Everett Arts & Culture - Tygart Media

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Category: Everett Arts & Culture

Theaters, galleries, live music, murals, and creative community.

  • Pete Lee Brings His Tonight Show Standing-Ovation Comedy to the Historic Everett Theatre on June 27 — A Letterman-Vetted Storyteller Lands in the 1901 Opera House

    Pete Lee Brings His Tonight Show Standing-Ovation Comedy to the Historic Everett Theatre on June 27 — A Letterman-Vetted Storyteller Lands in the 1901 Opera House

    What time is Pete Lee performing at the Historic Everett Theatre?

    Pete Lee performs Saturday, June 27, 2026 at 8:00 PM at the Historic Everett Theatre (2911 Colby Ave, Everett, WA). The show runs about 90 minutes and includes host Cory Michaelis and opening comedians. All seating is general admission; VIP tickets cover the first five rows. Tickets are available through Eventbrite.

    Verdict: GO

    Three reasons this one is worth clearing your Saturday night for:

    1. Unique-to-market booking. Pete Lee tours selectively. When a national headliner with nine Tonight Show with Jimmy Fallon appearances and a Showtime hour to his name routes through Snohomish County instead of dropping into a Seattle club, that is the entire reason a 1901 opera house exists in downtown Everett.
    2. Right-size room for the act. The Historic Everett Theatre seats around 800 — small enough that a storytelling comic’s quiet beats actually land, large enough that an act with this much network exposure can fill it. This is the platonic ideal of a comedy room for Pete Lee.
    3. A genuinely warm comedian in a town that doesn’t get many of them. Most national stand-ups working at this level are working blue, working political, or working trauma. Lee is the rare A-list comic whose entire reputation is built on being nice. His Showtime special is literally titled Tall, Dark and Pleasant. That’s the brand.

    If you’ve been meaning to see what HET feels like for a non-music night — and if you appreciate stand-up that doesn’t make you feel like you need a shower afterward — this is the show.

    The Show: Date, Time, and What You’re Buying

    When: Saturday, June 27, 2026, 8:00 PM doors and showtime Where: Historic Everett Theatre, 2911 Colby Avenue, Everett, WA 98201 Length: Roughly 90 minutes, including a host set from Cory Michaelis and opening comedians before Pete Lee headlines Seating: General admission throughout, with VIP tickets reserved for the first five rows Concessions: Beer, wine, liquor, and snacks available at the venue’s bar Tickets: Eventbrite is the official ticketing partner — search “Pete Lee Everett” or use the link from the venue’s events page at everetttheater.org/event-list

    A note on the seating model: HET runs general admission for most of its non-musical bookings, which means doors-time arrival actually matters if you want a good sightline. The VIP upgrade gets you guaranteed seats in the first five rows without the queue. For a comedy show, sightlines are less critical than they are for a tribute band — but a comedian who works with facial expressions as much as Lee does benefits from a closer seat.

    Who Pete Lee Is, and Why Jimmy Fallon Personally Booked Him

    The shortest version of the Pete Lee bio is the one that comedy bookers all repeat: He’s the first stand-up to ever get a standing ovation on Fallon. That happened in 2017. Standing ovations don’t normally happen on late-night talk shows — the format isn’t built for them, and the studio audience is famously tough to get all the way to their feet. Lee got there. Fallon liked the set enough to invite him back. And back. And back. As of 2025, Lee has nine Tonight Show appearances, which is more than almost any working stand-up under 50.

    The longer version: Lee grew up in Janesville, Wisconsin, raised by divorced parents and what his official bio describes as “a 19-inch television.” He moved to New York after college, got picked for the Just for Laughs festival in Montreal, made his network TV debut on NBC’s Last Comic Standing in 2008 (semi-finalist), and shot a Comedy Central Half Hour the same year. The Showtime hour Tall, Dark and Pleasant dropped in 2021 and made the rounds with critics who specifically noted what a relief it was to hear a comedian who wasn’t performing rage. He has also voiced the lead character Lamb in the Emmy-winning Jam Van on YouTube Kids — which is a credit most touring comics don’t have on their résumé.

    The Letterman appearance everyone references happened earlier in his career, on The Late Show — the venue that put a generation of stand-ups on the map and that, by the time Lee got his shot, was an increasingly rare get for newer comics. Both Letterman and the late-Fallon-era Tonight Show are taste-maker stages, not just exposure stages. Comics who get repeat bookings on them are vetted in a way that doesn’t show up on Bandsintown.

    The reason all this matters for an Everett crowd: when a comedian has been hand-picked by two different network late-night hosts, you are not gambling on the quality of the set. You are gambling on whether you like a particular flavor of warm Midwestern storytelling. Which, in this market, is a flavor most people end up liking once they hear it.

    Why HET Is the Right Room for This Booking

    The Historic Everett Theatre opened in 1901. It is one of the oldest continuously operating theaters in Washington state, and it has spent the last few years quietly building a reputation as the Pacific Northwest venue that books interesting national acts at sane prices. Geoff Tate is bringing the last-ever full performance of Operation: Mindcrime here on May 23. Grupo Niche is bringing a Latin Grammy-winning salsa orchestra here on May 31. Dana Gould — Simpsons writer, longtime touring stand-up — played the room on May 16. The programming is genuinely eclectic and genuinely curated.

    For comedy specifically, the room works because the back wall is close enough to feel intimate but the proscenium is theatrical enough that the act gets dignified production values. There is no two-drink minimum. The bar is full-service. The building has the kind of acoustics that only show up in turn-of-the-century opera houses with original wood interiors — which means Lee’s quieter beats, the pauses he uses for setups, will actually register at the back of the room.

    If you have only ever been to comedy clubs — Tacoma Comedy Works, Comedy Underground, that tier — a 1901 opera house comedy show feels different in a way that’s hard to articulate until you’ve sat through one. The applause sounds different. The laughs travel further. The room rewards a comic who’s confident enough to slow down.

    What to Expect Tactically

    Doors and show are both at 8:00 PM. Plan to arrive 20-30 minutes early if you don’t have a VIP ticket and want a good seat. Host Cory Michaelis runs the front of the show and brings on the opening comedians before Lee takes the stage for the headlining set. Total run time lands around 90 minutes, putting you out of the theater by roughly 9:30 PM — which is when downtown Everett’s restaurants and bars are still very much open and ready for the post-show wave.

    Pete Lee’s material runs clean-to-PG-13. He works in personal storytelling, observational humor, and the kind of family-and-relationship material that doesn’t require an asterisk. If you have brought a parent, a date, or coworkers to a show in this town, the worst-case scenario is they laugh.

    Where to Eat Before the Show

    The block around HET (Colby + Hewitt) has filled in considerably over the last two years. Within three blocks of the theater you can hit a Hewitt Avenue cocktail room, a wood-fired pizza spot, a Latin-American kitchen that runs late, or one of the new entries on downtown’s growing restaurant row. Plan dinner for 6:00 PM and you’ll have time for a leisurely meal plus the walk over.

    Frequently Asked Questions

    Is Pete Lee’s show appropriate for teenagers? The Historic Everett Theatre lists most comedy shows as suitable for older teenagers and adults. Lee’s material is on the cleaner end of the touring stand-up spectrum but does include adult themes. Parents should check the venue listing or ticketing page for any age advisory before bringing minors.

    How long is the Pete Lee show at HET? About 90 minutes total, including host Cory Michaelis, opening comedians, and Pete Lee’s headlining set. Doors and show start at 8:00 PM.

    Are there reserved seats for the Pete Lee Everett show? No reserved seating. All tickets are general admission. VIP tickets cover the first five rows on a first-come basis within that section.

    Where do I park for Historic Everett Theatre? Street parking is generally available on Colby Avenue and the surrounding blocks. Several public parking garages are within a few blocks of the theater. Arrive 20-30 minutes early if you are not paying for VIP.

    Has Pete Lee played Everett before? This is Pete Lee’s premier Everett stand-up date. He has played the broader Pacific Northwest before — Seattle, the Tacoma comedy circuit, Portland — but this is the first HET booking.

    Where can I watch Pete Lee before the show? Lee’s official website (petelee.net) and his YouTube channel host clips from his Showtime hour and his nine Tonight Show appearances. His podcast Snuggle Storm is also widely available.

    Is the Historic Everett Theatre wheelchair accessible? Yes — HET is accessible from the Colby Avenue entrance. Patrons with mobility needs should contact the venue ahead of time for seating arrangements.

    Pete Lee at the Historic Everett Theatre, Saturday, June 27, 2026, 8:00 PM. Tickets via Eventbrite (linked from everetttheater.org/event-list).

