3+ members)
    • Ages: All ages
    • Buy tickets: events.theatreconcertconsulting.com/red-karma-2/

    Frequently Asked Questions

    Is the Red Karma show at the Historic Everett Theatre all-ages?

    Yes. The May 1, 2026 show is all-ages, with Family Pack pricing available for groups of three or more at $20 per person.

    What time do doors open for Red Karma at HET?

    Doors open at 6:00 PM. The show starts at 7:00 PM and runs approximately 90 minutes.

    How much are tickets for Red Karma at the Historic Everett Theatre?

    General admission is $30. Senior/military pricing is $25. Children under 12 are $20. Family pack (3 or more people) is $20 per person.

    Where is the Historic Everett Theatre?

    2911 Colby Ave, Everett, WA 98201. Phone: 253-422-4553. The building opened November 4, 1901 as the Everett Opera House.

    Is Red Karma a Seattle-area band?

    Red Karma is a Pacific Northwest tribute act based in the Seattle area, performing Taylor Swift’s catalog “across the stages of the Emerald City and beyond.”

    What songs does Red Karma play?

    Red Karma covers Taylor Swift’s catalog across multiple eras — from the country-era hits through Fearless and Red, through the pop transformation of 1989, Reputation, and into Folklore, Evermore, and Midnights.

    What other shows are coming to the Historic Everett Theatre in May?

    Richard Marx plays May 8, Corduroy (Pearl Jam tribute) plays May 9, and Canned Heat with Big Brother and the Holding Company headline May 29. Trio Los Panchos — 50 Aniversario — plays May 1 (same night as Red Karma, separate show). May at the HET is unusually strong.

  • Corduroy: The Pearl Jam Experience Lands at the Historic Everett Theatre May 9 — A Bay Area Tribute Plays the Grunge Catalog Inside a 1901 Opera House

    Corduroy: The Pearl Jam Experience Lands at the Historic Everett Theatre May 9 — A Bay Area Tribute Plays the Grunge Catalog Inside a 1901 Opera House

    Where can I see a Pearl Jam tribute band in Everett, WA? Corduroy: The Pearl Jam Experience plays the Historic Everett Theatre at 2911 Colby Avenue on Saturday, May 9, 2026. Doors open at 7:00 PM and the show starts at 8:00 PM. It’s an all-ages show. General Admission tickets are $40, with an Early Bird Special at $30 while supplies last. The dance floor will be open.

    Verdict: GO. This is a unique-to-this-market booking — a touring Pearl Jam tribute landing at Seattle’s nearest historic opera house — in the right-size room, at fair-market pricing for an all-ages show. Two of three GO criteria clear cleanly. The third — value — is well above the bar at $30 Early Bird.

    The Historic Everett Theatre opened in 1901 as the Everett Opera House. It is a 125-year-old building with a restored stage, hard sight lines, and roughly 800 seats when fully sold. That is the kind of room Pearl Jam grew out of — small theaters, opera houses, the rooms a band books before the rooms get too big to feel anything in. Forty miles down I-5, in a basement off the Off Ramp Café in October 1990, five guys playing under the name Mookie Blaylock opened a show that became Pearl Jam. The band has since played stadiums on every continent that has them. The Historic Everett Theatre is closer to the room those five guys started in than anything Pearl Jam has played in three decades.

    That is the frame for what happens on Saturday, May 9.

    The Show

    Corduroy: The Pearl Jam Experience is a Bay Area-based tribute band founded in the summer of 2016 in San Francisco. They are one of eleven Pearl Jam tribute acts worldwide that were selected to perform at the TEN 30th Anniversary Online Tribute Concert organized by Grunge Magazine in August 2021 — a peer-vetted credential, not a self-applied one. The band’s catalog runs from 1991 through current Pearl Jam material, which means the Ten, Vs., Vitalogy, and No Code eras get their full treatment alongside the post-2000 records.

    The Everett show is officially billed as Corduroy’s 10th Anniversary celebration — they took the stage as a band in summer 2016 and are working a year-long anniversary run through 2026.