  • Fresh Paint 2026 Returns to Downtown Everett on August 15 and 16 — 120 Artists, Free Admission, and the Biggest Outdoor Art Festival on Hoyt Avenue

    Fresh Paint 2026 Returns to Downtown Everett on August 15 and 16 — 120 Artists, Free Admission, and the Biggest Outdoor Art Festival on Hoyt Avenue



    Two days. One block of Hoyt Avenue. A hundred and twenty artists, free to walk in, and the biggest outdoor art event downtown Everett puts on all year. Fresh Paint 2026 is on August 15 and 16, and if you haven’t been before, this is the year to change that.

    The Schack Art Center runs this every summer and has built something worth making plans for. The vendor list is already sold out — which tells you this is not a pop-up craft market. Artists apply. They get juried in. The work on Hoyt Avenue that weekend is curated, and you’ll feel it when you walk the block.

    What You’re Walking Into

    The festival takes over Hoyt Avenue between Pacific Avenue and Hewitt Avenue, two blocks from the Schack itself. The street closes. Booths go up. And from 10am to 5pm on Saturday and 10am to 4pm on Sunday, that stretch of downtown becomes the most concentrated collection of original art in Snohomish County.

    120+ artists span painting, sculpture, glass, jewelry, fiber, ceramics, and photography. Because this is a juried show, there’s a floor to the quality. You’re not wading through mass-produced prints to find the one interesting thing — the interesting things are the whole point.

    Admission is free. You pay for art, food, and activities. That’s the model and it works — 10,000+ attendees walk through over the two days, and the Schack has been doing this long enough to know how to move that crowd through a single city block without it feeling like a fire drill.

    Glassblowing, Kids’ Activities, and Float Find

    The Schack is a working art center, not just a gallery. At Fresh Paint, they demonstrate that — literally. Glassblowing demonstrations run through the weekend, and watching someone pull molten glass into form at a live outdoor event is the kind of thing you stop for whether you planned to or not. It draws every age group.

    Kids’ activity areas are built into the layout, which means this is a functional family event and not just an adult art crawl. You can split up, let the kids engage with the activity stations, and walk the artist booths without herding the whole group through every booth.

    Float Find is the Schack tradition that turns the festival into a game. Small glass floats — hand-crafted — get hidden around the festival grounds. Find one, keep it. It’s the kind of detail that makes people come back year after year and arrive early.

    The Schack’s Track Record on This Street

    The Schack Art Center at 2921 Hoyt Ave has been the anchor of Everett’s arts infrastructure since long before the downtown revival picked up pace. Fresh Paint is their statement event — the one where they take the case for arts in this city outside the building and onto the street itself.

    If you’ve seen what they do inside the gallery — and the Artists’ Garage Sale gives you a sense of the community energy they generate — Fresh Paint is that but scaled up and opened to anyone walking by. The Contemporary NW + Summer Auction draws serious collectors; Fresh Paint draws everyone else. The two events together define what the Schack is doing for this city.

    The regular monthly Everett Art Walk keeps the momentum going through the year, but Fresh Paint is the anchor. It’s the day families mark on the calendar in January.

    The Practical Details

    What: Fresh Paint 2026 — Schack Art Center Outdoor Juried Art Festival
    Saturday August 15: 10:00 AM – 5:00 PM
    Sunday August 16: 10:00 AM – 4:00 PM
    Where: Hoyt Ave between Pacific Ave and Hewitt Ave, Downtown Everett WA 98201
    Admission: Free
    Artists: 120+ juried (vendors sold out — this is curated work)
    Highlights: Glassblowing demos, kids’ activities, Float Find, food vendors
    Parking: Street parking and downtown garages within a few blocks of Hoyt Ave

    Full details at schack.org/fresh-paint →

    FAQ

    When is Fresh Paint 2026?

    Saturday August 15 (10am–5pm) and Sunday August 16 (10am–4pm), 2026.

    Where is Fresh Paint in Everett?

    Hoyt Avenue between Pacific Avenue and Hewitt Avenue in downtown Everett. The street closes for the weekend and becomes the festival grounds.

    How much does Fresh Paint cost?

    Free admission. You pay for what you buy — art, food, and activities. Vendor spots are sold out but attendance is open to everyone.

    How many artists are at Fresh Paint 2026?

    120+ juried artists. Vendors are sold out for 2026, meaning artists applied and were curated — this is not a craft fair.

    What is Float Find at Fresh Paint?

    Float Find is a Schack tradition where hidden glass floats are scattered around the festival for attendees to discover and keep. It’s the detail that makes Fresh Paint a repeat-visit event for families.

    Is Fresh Paint good for kids?

    Yes. Dedicated kids’ activity areas, glassblowing demos, and Float Find. Bring them early — the floats go fast.

  • Altered 2ks and Centuries Are Playing the 2000s Emo and Pop Punk Catalog at Tony V’s Garage on June 6 — Your Move

    Altered 2ks and Centuries Are Playing the 2000s Emo and Pop Punk Catalog at Tony V’s Garage on June 6 — Your Move



    Saturday night, June 6. Tony V’s Garage on Hewitt Avenue. Two bands. Four hours. The entire 2000s emo and pop punk catalog you burned onto a CD in middle school and still know word-for-word.

    Altered 2ks and Centuries are sharing the stage — and together they cover the decade that turned angst into arena anthems. My Chemical Romance. Fall Out Boy. Paramore. Taking Back Sunday. Hawthorne Heights. The Used. If you were a teenager when these songs dropped, you’ve been waiting for a night like this without knowing it.

    Who’s Playing and What to Expect

    Altered 2ks is the headline act — a tribute project built specifically around 2000s emo and pop punk. They don’t try to do everything from that era; they do the specific songs that mattered. The ones that opened the floodgates. They’ve played Tony V’s before and they know how to fill that room.

    Centuries opens the set. Same era, same energy, same devotion to getting the details right. This is a double bill with actual curatorial intent — both bands exist in the same sonic universe and the setlist arc from opener to closer is going to hit like a full playlist you built yourself at 15.

    Tony V’s Garage has been the right room for nights like this since it opened in Everett’s historic downtown. It’s not a theater. It’s not a club designed for distance between you and the stage. It’s a place where the band is close, the sound is loud, and the crowd knows every word. For a tribute show built around songs this emotionally loaded, the intimacy is the point.

    The Venue and What You Need to Know

    Tony V’s Garage sits at 1716 Hewitt Ave in Everett. The show starts at 8:00 PM on Saturday, June 6 and runs to 11:30 PM. Tickets are $23.18 on Eventbrite — sold by organizer AJ Verhey, who has been putting on shows at this venue consistently.

    This is a standing-room show. Capacity at Tony V’s is limited. If you want a spot close to the stage, you want to be there early. The venue does not hold tickets at will call for late arrivals in the way larger rooms do.

    Street parking is available on Hewitt and the surrounding blocks. Everett’s downtown is walkable from several parking structures if Hewitt fills up.

    Why This Night Works

    There’s a specific thing that happens when a well-prepared tribute band plays songs from a formative era in a small room. It’s different from seeing those songs on a stadium screen. You’re not nostalgic at a distance — you’re in the room with 200 people who all know the same lyrics, and the band is ten feet away playing them at full volume.

    Tony V’s has hosted Emo Prom at Tony V’s and built a track record of landing the right acts for Everett’s live music crowd. The Polkadot Cadaver show drew the same energy this room can hold — dedicated, loud, present. And if you’ve been watching what’s come through the April lineup at Tony V’s, you already know this venue doesn’t book filler.

    Altered 2ks and Centuries together on one bill on a Saturday night is not a casual decision. This is a deliberate, fully committed tribute event with a tight setlist focus. Show up for it.

    Tickets and the Short Version

    What: Altered 2ks + Centuries — 2000s emo and pop punk tribute night
    When: Saturday, June 6, 2026 — 8:00 PM to 11:30 PM
    Where: Tony V’s Garage, 1716 Hewitt Ave, Everett WA 98201
    Tickets: $23.18 on Eventbrite — limited capacity, buy before the weekend
    Ages: Check Eventbrite listing for age policy

    Get tickets on Eventbrite →

    FAQ

    When is Altered 2ks playing at Tony V’s Garage?

    Saturday, June 6, 2026 at 8:00 PM. Doors open before then — get there early.

    Where is Tony V’s Garage in Everett?

    1716 Hewitt Ave, Everett, WA 98201. Street parking on Hewitt and the surrounding blocks.

    How much are tickets for Altered 2ks at Tony V’s?

    $23.18 on Eventbrite. Limited capacity at Tony V’s — don’t wait on this one.

    What kind of music do Altered 2ks play?

    2000s emo and pop punk — My Chemical Romance, Fall Out Boy, Paramore, Taking Back Sunday, and the full early-2000s catalog you know by heart.

    Who is opening at the June 6 show?

    Centuries opens the night. They play the same era — this is a two-band throwback double bill.