    The basics, verified:

    • Date: Saturday, May 9, 2026
    • Doors: 7:00 PM | Show: 8:00 PM
    • Venue: The Historic Everett Theatre, 2911 Colby Avenue, Everett, WA 98201
    • Tickets: General Admission $40 (Early Bird Special $30 while available)
    • Age: All Ages
    • Format: Dance floor open

    Both the official venue listing at events.theatreconcertconsulting.com and Bandsintown event #108180402 confirm identical date, time, and venue.

    Why “Corduroy” Is the Right Name for a Tribute

    If you have to be a Pearl Jam tribute band, “Corduroy” is the name to take. The original song lives on Vitalogy, Pearl Jam’s third studio album, released in 1994. It hit number 13 on Billboard’s Modern Rock Tracks chart without ever being released as a commercial single. Eddie Vedder wrote it after seeing a replica of one of his thrift-store corduroy jackets in a fashion store at a markup of hundreds of dollars. The song is about a relationship — not between two people, but between one person and a million of them. It is the song where Pearl Jam, at the peak of their commercial moment, lashed out at the culture industry that had spent two years selling the band back to its own audience at retail.

    A tribute band naming itself after that specific track is making a small, sharp argument: we are here for the music, not the merch. That is the right argument to make in a 125-year-old room in downtown Everett.

    The Venue: Why It Matters

    The Historic Everett Theatre opened on November 4, 1901, as the Everett Opera House — a 1,200-seat room that hosted Lillian Russell, Al Jolson, and George M. Cohan in its earliest years. A 1923 fire gutted it. The building was reconstructed in 1924 as the New Everett Theater. The 2000–2004 restoration brought it back to its current configuration of roughly 800 seats with a working stage, full sound system, and the original architecture intact at the bones.

    For a Pearl Jam tribute show, this is the right room. Pearl Jam’s grunge-era catalog was written for spaces this size — the Crocodile, the Off Ramp, the Moore. When you scale those songs up to a stadium, you lose the feedback, the room noise, the sweat in the crowd. When you scale them down to a theater that has been hosting live performance since the McKinley administration, the songs carry differently. Black sounds like Black in an 800-seat opera house. It does not sound like Black in a 50,000-seat baseball park.

    Surrounding Context: The Historic Everett Theatre’s May Slate

    May 9 sits inside the busiest month the Historic Everett Theatre has run this spring. The full month, all dates verified against the venue’s Tickible JSON-LD:

    • Friday, May 1 — Red Karma: Taylor Swift tribute, doors 6:00 PM
    • Saturday, May 2 — Trio Los Panchos Nostalgia Tour: 50 Aniversario, externally ticketed via Tickeri
    • Friday, May 8 — Richard Marx: After Hours tour
    • Saturday, May 9 — Corduroy: The Pearl Jam Experience (this show)
    • Saturday, May 16 — Dana Gould: stand-up comedy via Eventbrite
    • Friday, May 29 — Canned Heat with Big Brother and the Holding Company: two original Woodstock bands co-headlining

    Six bookings in May, four of them music, two of them co-headlining heritage acts. The Historic Everett Theatre is not running a quiet spring — and June’s Sorticulture festival spills into the venue too with a free Ciscoe Morris lecture on June 7.

    What to Expect in the Room

    A few practical notes for anyone who has not seen a tribute show in this venue before. The dance floor will be open, per the event description — that is unusual for the Historic Everett Theatre and signals that the front of the house is being run as a standing pit rather than seated rows for this show. If you want to sit, arrive early and pick your spot. If you want to stand, arrive when doors open and walk to the front. Confirm seating policy at the box office on the night.

    The venue is at 2911 Colby Avenue. Street parking is free after 5:00 PM throughout downtown on Saturdays. The Everpark Garage is two blocks away on Hewitt Avenue if street is full.

    Why Pearl Jam Tributes Work Differently in the Pacific Northwest

    Pearl Jam was formed in Seattle in 1990 by Jeff Ament, Stone Gossard, and Mike McCready. Eddie Vedder joined as lead singer after writing lyrics on the back of a tape he received in San Diego. The band’s first official show was at the Off Ramp Café on October 22, 1990 — they took the stage as Mookie Blaylock and announced their new name as Pearl Jam onstage. Forty miles north of the Off Ramp, the Historic Everett Theatre was almost a century old by the time Vedder walked into a Seattle basement to audition.