  • Water Ways at the Schack Art Center Closes Saturday May 16 — Six Days Left to See 90+ Pacific Northwest Artists Reckon With What’s Happening to Our Watersheds

    Water Ways at the Schack Art Center Closes Saturday May 16 — Six Days Left to See 90+ Pacific Northwest Artists Reckon With What’s Happening to Our Watersheds

    Q: When does Water Ways close at the Schack Art Center in Everett?
    A: Saturday, May 16, 2026 is the final day. The free exhibition of more than ninety Pacific Northwest artists has been on view in Schack’s Main Gallery and Mezzanine Gallery in downtown Everett (2921 Hoyt Avenue) since March 26. Hours through closing day are Tuesday–Saturday 10 AM–5 PM and Sunday 12–5 PM.

    You have six days left to walk into the Schack Art Center and stand in front of the most ambitious group exhibition the building has hung this year.

    Water Ways: Healing the Circle of Water and Life closes Saturday, May 16, 2026. It is the Schack’s 2026 Arts Education in Action exhibition, and it spans both the Main Gallery and the Mezzanine. Ninety-plus contemporary Pacific Northwest artists answered a single prompt — what does it mean to live next to water that is increasingly under stress — and the resulting wall is one of the more honest reckonings with Puget Sound, the Snohomish River, and the broader watersheds of the region that any local institution has put together in years.

    Curation verdict: GO. Free admission. Six days left. If you do one downtown Everett thing this week before lunch on Saturday, make it this.

    What you actually see when you walk in

    Water Ways is not a quiet exhibition. The Main Gallery wall hits you with Jared Rue’s Here’s the Catch, the lead image the Schack picked to represent the show, and from there the room moves between glass, ceramics, fiber, painting, photography, and sculpture without losing the thread. The list of participating artists reads like a regional Pacific Northwest who’s-who: Dan Friday, David Boxley, Pat McVay, Steve Jensen, Steve Klein, Rik Allen, Shelley Muzylowski-Allen, Georgia Gerber, Kait Rhoads, Lisa McShane, Cynthia Gaub, Christopher Mathie, Jan Hopkins, Chris Hopkins, Joy Hagen. Ninety-plus names, with field-trip-grade interpretive labels next to each.

    Standout works flagged on the Schack’s own page include Jeremy Kester’s The Last Drop, Julie C Baer’s Acorn Barnacle, Steve Jensen’s The Fish are Disappearing, Stephen Yates’s Streaming V, Trish Harding’s Sea Stars, and Deborah Singer’s Great Blue Heron Near Aberdeen. The Mezzanine carries additional work and field-trip activity stations.

    You can move through the show in twenty minutes. Most people stay an hour. The interpretive copy is excellent and the pieces talk to each other — salmon next to glass next to hand-built relief tile next to photograph — in a way that makes you think harder about what you’re looking at than a single-medium exhibition usually does.

    Practical details for the closing week

    • What: Water Ways: Healing the Circle of Water and Life
    • Where: Schack Art Center, 2921 Hoyt Avenue, Everett, WA 98201
    • Closes: Saturday, May 16, 2026
    • Hours through closing: Tuesday–Saturday 10 AM–5 PM; Sunday 12–5 PM (closed Mondays)
    • Admission: Free
    • Parking: Free street parking on Hoyt and California avenues; 2-hour metered on Hewitt
    • Phone: (425) 309-7723

    Why this exhibition matters more than most regional group shows

    Two things separate Water Ways from a typical Schack group hang.

    First, the prompt is real. Arts Education in Action is the Schack’s curriculum-anchored programming track. The exhibitions in this series are built to be taught from — school groups walk through, do hands-on response activities, and leave with a mental model that ties what they saw on the wall to a watershed they actually live next to. The Schack’s Education Coordinator, Breannah Gammon, runs the field-trip program out of the show.

    That changes what artists submit. When the audience includes seventh-graders who will walk a Snohomish County riverbank that afternoon, you cannot get away with abstract gesture as a substitute for a point of view. Marguerite Goff’s two-panel relief tile, Traveling Upstream: Beauty Returns to Our Rivers, lands harder when you understand it next to a class of kids who just learned what a watershed is. Tiami Hogberg’s Without them there’s no US works on art-school terms and on get-it-immediately terms at the same time. Jeanne Poling’s five photography prints push the show toward documentary and back.

    Second, the curatorial framing is honest about what’s happening to our water. The exhibition title — Healing the Circle of Water and Life — is not lukewarm. The Schack’s programming page describes work that “highlights the beauty and interconnectedness of Earth’s water systems, the science behind them, and the effects of environmental change on all forms of life—human, animal, and plant.” A May 2 panel discussion, How We Heal the Circle of Water and Life, brought in Adopt A Stream Foundation and Puget Soundkeeper Alliance to talk watershed restoration, orca pod health, and clean-water supply alongside the artists.

    Most regional group shows give you a theme and let the artists respond loosely. Water Ways picks a fight with how the region is letting down its water and asks the artists to put a stake in the ground. Most of them do.

    Who you should look for in the gallery

    If you have an hour and want to walk out remembering specific work, here are the names worth slowing down for:

    • Jared Rue — Here’s the Catch, the show’s lead image, in the Main Gallery
    • Dan Friday and David Boxley — Coast Salish work that sits naturally in a watershed-themed room
    • Steve Jensen — The Fish are Disappearing, a piece whose title does most of the work and whose execution earns the title
    • Pat McVay and Georgia Gerber — sculptural responses with Pacific Northwest provenance
    • Kait Rhoads, Rik Allen, and Shelley Muzylowski-Allen — glass work that uses the medium for what it was made for here
    • Chris Hopkins and Christopher Mathie — painters working in two very different traditions, both responding to the prompt seriously
    • Lisa McShane — landscape painting with a documentary eye
    • Marguerite Goff — Traveling Upstream: Beauty Returns to Our Rivers, a relief tile that anchors a corner of the room

    The full ninety-plus-artist roster is on the Schack’s exhibition page. The gallery store on the way out carries work by many of the same artists at meaningfully smaller scale and price.

    What to pair the visit with

    The Schack sits on Hoyt between California and Wetmore, two blocks from Hewitt Avenue. Make a half-day of it: park free on Hoyt, walk through Water Ways, then drop in at the Schack Gallery Store on the way out for Pacific Northwest work you can actually take home. Lunch options within five blocks include Narrative Coffee, Lombardi’s at the marina, the food trucks at Beverly Park, and the steady rotation at Tony V’s Garage if you’re staying for a happier hour.

    If you want to make it an arts day, the show closes May 16 at 5 PM, the same evening Geoff Tate is performing Operation: Mindcrime in full at the Historic Everett Theatre and Dana Gould is at HET that same week. Walk Water Ways at 11 AM, lunch on Hewitt, then make a real evening of it.

    What’s next at Schack after Water Ways

    The Schack’s biggest art week of the spring drops May 28 with the Contemporary Northwest Artists Exhibition and the Summer Auction. Two days later on May 30 the Artists’ Garage Sale spreads 140-plus artists across Wetmore Plaza for the best art-buying day of the year in Everett. The Garden Party, the Schack’s annual summer kickoff, lands Thursday, June 4 from 5–8 PM and opens Sorticulture weekend.

    That’s a packed three weeks. Water Ways is what closes the spring run, and after Saturday it’s gone. There is no extension. There is no traveling version. This installation lives at 2921 Hoyt Avenue until 5 PM on May 16 and then it comes down.

    Six days. Free admission. Ninety-plus artists. A real point of view about a river system most of us drive over without thinking about. Go.

    Frequently Asked Questions

    How much does it cost to see Water Ways at Schack Art Center?

    Admission to the Schack Art Center is free, including Water Ways. The Schack is a 501(c)(3) nonprofit and accepts donations at the door if you would like to support free programming.

    What are the Schack’s hours through May 16?

    Tuesday through Saturday 10 AM to 5 PM, Sunday 12 to 5 PM. Closed Mondays. The final day of the exhibition is Saturday, May 16, 2026 — plan to be in the gallery before 5 PM.

    Is the exhibition kid-friendly?

    Yes. Water Ways is part of the Schack’s Arts Education in Action series and was designed to support school field trips with hands-on response activities. Strollers are welcome and the galleries are stroller-accessible.

    Where do I park near the Schack Art Center?

    Free street parking on Hoyt Avenue and California Street is usually available within a block. Two-hour metered parking on Hewitt is free after 6 PM. The Wall Street garage is the closest covered option for a longer visit.

    Can I buy work from the exhibition?

    Most pieces in Water Ways are not for sale through the show, but the Schack’s Gallery Store stocks work from many of the same artists at smaller scale. The annual Schack Summer Auction on May 28 and the Artists’ Garage Sale on May 30 are the next major Schack buying opportunities.

    Is the Schack Art Center accessible?

    Yes. The Main Gallery is fully ADA-accessible at street level. The Mezzanine has elevator access. Service animals are welcome.

    What is the Schack’s relationship to Sorticulture?

    The Schack runs Sorticulture, the city’s beloved garden festival, which returns to downtown Everett June 5–7, 2026. The Schack’s Garden Party on Thursday, June 4 from 5–8 PM kicks off the weekend and is the unofficial summer-arts opening night for the building.

  • Los Lobos & Los Lonely Boys Bring The Brotherhood Tour to Kings Hall on August 12 — One Pacific Northwest Stop, Two of America’s Most Important Mexican-American Rock Bands on One Stage

    Los Lobos & Los Lonely Boys Bring The Brotherhood Tour to Kings Hall on August 12 — One Pacific Northwest Stop, Two of America’s Most Important Mexican-American Rock Bands on One Stage

    Q: When are Los Lobos and Los Lonely Boys playing in Everett?
    A: Wednesday, August 12, 2026 at 7:00 PM at Kings Hall inside APEX Everett (1611 Everett Avenue). Tickets went on sale Friday, May 1 through Ticketmaster. The Brotherhood Tour pairs the East L.A. Grammy winners with the Garza brothers’ Texican rock trio for a single double-bill stop in the Pacific Northwest.

    If you only clear your calendar for one show this summer at Kings Hall, this is the one.

    Los Lobos and Los Lonely Boys are bringing The Brotherhood Tour to APEX Everett’s Kings Hall on Wednesday, August 12, 2026, doors typical for the room and the show running 7:00–10:00 PM. Two of the most important Mexican-American rock bands in the country, on one stage, in a downtown Everett ballroom that has spent the last eighteen months quietly turning into the best mid-size music room between Seattle and Vancouver. Tickets went on sale Friday, May 1 at 10 AM through Ticketmaster, and the floor is already moving.

    Curation verdict: GO. Clear the calendar. This is a once-in-a-tour bill that almost never passes through a room this size, and the room itself is a big part of why this matters.

    Why a double bill of Los Lobos and Los Lonely Boys actually matters

    You can list the hits and it still won’t capture it. Los Lobos are East L.A. lifers who started playing weddings and quinceañeras in the mid-1970s and ended up rewriting the rules for what a working American rock band could carry. They won the first Grammy in what was then called the “Mexican-American Performance” category, took “La Bamba” to number one in 1987, and have spent forty-plus years stitching rock, blues, Tex-Mex, son jarocho, and traditional Mexican folk into something that doesn’t actually sound like anyone else. David Hidalgo and Cesar Rosas trading guitar lines is one of the great underrated sounds in American music.

    Los Lonely Boys are the Garza brothers — Henry, Jojo, and Ringo — out of San Angelo, Texas, who broke nationally in 2004 with “Heaven” and a Grammy for Best Pop Performance by a Duo or Group. They call what they do “Texican rock ‘n’ roll,” which is shorthand for guitar-forward blues with three-part harmony brothers can only get from sharing a kitchen table for thirty years. Henry’s tone is famously the closest thing to Stevie Ray Vaughan that the modern blues circuit produces, and his brothers’ bass and drums lock in like a single pulse.

    Pairing them is the obvious move and somehow nobody had done it. The Brotherhood Tour started rolling in 2025 and has been one of the year’s harder tickets in markets that have seen it. Kings Hall in Everett is one of a small handful of West Coast stops on the run, and the Pacific Northwest gets exactly one shot.

    Why Kings Hall is the right room for this show

    This is the part that gets undersold. Kings Hall is the upstairs ballroom inside the APEX Art & Culture Center at 1611 Everett Avenue — a 1909 Beaux-Arts Masonic temple that APEX has spent the last two years rehabbing into one of the more thoughtful mid-size venues in the region. Soaring proscenium, hardwood floor, balcony seating, and sightlines that work from anywhere in the room. It’s not a barn. It’s not a club. It’s the size of room where a band like Los Lobos can stretch out on “Don’t Worry Baby” or a half-time son jarocho jam without losing the audience to bar noise.

    The smaller-room upside is real. Los Lobos plays sheds and theaters all summer. Los Lonely Boys plays casinos and amphitheaters across the South. They both play arena seats opening for bigger acts. Kings Hall is meaningfully more intimate than any of those, and the room reads warm — wood, plaster, none of the cinderblock-bounce that wrecks so many converted-warehouse venues. If you have ever wanted to hear “Will the Wolf Survive” without 9,000 people in front of you, this is the night.

    Practical details for August 12

    • What: Los Lobos & Los Lonely Boys — The Brotherhood Tour
    • When: Wednesday, August 12, 2026 — 7:00 PM start, scheduled to 10:00 PM
    • Where: Kings Hall at APEX Everett, 1611 Everett Avenue, Everett, WA 98201
    • Tickets: Ticketmaster (on sale since May 1, 2026); also listed via Live Nation and SeatGeek
    • Age: All ages with a paying adult; the venue serves 21+ at the bars
    • Parking: Hewitt Avenue meters are free after 6 PM; the Wall Street garage at 2820 Wall Street is the easiest walk-in

    Where this slots into a great Everett summer of live music

    The Brotherhood Tour is one stop on what is shaping up to be the strongest concert summer downtown Everett has had in a decade. Kings Hall alone has The Crystal Method and Rabbit in the Moon on June 13, Petty Thief and Pretenders UK on June 27, and now Los Lobos / Los Lonely Boys on August 12. Around the corner at the Historic Everett Theatre, Grupo Niche is bringing a Latin Grammy–winning salsa orchestra to an 1901 opera house on May 31, and Geoff Tate is closing the book on Operation: Mindcrime on May 23. Tony V’s Garage is stacking weekend bills on Hewitt that consistently outperform their billing.

    You can argue with the calendar but you can’t argue with the math. For roughly the price of one Climate Pledge Arena ticket, an Everett summer of music gets you four headline shows and a couple of weeknight surprises in a venue you can walk to from a downtown brewpub. The Brotherhood Tour is the best individual bill of any of them.

    What to expect from the live show

    Both bands have framed this as a true co-bill, not an opener-and-headliner split. The pattern from earlier 2025 stops is each band doing roughly seventy minutes, then closing the night with a joint encore that has paired “La Bamba” and “Heaven” back-to-back, with all six players on stage. If you are coming for the catalog, you’ll get it: Los Lobos has been pulling deep cuts from Kiko and How Will the Wolf Survive? alongside the Ritchie Valens material, and Los Lonely Boys have rotated “Crazy Dream,” “More Than Love,” and “I’m a Stranger” into their core run.

    What you should not expect is a strict Latin-music night. Both bands draw from blues, classic rock, country, and gospel as much as anything Mexican-American specific. Los Lobos in particular is a roots-rock band that happens to also be one of the most important Mexican-American bands in history; the Tex-Mex framing under-sells what they do live. Bring earplugs if you want — the room can get loud — and bring the friend who still talks about that one time they saw Stevie Ray.

    Why this kind of booking matters for Everett

    Two summers ago, this show would not have stopped in Everett. It would have played the Moore in Seattle or skipped the Pacific Northwest entirely on its way to Portland. The fact that APEX has steadily landed Crystal Method, Canned Heat, Big Brother and the Holding Company, Petty Thief, and now The Brotherhood Tour in 2026 says something about how fast Kings Hall has become a real touring stop. Promoters route to rooms that fill seats and treat the artists right. Kings Hall has now done both, repeatedly, and it shows.

    For locals, that translates to fewer trips to Seattle. For visitors, it means a credible Wednesday-night reason to be in downtown Everett in August — three blocks from the Historic Everett Theatre, six blocks from Tony V’s, and a five-minute walk from the Schack Art Center, the Funko HQ store, and a stretch of Hewitt Avenue that increasingly looks like a real downtown again.

    August 12. Kings Hall. Two great American bands on one stage. Don’t miss it.

    Frequently Asked Questions

    How much do tickets cost for The Brotherhood Tour at Kings Hall?

    Pricing was set by APEX and Live Nation when tickets went on sale May 1, 2026. Across the run, Brotherhood Tour tickets have generally listed from the mid-$30s for general floor and rise into the $80s for premium reserved seating, with VIP tiers higher. Check Ticketmaster for the current Kings Hall price and any remaining premium reserves.

    Is Kings Hall a seated or standing venue?

    Kings Hall is a flexible-floor ballroom — for The Brotherhood Tour, expect a mix of reserved table seating, balcony seating, and a general-floor area near the stage. Configuration varies by show; the Ticketmaster seat map for August 12 reflects the final layout.

    Where is Kings Hall in Everett?

    Kings Hall is the upstairs ballroom inside the APEX Art & Culture Center at 1611 Everett Avenue, Everett, WA 98201, between Wetmore and Rockefeller in downtown Everett. The building dates to 1909 and was originally a Masonic temple.

    What’s the parking situation?

    Hewitt and Everett Avenue street meters are free after 6 PM. The Wall Street parking garage at 2820 Wall Street is the closest covered option (about a two-block walk). The lot at Wetmore and Pacific is the next best alternative.