    A Pearl Jam tribute playing the Historic Everett Theatre is not a tribute act passing through a generic venue. It is a tribute act playing the catalog of the Pacific Northwest’s defining rock band in a Pacific Northwest building that is older than the band’s drummer’s grandparents. Bay Area-based Corduroy gets to play Black, Yellow Ledbetter, Even Flow, and Alive in a room where the audience will know every word and where the building itself has been hosting live music since the year of Theodore Roosevelt’s first vice presidency.

    That is a specific kind of show. It does not happen often. It is happening on May 9.

    How to Get Tickets

    Tickets are sold through the Historic Everett Theatre’s box office at events.theatreconcertconsulting.com/corduroy-the-pearl-jam-experience/. The Early Bird Special at $30 is the better value while it lasts; once those run out, General Admission opens at $40. Both tiers sit well below the $50–$70 range that comparable tribute shows pull in Seattle proper. For an all-ages 800-cap room with a restored historic stage, this is fair-market pricing on the low side.

    The dance floor is open. Doors at 7:00 PM. Show at 8:00 PM. Bring layers — Everett Aprils get cold after sundown and the walk back to your car is two blocks of downtown air.

    Frequently Asked Questions

    What time does Corduroy: The Pearl Jam Experience start at the Historic Everett Theatre?

    Doors open at 7:00 PM and the show begins at 8:00 PM on Saturday, May 9, 2026.

    How much do tickets cost?

    General Admission is $40. An Early Bird Special is available at $30 while supplies last. Both tiers are sold through the venue’s box office.

    Is the show all ages?

    Yes. The Historic Everett Theatre lists this as an all-ages show, with the dance floor open during the performance.

    Where is the Historic Everett Theatre?

    The venue is at 2911 Colby Avenue, Everett, WA 98201, in downtown Everett. The building opened in 1901 as the Everett Opera House.

    Who is Corduroy: The Pearl Jam Experience?

    Corduroy is a San Francisco-based tribute band founded in summer 2016. They were one of eleven Pearl Jam tribute bands selected globally for Grunge Magazine’s TEN 30th Anniversary Online Tribute Concert in August 2021. The Everett show is part of their ten-year anniversary run.

    Is there parking at the Historic Everett Theatre?

    Free street parking is available throughout downtown Everett after 5:00 PM on Saturdays. The Everpark Garage on Hewitt Avenue is the nearest paid garage, two blocks from the venue.

    What other shows are happening at the Historic Everett Theatre in May 2026?

    The May slate includes Red Karma (Taylor Swift tribute) on May 1, Richard Marx on May 8, Dana Gould comedy on May 16, and Canned Heat with Big Brother and the Holding Company on May 29.



  • Sorticulture 2026 Returns to Downtown Everett June 5–7 — Ciscoe Morris, 140+ Vendors, and the Free Festival the City Built Its Summer Around

    Sorticulture 2026 Returns to Downtown Everett June 5–7 — Ciscoe Morris, 140+ Vendors, and the Free Festival the City Built Its Summer Around

    Sorticulture 2026 Returns to Downtown Everett June 5–7 — Ciscoe Morris, 140+ Vendors, and the Free Festival the City Built Its Summer Around

    What is Sorticulture 2026? Sorticulture is Everett’s free Garden Arts Festival, held Friday through Sunday, June 5–7, 2026. The festival runs along Colby and Wetmore avenues in downtown Everett with 140+ garden artists and nurseries, the Sunnyside Nursery Garden Stage at Hewitt and Colby, free outdoor yoga at Wetmore Plaza, a wine garden hosted by Wick-Ed Wine & Social Club, and a Sunday afternoon lecture from Ciscoe Morris at the Historic Everett Theatre.