    Will there be food and drink at the show?

    Yes. APEX runs El Sid, the on-site bar and lounge, plus 16Eleven downstairs for a sit-down dinner before the show. Reserve early — a Kings Hall headliner night fills 16Eleven by 6 PM.

    Is the venue accessible?

    Yes. APEX has an elevator to the Kings Hall floor and accessible seating sections. Note accessibility needs at the time of ticket purchase or call APEX directly to confirm placement.

    What other shows are coming up at Kings Hall?

    The Crystal Method and Rabbit in the Moon play June 13. Petty Thief: A Tribute to Tom Petty and Pretenders UK share the bill on June 27. The full APEX calendar is at apexeverett.com/events.

  • Geoff Tate Is Bringing Operation: Mindcrime — The Final Chapter to the Historic Everett Theatre on May 23 — The Last Time the 1988 Album Will Be Performed in Full

    Geoff Tate Is Bringing Operation: Mindcrime — The Final Chapter to the Historic Everett Theatre on May 23 — The Last Time the 1988 Album Will Be Performed in Full

    Geoff Tate Is Bringing Operation: Mindcrime — The Final Chapter to the Historic Everett Theatre on May 23 — The Last Time the 1988 Album Will Be Performed in Full

    Where can I see Geoff Tate perform Operation: Mindcrime in 2026? Geoff Tate brings the Operation: Mindcrime — The Final Chapter tour to the Historic Downtown Everett Theatre at 2911 Colby Avenue on Saturday, May 23, 2026. Doors open at 7:30 PM and the show starts at 8 PM. It is the only Pacific Northwest stop on the U.S. spring leg and the last time Tate will perform the full 1988 album live in the region. Tickets are sold through Eventbrite via the Historic Everett Theatre.

    Verdict: GO. A rare cluster of three yeses lines up here — a once-in-a-career performance window (the album is being retired from the live set after this tour), the right-sized 800-seat theater for a focused legacy act, and Eventbrite pricing well below the secondary-market resale benchmarks for the earlier 2026 dates. If you cared about Queensrÿche the first time, this is the one to clear the calendar for.

    The 1988 album that defined progressive metal is going away

    For thirty-eight years, Operation: Mindcrime has been the album people pull off the shelf when they want to argue that progressive metal could carry a full novel inside one record. Released in May 1988 by Queensrÿche, it told the story of Nikki — a heroin-addicted assassin programmed by a shadowy figure called Dr. X — across fifteen interlocking tracks built on Chris DeGarmo’s guitar architecture and Geoff Tate’s four-octave command. It is Queensrÿche’s only platinum studio record, the reason the band headlined arenas in 1990–91, and the album the original lineup captured live on the legendary Operation: LIVEcrime document.

    After this 2026 U.S. spring leg of Operation: Mindcrime — The Final Chapter, Geoff Tate will not perform it in full again.

    The Saturday, May 23 stop at the Historic Downtown Everett Theatre is the only Pacific Northwest date on the spring run. Doors open at 7:30 PM. The show runs 8 PM to 11 PM per the Eventbrite listing the venue links to from its official events page. Tate performs the original Mindcrime front-to-back with an enhanced production that adds strings and a laser show to the staging, then returns for an encore drawing on additional Queensrÿche-era material and selections from the brand-new Operation: Mindcrime III, which dropped on May 3, 2026.

    Why this is the show, and why this is the room

    Geoff Tate is sixty-six. He has been touring this album cycle in some configuration for nearly four decades — first with Queensrÿche, then under his own name after the 2012 split that ended his run as the band’s frontman. Blabbermouth and BraveWords both reported, when the U.S. leg was announced, that the spring 2026 dates would close out the “Final Chapter” framing. The last performances Tate will give of the full Mindcrime sequence happen on this run. Then the album, as a live entity, retires.

    The Historic Everett Theatre is the right room for it. Built in 1901, the venue seats roughly 800 — proscenium-arch sightlines and acoustic warmth that fit a guitar-and-keys progressive metal performance far better than an arena ever did. The original LIVEcrime recording was captured at Hammersmith Odeon, a 3,600-seat London theater; the Everett room is smaller, denser, more intimate, and that is the point. Tate’s spring routing has deliberately favored 800–2,000 seat theaters — Taft Theatre in Cincinnati, Rose Music Center in Huber Heights, Pabst Theater in Milwaukee. Everett fits that pattern exactly.

    It also lands in a remarkable spring at the 1901 building. The Historic Everett Theatre has been carrying a near-weekly slate — comedy from Dana Gould on May 16, the original Woodstock-era double bill of Canned Heat and Big Brother and the Holding Company on May 29, and the Latin Grammy–winning Grupo Niche on May 31. Geoff Tate slots in as the heaviest rock show of the month and the only progressive metal date the venue has booked all spring.

    What the new album means for the Everett setlist

    Operation: Mindcrime III arrived three weeks before the Everett show and changes how the encore should be read. Tate has been clear in interviews that III is structured as a parallel companion to the original — the same timeline told from the perspective of Dr. X, the puppet master who programs Nikki in the first record. Producer John Moyer (Disturbed bassist; long-time Tate collaborator since 2015) built the album heavier and more aggressive than I or II, with denser riffing and a modern metal sound Tate himself has called “super heavy.” Maximum Volume Music called it “an admirable attempt to give the trilogy a proper end.” MyGlobalMind framed it as the conclusion of “a metal masterpiece.”

    The encore, in other words, is no longer a victory lap of Queensrÿche radio singles. It is a contemporary statement about the same characters from a new vantage point, with strings and lasers built to support the heavier delivery.

    Tickets, VIPs, and the value question

    General admission and reserved seating are on Eventbrite through the Historic Everett Theatre’s official listing — the canonical ticket path, ahead of any third-party reseller. A separate VIP Meet and Greet package is sold directly through GeoffTate.com and includes a pre-show meet, a posed photo with Tate and the band, an autograph session, and early entry. Standard tickets are positioned at face value, before resale margins start chasing the earlier Pabst, Taft, and Rose Music Center dates upward — fair-market pricing for a once-in-a-career performance window in an 800-seat room.

    What to know before you go

    The Historic Downtown Everett Theatre sits at 2911 Colby Avenue, between Hewitt and Wall in the heart of downtown Everett. Street parking on Colby and Wetmore is metered through 6 PM, then free; the Everpark Garage at 2925 Wetmore is a block north. Pre-show dinner options cluster within a three-block walk on Hewitt and Colby. The 1901 venue is fully ADA-accessible from the main Colby entrance, with the box office at the corner of Colby and Wall.

    If you are tracking the broader legacy-act calendar in town, the Apex’s Kings Hall closes June with Petty Thief and Pretenders UK on June 27. The two rooms together are giving Everett a two-month run of bookings the city has not had in this density in years.

    The bottom line

    If Operation: Mindcrime shaped how you think about what a metal album can do, this is the one to clear the calendar for. The Final Chapter is the last living performance of the full 1988 sequence by the voice that originally sang it. The Historic Everett Theatre is the right-sized room. The album that closes the trilogy just hit the streets. Saturday, May 23, 2026. Doors at 7:30 PM. Show at 8 PM. 2911 Colby Avenue. Verdict: GO.

    Frequently Asked Questions

    Who is Geoff Tate?

    Geoff Tate is the original lead vocalist of progressive metal band Queensrÿche, best known for the platinum-selling 1988 concept album Operation: Mindcrime and hits including “Silent Lucidity,” “Empire,” and “Eyes of a Stranger.” He fronted Queensrÿche from 1982 until 2012 and has performed as a solo artist since.

    What is the Operation: Mindcrime – The Final Chapter tour?

    It is Geoff Tate’s farewell touring cycle for the original 1988 Operation: Mindcrime album. On The Final Chapter tour Tate performs Mindcrime in full one last time, with an enhanced production featuring strings and a laser show. The U.S. spring leg in 2026 is the last time the full album will be performed live.

    When and where is the Everett show?

    Saturday, May 23, 2026, at the Historic Downtown Everett Theatre, 2911 Colby Avenue, Everett, WA 98201. Doors open at 7:30 PM with the show at 8 PM.

    How do I buy tickets?

    General admission and reserved seating tickets are sold through Eventbrite via the Historic Everett Theatre’s official event listing. A separate VIP Meet and Greet package is sold through GeoffTate.com and includes a pre-show meet, photo, and autograph session with Geoff Tate and the band.

    What songs will Geoff Tate play in Everett?

    The set centers on the full 1988 Operation: Mindcrime album performed front-to-back, with Queensrÿche-era hits and selections from the new Operation: Mindcrime III, released May 3, 2026, expected in the encore segment.

    How long is the show?

    Eventbrite lists the run time at three hours from 8 PM to 11 PM, including the album performance, additional Queensrÿche material, and an encore.

    Is the Historic Everett Theatre the right size for this show?

    Yes. The 1901 venue seats roughly 800 in its main hall — exactly the right room for a legacy progressive metal act on a focused theater tour. The Final Chapter run is deliberately routed to mid-size theaters rather than arenas.

    Where should I park and eat before the show?

    Street parking and the Everpark Garage at 2925 Wetmore Avenue are within a block of the theater. Pre-show dinner options on Hewitt Avenue and Colby Avenue cluster within a three-block walk.



  • Dana Gould Is Coming to the Historic Everett Theatre on May 16 — Here’s Why You Should Be There

    Dana Gould Is Coming to the Historic Everett Theatre on May 16 — Here’s Why You Should Be There

    What time does Dana Gould perform at the Historic Everett Theatre on May 16?
    Dana Gould performs Saturday, May 16, 2026 at the Historic Everett Theatre (2911 Colby Ave, Everett, WA). Doors open at 7:00 PM, show starts at 8:00 PM. Tickets are $23 and available at the door. The show is presented by Everett Comedy Night.

    Verdict: GO. The headliner is unique to this market, the room is the right size, and $23 is a fair price for what you’re getting. All three boxes checked.

    The Short Version

    Dana Gould wrote and produced for The Simpsons for seven years. He’s been doing stand-up since he was seventeen. On Saturday, May 16, he’s performing at the Historic Everett Theatre as part of Everett Comedy Night’s Premier Stand-Up Comedy series. Doors at 7:00 PM. Show at 8:00 PM. Twenty-three dollars at the door. This is a real headliner playing a real room, and it doesn’t come around often in a market this size.

    Who Is Dana Gould

    Dana Gould was born in 1964 in Hopedale, Massachusetts and started doing stand-up comedy onstage at age seventeen. After studying briefly, he relocated to San Francisco to work full-time in the craft — years of sets, years of developing the perspective that eventually landed him a seat in the most competitive television writers’ room in the country.

    His run on The Simpsons lasted from 2001 through 2007. He worked as a writer and served as co-executive producer on seasons 14 through 18 — meaning he was in the room during one of the most widely distributed television eras in American history. In a 2005 episode he provided voice work as Don Knotts playing Barney Fife, an impression he’d been doing in his live act for years before it reached the show. If you’ve watched The Simpsons in the 2000s — and you have — some of those episodes have Gould’s fingerprints on them.

    The Simpsons credit is the one that puts his name in front of a general audience, but the rest of his career runs a different direction. In 2016 he created, wrote, executive produced, and starred in IFC’s Stan Against Evil — a horror-comedy series about a former small-town New Hampshire sheriff (played by John C. McGinley) who discovers the town is overrun by demonic entities tied to a seventeenth-century witch-burning event. Gould appeared as Kevin, a gravedigger and recurring presence throughout the show. Stan Against Evil ran for three seasons and 24 episodes across 2016–2018 before IFC cancelled it in January 2019. It’s exactly the kind of show that gets a cult following, and it has one.

    Since 2012, Gould has hosted The Dana Gould Hour podcast, which covers classic horror, pop culture, and comedy history with guests drawn from the community of people who care about the same strange corners of American entertainment that he does. Since 2021 he’s also hosted Hanging with Doctor Z on YouTube — a talk show recorded entirely with Gould in full Dr. Zaius makeup from Planet of the Apes, interviewing comedian and musician friends. It’s exactly what it sounds like.

    The thread running through all of it — the Simpsons years, the IFC series, the podcast, the Planet of the Apes talk show — is a very specific kind of intelligence about American popular culture. Fond, precise, and a little dark at the edges. That’s what you’re seeing on Saturday.

    Everett Comedy Night: The Series

    The show’s promoter is Everett Comedy Night, which runs the Premier Stand-Up Comedy series at the Historic Everett Theatre. Saturday is the 14th/4th Anniversary show — marking the series’ longevity and the established relationship between the promoter and the venue that makes events like this possible in a market this size.

    Getting a headliner of Gould’s caliber to play Everett requires the kind of track record that only comes from doing it consistently and not messing it up. Everett Comedy Night has that track record. When a real national touring comedian agrees to play a mid-sized Pacific Northwest city, it’s not by accident — it’s because someone has put in the work to make it worth doing.

    The Room

    The Historic Everett Theatre opened on November 4, 1901, as the Everett Opera House. A fire in 1923 required a full rebuild; the new building reopened in 1924. A restoration effort from 2000 through 2004 brought it back to working condition, and it operates today at approximately 800-seat capacity. Early performers in the building’s history include Lillian Russell, Al Jolson, and George M. Cohan — names that tell you what kind of room this was built to be.

    That capacity matters for comedy in a specific way. Stand-up at arena scale tends to lose something — the pauses, the timing, the audience relationship that makes the form work. At around 800 seats, a comedian of Gould’s caliber can do actual stand-up, not a version of it scaled up to fill a space too large for the act. The room fits the performer.

    Walking into a 125-year-old opera house to watch a comedian talk about writing for a cartoon and making a demon-hunting show is a particular kind of experience that doesn’t exist everywhere. The building adds something that a casino ballroom or a club with a low ceiling doesn’t.

    Three Reasons to Go

    The headliner doesn’t play Everett often. Dana Gould has credits that most touring comedians don’t — seven years on The Simpsons, a three-season IFC series, a podcast with a real following. When someone with that resume agrees to play Everett’s premier comedy series, you go.

    The price is right. Twenty-three dollars at the door for a comedian with this resume is a genuine deal. Compare what you’d pay for a comparable show at a Seattle venue, add parking and driving time, and the math isn’t close.

    The Historic Everett Theatre in May is worth your time. The building has had a strong spring — multiple well-produced shows, a room that feels alive. Saturday, May 16 is a good night to be in it.

    What You Need to Know

    Date: Saturday, May 16, 2026
    Doors: 7:00 PM
    Show: 8:00 PM
    Venue: Historic Everett Theatre, 2911 Colby Ave, Everett WA 98201
    Tickets: $23 — available at the door. Also via Eventbrite: Dana Gould in Everett! Premier Stand-Up Comedy! 14th/4th Anniversary!
    Note: This show is presented by Everett Comedy Night, not the Historic Everett Theatre. House gift certificates and theatre coupons are not valid for this event.

    May 16 Has Two Everett Options

    Saturday, May 16 is becoming a real night for downtown Everett events. On the same evening, All City Fight Night: Worlds Collide is running its six-hour amateur kickboxing card at Kings Hall at APEX Everett on 1611 Everett Ave. If you’re choosing: comedy at HET and kickboxing at APEX serve completely different audiences, and neither is a bad call for a Saturday night in May.

    If you’re already planning to be out that weekend, the rest of May at the HET is strong too. Canned Heat and Big Brother and the Holding Company — two of the original Woodstock bands — play the 29th, and Grupo Niche, the Latin Grammy-winning Colombian salsa orchestra, closes out May on the 31st. The building is having a moment this spring. May 16 is a good night to start.

    Frequently Asked Questions

    What time does Dana Gould perform at the Historic Everett Theatre on May 16?

    Doors open at 7:00 PM. The show starts at 8:00 PM on Saturday, May 16, 2026. The venue is at 2911 Colby Ave, Everett WA 98201.

    How much are tickets for Dana Gould at the Historic Everett Theatre?

    Tickets are $23 and available at the door. They are also available in advance via Eventbrite. This show is presented by Everett Comedy Night — house gift certificates and theatre coupons are not valid for this event.

    Is the Dana Gould show all ages?

    Age policy was not listed in the official event materials from the Historic Everett Theatre or Eventbrite listing. Check with the venue at events.theatreconcertconsulting.com or the Eventbrite listing before attending if age policy matters to your plans.

    What is Dana Gould famous for?

    Dana Gould is best known as a writer and co-executive producer on The Simpsons, where he worked from 2001 to 2007 across seasons 14 through 18. He also created, wrote, and starred in IFC’s horror-comedy series Stan Against Evil (2016–2018), which ran for three seasons and 24 episodes. He hosts The Dana Gould Hour podcast and has been a touring stand-up comedian since age seventeen.

    What is Everett Comedy Night?

    Everett Comedy Night is the promoter behind the Premier Stand-Up Comedy series at the Historic Everett Theatre. Saturday’s event is the series’ 14th/4th Anniversary show, reflecting the series’ history at the venue.

    Where is the Historic Everett Theatre?

    The Historic Everett Theatre is at 2911 Colby Ave, Everett WA 98201. The building opened on November 4, 1901 as the Everett Opera House. It operates today at approximately 800-seat capacity and has been hosting performances continuously since its restoration in the early 2000s.

    Are there other shows at the Historic Everett Theatre in May?

    Yes. Canned Heat and Big Brother and the Holding Company — two of the original Woodstock bands — perform May 29. Grupo Niche, a Latin Grammy-winning Colombian salsa orchestra, performs May 31. Both shows are ticketed through the HET box office at events.theatreconcertconsulting.com.