    Verdict: GO. Three reasons we’re calling it without hedging. (1) The lineup is unique to this market — over 140 garden artists and nurseries on one downtown grid, plus Ciscoe Morris on a 1901 stage on Sunday, plus the City of Everett, Schack Art Center, Funko, and Imagine Children’s Museum all within four blocks. (2) The room is the right size for the act — Sorticulture isn’t a stadium festival; it’s a downtown street festival that closes Colby and Wetmore and lets the venues hold the weekend. (3) Ticket value is honest: the festival is free, the yoga is free, the Ciscoe lecture is free, and the only money that has to leave your pocket is whatever you spend on plants, a glass of wine, or a food truck dumpling. The math is on Sorticulture’s side.

    If you have ever told yourself you should spend more weekends downtown, this is the one. Clear the calendar.

    The dates, the hours, the address — all of it

    Friday, June 5: 10 a.m. to 6 p.m.

    Saturday, June 6: 10 a.m. to 6 p.m.

    Sunday, June 7: 10 a.m. to 4 p.m.

    The festival fills the heart of downtown Everett along Colby Avenue from Everett Avenue to the north and Pacific Avenue to the south, then expands east and west along California Street toward Funko and Hewitt Avenue toward Port Gardner Bay. That’s a real footprint. You can spend three hours here without retracing your steps.

    Admission is free for all three days. No wristband, no ticket, no RSVP. Walk in.

    Ciscoe Morris at the Historic Everett Theatre — Sunday at 1 p.m.

    The single highest-leverage block on the schedule is Sunday, June 7, at 1 p.m. inside the Historic Everett Theatre at 2911 Colby Ave. Ciscoe Morris — the Pacific Northwest gardening voice most local gardeners grew up listening to on KIRO and watching on KING 5 — is giving a free lecture titled “Newest plant picks and Q&A,” and the venue’s own listing confirms it as a “free educational lecture on June 7, 1:00 pm.” This is a building that opened in 1901 as the Everett Opera House. The seating is real, the sight lines are real, and Ciscoe at 1 p.m. on a Sunday is the kind of programming you usually have to pay for at a botanical garden gala.

    If you have to pick one ticketed-feeling thing to do across the whole weekend, this is it. And it isn’t ticketed — it’s free.

    The Sunnyside Nursery Garden Stage — at Hewitt and Colby

    The festival’s main outdoor classroom sits at the intersection of Hewitt and Colby — about as central as Everett gets. The Sunnyside Nursery Garden Stage runs classes across all three days. Trevor Cameron from Sunnyside Nursery is the workhorse of the lineup, with sessions including “Hydrangea-licious!” (a deep cut on modern reblooming hydrangeas), “Japanese Maples,” “Gardening in the Shade,” and a “Pitcher Plants (Carnivorous Plants)” workshop at 11 a.m. that we’d happily watch sober.

    The stage is sponsored by Sunnyside Nursery — the venerable Marysville garden center that has been a fixture on the I-5 corridor for decades — and that sponsorship is the reason the stage exists in a recognizable form year after year. The festival itself is supported in part by Snohomish County Lodging Tax grants, which is what local lodging-tax dollars look like when they actually land in something the city’s residents can use.

    Free outdoor yoga at Wetmore Plaza

    Saturday and Sunday mornings, 11 a.m., Wetmore Plaza. Free. Hosted by Yoga Shala Everett. This is one of those rare festival add-ons that actually delivers — open-air yoga in a closed-street setting, surrounded by 140+ vendor booths, with garden art and the smell of plants on three sides. Bring a mat. If you forget the mat, bring a towel. If you forget the towel, the grass at Wetmore Plaza is forgiving.

    The wine garden, the food trucks, the kids

    The wine garden is hosted by Wick-Ed Wine & Social Club at 2707 Colby Ave, with live music inside the wine-garden zone. Snacks, beverages, and food trucks run throughout the festival footprint. You will not need to leave Sorticulture to eat.

    Youth activities are programmed by Imagine Children’s Museum, Everett Parks, and Funko — yes, that Funko. The Funko HQ flagship sits at 2802 Wetmore, less than two blocks from the festival’s spine, and Funko’s youth booths are part of why families with elementary-school kids treat Sorticulture as a default June weekend. The kids don’t run out of things to do, which is the entire point.