  • Petty Thief and Pretenders UK Hit Kings Hall on June 27 — A Double-Bill That Gets Classic Rock Right

    Petty Thief and Pretenders UK Hit Kings Hall on June 27 — A Double-Bill That Gets Classic Rock Right

    What is playing at APEX Everett on June 27, 2026?
    Petty Thief, Seattle’s tribute to Tom Petty and the Heartbreakers, headlines Kings Hall at APEX on Saturday June 27, 2026. Opening the night is Pretenders UK, a Seattle-based four-piece recreating the early 1980s Pretenders. Show time is 8:00 PM. Tickets from $41 via Ticketmaster (event 0F00647F843C4809). Kings Hall is located at 1611 Everett Ave, Everett, WA 98201.

    Verdict: GO. Petty Thief is the most authentic Tom Petty tribute in the Pacific Northwest — nineteen years running, a current lineup that has been working together since 2017, and a philosophy that treats the catalog as worth getting right. Pretenders UK brings the early Chrissie Hynde era specifically, which is where the Pretenders’ best work lives. Together on the Kings Hall stage for one Saturday night, this is the kind of double-bill where the opening act is not a throwaway.

    Three conditions met for GO: the lineup does not exist anywhere else in this market window, Kings Hall is the right room for this material, and tickets from $41 for two bands is fair-market or below.

    Everett’s newest dedicated concert stage has spent its first year building a habit of landing acts that could be playing larger rooms in Seattle but show up here instead. The Crystal Method and Rabbit in the Moon in June. All City Fight Night in May. Petty Thief and Pretenders UK on June 27 continues that calendar. The value of a room like Kings Hall is that it does not require an act to be an arena act. The material Tom Petty recorded was designed to be played live in a room where you can hear every guitar part, where the room fills with the sound of the band, and where the person next to you is as locked in as you are. That is what you get here.

    Petty Thief: Nineteen Years of Not Being a Novelty Act

    Tom Petty died on October 2, 2017. He was 66. He left behind 40 years of recordings with the Heartbreakers that defined what American rock looked like when it was running correctly — inducted into the Rock and Roll Hall of Fame in 2002, five number-one albums, and a catalog that still sounds like it was written yesterday when played in a room where the speakers are pointed at you.

    Petty Thief did not form in response to that loss. Andy Volmer started the band in 2007 as a Halloween spoof — he and some friends dressed as Tom Petty & the Heartbreakers and called themselves “Refugees” for one party. That was supposed to be the end of it.

    It wasn’t. By 2026, Petty Thief is in its nineteenth year, and the current lineup — Volmer, Steve Crabtree, Mark Mosholder, John Paredes, and Rick Bourgoin — has been performing together since the fall of 2017. The five of them locked in right after Petty’s death and set a standard for themselves that Volmer has described explicitly: “We wanted to approach the tribute genre as a true live rock and roll band, not a novelty act.”

    That matters because the Tom Petty tribute circuit has a lot of novelty acts. Costume shows. Medley bands. Revues built around three songs everyone knows and a lot of filler. Petty Thief plays the full catalog — “American Girl,” “Free Fallin’,” “I Won’t Back Down,” “The Waiting,” “Breakdown,” “Runnin’ Down a Dream,” “Learning to Fly” — and treats the material the way Petty would have wanted it treated: as rock songs, not museum exhibits.

    The current lineup is the most stable the band has ever been. When five musicians have been playing the same catalog together for almost a decade, what you hear is not a band approximating the sound — it’s a band that has internalised it. There is a difference, and you can hear it live.

    Pretenders UK: The Opening Act That Is Also a Reason to Show Up Early

    Pretenders UK opens the bill. They are a Seattle-based four-piece, and their specific commitment is to the early 1980s Pretenders — the Chrissie Hynde era that produced the records most people associate with the band’s peak.

    That era produced “Brass in Pocket” in 1979. “Talk of the Town” in 1981. “Back on the Chain Gang” in 1982. “Middle of the Road” in 1984. It is the decade when the Pretenders were defining what new wave sounded like when it had real guitar work behind it — harder than the synth acts of the period, more melodic than punk, built around Hynde’s rhythm guitar and voice in a way that no one else in that window matched.

    Pretenders UK focuses on that era specifically. That is a curatorial choice, and it’s the right one. The original Pretenders went through significant lineup changes across the decade — the early 1980s period is musically coherent in a way the later catalog is not. A tribute band that picks an era and commits to it is a different proposition than one trying to cover everything. Show up before 8:00 PM. Pretenders UK is not a warm-up.

    Why This Double-Bill Works

    Tom Petty and Chrissie Hynde were not the same kind of artist, and that is the reason this bill lands well. Petty was American heartland rock — guitars, road imagery, working-class romanticism delivered with a Gainesville, Florida drawl that managed to sound both regional and universal. The Pretenders were a British-American hybrid, new wave by genre classification but louder and more guitar-forward than that label implies, anchored by a frontwoman who wrote differently than her contemporaries.

    The two catalogs share a refusal to be precious. Petty’s music worked at stadium scale and on a car radio simultaneously. The Pretenders played arenas and sounded like they had something to prove every night. Both bands earned their place in the Rock and Roll Hall of Fame by making records that did not age out.

    A double-bill built around this pair of catalogs has internal logic. If you are the kind of person who stayed through the Heartbreakers set at any festival you attended in the last three decades, you are also the kind of person who already knows every word to “Brass in Pocket.” One night. One room. Same ticket. And if you need one more reason: Everett has proven this summer that it can host legacy classic rock acts done right — Canned Heat and Big Brother showed that in May.

    The Logistics

    Where: Kings Hall at APEX Art and Culture Center, 1611 Everett Ave, Everett, WA 98201.
    When: Saturday June 27, 2026. Show time 8:00 PM.
    Tickets: From $41 at Ticketmaster (event 0F00647F843C4809). Also available via SeatGeek. Purchase in advance — tribute shows at Kings Hall have sold ahead of date.

    Frequently Asked Questions

    What time does Petty Thief start at Kings Hall APEX Everett?

    Show time is 8:00 PM on Saturday June 27, 2026. Pretenders UK opens the night before Petty Thief headlines. Kings Hall at APEX Art and Culture Center is at 1611 Everett Ave, Everett, WA 98201. Tickets from $41 via Ticketmaster event 0F00647F843C4809.

    Who is opening for Petty Thief at APEX Everett on June 27?

    Pretenders UK opens the show — a Seattle-based four-piece dedicated to the early 1980s Pretenders catalog, including “Brass in Pocket,” “Back on the Chain Gang,” “Talk of the Town,” and “Middle of the Road.” This is not a warm-up act; they are the second reason to buy a ticket.

    Who is Petty Thief and are they from Seattle?

    Petty Thief is Seattle’s tribute to Tom Petty and the Heartbreakers. Founded in 2007 by Andy Volmer, the current five-piece lineup has been together since 2017. Volmer describes their approach as “a true live rock and roll band, not a novelty act.” They are the Pacific Northwest’s longest-running Tom Petty tribute.

    How much are tickets for Petty Thief at APEX Everett?

    Tickets start from $41 via Ticketmaster (event 0F00647F843C4809) and SeatGeek. For a two-band tribute night in a mid-size room, that is competitive pricing — single-act cover shows at seated venues in the greater Seattle area typically run $60–$90.

    What songs will Petty Thief play at APEX Everett?

    Petty Thief plays the full Heartbreakers catalog — expect “American Girl,” “Free Fallin’,” “I Won’t Back Down,” “The Waiting,” “Breakdown,” “Runnin’ Down a Dream,” “Learning to Fly,” and more. They play the hits and the catalog, not a three-song medley.

  • Grupo Niche Is Coming to the Historic Everett Theatre on May 31 — A Latin Grammy-Winning Salsa Orchestra in an 1901 Opera House

    Grupo Niche Is Coming to the Historic Everett Theatre on May 31 — A Latin Grammy-Winning Salsa Orchestra in an 1901 Opera House

    Is Grupo Niche playing in Everett, WA in 2026?
    Yes. Grupo Niche — the Latin Grammy-winning Colombian salsa orchestra founded in Cali in 1978 — performs at the Historic Everett Theatre (2911 Colby Ave, Everett WA) on Sunday, May 31, 2026 at 7:00 PM. Tickets are available through events.theatreconcertconsulting.com and secondary markets.

    Verdict: GO. Unique-to-market touring act. Right-size room for a brass-forward Latin orchestra. The Historic Everett Theatre’s most ambitious Latin booking since reopening under new ownership. If you have any connection to salsa music, clear Sunday, May 31.

    The Setup

    A Sunday night in a 125-year-old opera house. A Colombian salsa orchestra with 47 years of catalog and a Latin Grammy on the shelf. Eight hundred seats on Colby Avenue.