    Getting there, parking, and the Everett Transit shuttle

    ADA parking runs along Wetmore Avenue between Everett and California avenues. The downtown public parking garage is free on weekends — under-promoted but true. Pay lots in the immediate vicinity are inexpensive on a per-hour basis. And critically, Everett Transit runs a complimentary shuttle service to Sorticulture, which means if you live in north or south Everett you don’t need to fight the I-5 weekend traffic at all.

    Plan the visit as a downtown afternoon, not a quick stop. Park once. Walk the festival. Eat. Sit through a class. Walk back.

    How Sorticulture fits the rest of the weekend

    The Saturday night card downtown is heavy. Tony V’s Garage at 1716 Hewitt typically books shows the same weekend as Sorticulture, and the Historic Everett Theatre runs evening programming around the festival days too — recent culture-desk coverage of Schack Art Center’s Contemporary Northwest Artists exhibition opens around the same week, so a smart Saturday looks like Sorticulture during the day, gallery walk through Schack on Hoyt Avenue late afternoon, dinner downtown, and a show after sundown.

    The downtown cultural cluster — Schack at 2921 Hoyt, the Historic Everett Theatre at 2911 Colby, Funko at 2802 Wetmore, Tony V’s at 1716 Hewitt, and Imagine Children’s Museum nearby — is the reason Sorticulture works as well as it does. The festival is the pretext. The cluster is the product.

    What to actually buy at Sorticulture (the only opinionated section)

    If you have never been: skip the impulse buys on Friday and walk the entire grid first. The most interesting work — handmade pots, garden steel, ceramic ware, sculptural plant supports — sits in the middle blocks of the footprint, not the edges, and the best vendors sell out by Saturday afternoon. If you see a piece on Friday and it’s between $50 and $200, buy it then; if it’s over $200, sleep on it and come back Saturday morning before the foot traffic ramps. If you’re plant shopping, hit the Sunnyside Nursery presence and the regional nurseries first — the festival is one of the few places those nurseries bring inventory off their home lots.

    Frequently Asked Questions

    When is Sorticulture 2026?

    Friday through Sunday, June 5–7, 2026, with festival hours of 10 a.m. to 6 p.m. on Friday and Saturday and 10 a.m. to 4 p.m. on Sunday. Admission is free.

    Where exactly is Sorticulture held?

    Downtown Everett, along Colby Avenue from Everett Avenue (north) to Pacific Avenue (south), and east-west along California Street toward Funko HQ and Hewitt Avenue toward Port Gardner Bay. The Sunnyside Nursery Garden Stage is at the intersection of Hewitt and Colby.

    Is Ciscoe Morris really speaking at Sorticulture 2026?

    Yes. Ciscoe Morris is presenting “Newest plant picks and Q&A” on Sunday, June 7, 2026, at 1 p.m. inside the Historic Everett Theatre at 2911 Colby Ave. The event is free per the venue’s own listing and is part of the festival’s continuous-learning programming.

    How much does Sorticulture cost?

    Sorticulture is free. There are no admission fees, no wristbands, and no ticket purchases required for general festival access, the Sunnyside Nursery Garden Stage classes, the outdoor yoga, or the Ciscoe Morris lecture at the Historic Everett Theatre.

    Where do I park for Sorticulture?

    ADA parking is along Wetmore Avenue between Everett and California avenues. The downtown public parking garage is free on weekends. Affordable pay lots are available in the immediate vicinity. Everett Transit also runs a complimentary shuttle service to the festival.

    Is Sorticulture good for kids?

    Yes. Youth activities are programmed by Imagine Children’s Museum, Everett Parks, and Funko. Strollers work fine on the closed-street footprint, and Wetmore Plaza has open space for kids who need to burn energy between vendor stops.

    Are dogs allowed at Sorticulture?

    Sorticulture is an outdoor downtown street festival on closed public streets, so well-behaved leashed dogs are generally welcome in the festival footprint. Dogs are typically not permitted inside indoor venues like the Historic Everett Theatre or vendor tents that explicitly post otherwise. Bring water and watch the heat.

    What time does Ciscoe Morris speak?

    Sunday, June 7, 2026, at 1 p.m. inside the Historic Everett Theatre at 2911 Colby Ave. The lecture title is “Newest plant picks and Q&A” and seating is first-come.