    That is what May 31 looks like at the Historic Everett Theatre.

    Grupo Niche — not a tribute act, not a cover band, but the actual Cali orchestra founded in 1978 by Jairo Varela — is coming to Everett. If you have any connection to Latin music, to salsa, to the specific joy of hearing a full brass section tear through “Cali Pachanguero” in a room this intimate, this is the show. It is not a show you will find again at this scale in the Pacific Northwest any time soon.

    Who Grupo Niche Is

    Grupo Niche was born in Cali, Colombia in 1978. Jairo Varela and Alexis Lozano built the orchestra with the conviction that Colombian salsa deserved to stand beside — and ahead of — the New York and Puerto Rican traditions that dominated the genre at the time.

    Their 1984 album No Hay Quinto Malo contained a single called “Cali Pachanguero,” a tribute to the city’s carnival spirit. It became one of the defining songs of the salsa genre. It still plays at every Grupo Niche concert, and when it does, rooms of 800 people tend to become one organism.

    The catalog extends well beyond that song. “Cali Ají,” “Sin Sentimiento,” “Una Aventura,” “Buenaventura y Caney,” “Debiera Olvidarla” — these are songs that defined Latin dancefloors across the Americas, Spain, and wherever the Colombian diaspora settled. In 1986, Grupo Niche became the first Colombian orchestra to perform at Madison Square Garden, part of the World Salsa Festival. In 1989, they played to one million fans at Lima’s Campo de Marte park in Peru.

    Maestro Jairo Varela died on August 8, 2012. The group continued under the direction of longtime members, and in 2020 won the Latin Grammy Award for Best Salsa Album with 40, a fortieth-anniversary record. The group is still recording, still winning hardware, and still performing at the level that earned those credentials. Forty-seven years in, this is not a nostalgia act — it is a working orchestra with an active catalog and a live show that has filled venues across two continents this decade.

    None of that usually arrives at a venue that seats 800 people in Snohomish County. May 31 is the exception.

    Why the Room Is Right

    The Historic Everett Theatre opened in 1901 as the Everett Opera House. The building survived a 1923 fire, was rebuilt in 1924, and operated for decades as one of the Pacific Northwest’s working music venues. By 2025, Bellevue real estate investor Johnny Phan had purchased it for $1.5 million and put hundreds of thousands more into renovations before reopening in September 2025 — the latest chapter for a room that has hosted everything from vaudeville performers to grunge-era tribute acts.

    For salsa, the room size is an asset. Salsa at 800 seats means the brass section hits differently than it does at a 5,000-seat amphitheater. You can hear the rhythm section individually. The coro — the call-and-response vocal hook that defines salsa’s live energy — echoes in a room this size instead of evaporating into a sound system the size of a building.

    If you have seen Grupo Niche in a large theater or arena context, the Historic Everett Theatre is a different kind of show. If you have never seen them live, this room is an argument for starting here rather than waiting for a bigger venue.

    What to Expect at the Show

    A typical Grupo Niche concert runs 90 minutes to two hours. The set draws from a catalog spanning four decades, and the group sequences it to build toward the signature moments. Recent setlists have included “Un Alto en el Camino,” “Buenaventura y Caney,” “Sin Sentimiento,” and “Cali Ají” alongside material from the 2020 Latin Grammy-winning 40 album. “Cali Pachanguero” is always in the set, and it always closes a chapter of the show at high volume.

    The touring lineup includes featured vocalists, a full horn section, piano, bass, percussion, and a coro that fills whatever space it occupies. There will be dancing. If you know how to salsa, you will find floor space near the stage. If you do not, watching the people who do from 20 feet away is its own kind of entertainment.

    Dress for dancing if you plan on it. The venue does not have a dress code, but you will not be the first person there in something worth moving in.

    The Full Last Weekend of May

    If you are building a cultural calendar around this show, the timing works unusually well. Three days of the same weekend offer three different reasons to be downtown.

    On Friday, May 29, Canned Heat and Big Brother and the Holding Company play the same stage — two bands that performed at the original Woodstock on one Historic Everett Theatre bill. The request is that you wear something that looks like it came out of 1969. This is a co-headliner at $65 general admission, and it is one of the stronger live-music bookings in Everett in years.

    On Saturday, May 30, the Schack Art Center’s Artists’ Garage Sale runs 9 AM to 3 PM on Hoyt Avenue — 140+ artists, work priced for actual purchase, free to browse. That same Saturday evening, EMO Prom lands at Tony V’s Garage on Hewitt — a tribute night for the era’s music, with the room dressed accordingly.

    Grupo Niche closes the weekend on Sunday. Three consecutive days, three completely different rooms, three different reasons to stay in Everett instead of driving to Seattle.

    Show Details

    • Artist: Grupo Niche
    • Date: Sunday, May 31, 2026
    • Show time: 7:00 PM
    • Venue: Historic Everett Theatre, 2911 Colby Ave, Everett WA 98201
    • Capacity: ~800
    • Tickets: events.theatreconcertconsulting.com (official); also available on SeatGeek, Vivid Seats, and Bandsintown
    • Parking: Street parking on Colby Ave; Everpark Garage (2919 Oakes Ave) nearby

    Frequently Asked Questions

    What time does Grupo Niche play at the Historic Everett Theatre?

    The show starts at 7:00 PM on Sunday, May 31, 2026. The Historic Everett Theatre is located at 2911 Colby Ave, Everett WA 98201. Arrive by 6:30 PM to find parking and get settled before the show.

    Where can I buy Grupo Niche tickets for the Everett show?

    Tickets are available through the Historic Everett Theatre’s official ticketing platform at events.theatreconcertconsulting.com, and through secondary markets including SeatGeek, Vivid Seats, and Bandsintown.

    What songs does Grupo Niche play in concert?

    Grupo Niche setlists draw from 47 years of catalog. Expect “Cali Pachanguero,” “Cali Ají,” “Sin Sentimiento,” “Buenaventura y Caney,” “Un Alto en el Camino,” and material from the 2020 Latin Grammy-winning album 40. “Cali Pachanguero” is performed at every concert without exception.

    How big is the Historic Everett Theatre?

    The Historic Everett Theatre holds approximately 800 people. It opened in 1901 as the Everett Opera House, survived a 1923 fire, and was renovated and reopened under new ownership in September 2025. For salsa, the room size is an advantage — you can hear the full orchestra clearly from anywhere in the hall.

    Who is Grupo Niche?

    Grupo Niche is a Colombian salsa orchestra founded in 1978 in Cali, Colombia by Jairo Varela and Alexis Lozano. They won the Latin Grammy for Best Salsa Album in 2020. They were the first Colombian orchestra to perform at Madison Square Garden (1986) and played before one million fans in Lima, Peru in 1989. Critics and audiences across Latin America consistently cite them as the continent’s most successful salsa orchestra of the past forty years.

    Is the Grupo Niche Everett show all ages?

    Age policy details should be confirmed at point of ticket purchase through the official ticketing page. Most Historic Everett Theatre shows are all ages unless otherwise noted. Check events.theatreconcertconsulting.com for the current listing.

  • Everett Art Walk Returns Thursday May 21 — A Free Three-Hour Tour of a Downtown That Quietly Built a Real Gallery Scene

    Everett Art Walk Returns Thursday May 21 — A Free Three-Hour Tour of a Downtown That Quietly Built a Real Gallery Scene

    Q: When and where is the May 2026 Everett Art Walk?
    A: Thursday, May 21, 2026, 5:00 PM to 8:00 PM, across more than a dozen galleries, lofts, coffee shops, bars, and ceramic studios in downtown Everett. It’s free, no ticket, no RSVP — start anywhere on the map and walk.

    Verdict: GO. Three reasons stacked: (1) downtown Everett’s art ecosystem is denser than people outside the 98201 ZIP code realize, and the Art Walk is the one night each month it all opens its doors at the same time; (2) the price is zero; (3) the third Thursday format means you can show up after work, eat hors d’oeuvres on someone else’s tab, and still be home by ten.

    The Everett Art Walk runs the third Thursday of every month, year-round, 5 to 8 PM officially — and several of the participating venues stay open past 8 because the walk has built that kind of scene. May 21 is the next one. If you have lived in Snohomish County for any amount of time and never walked it, this is the month to fix that.

    What the Art Walk actually is

    It is not a festival. It is not a one-off pop-up. It is the Everett gallery district behaving like a gallery district — coordinated hours, coordinated openings, coordinated artist receptions, every third Thursday of the month, organized through everettartwalk.org and a downtown community of working artists who decided years ago that downtown Everett was worth showing up for.

    More than a dozen venues participate. The roster shifts month to month, but the anchors stay constant. A typical Art Walk night you can hit Schack Art Center on Hoyt Avenue, walk one block to ArtSpace Everett Lofts (the live-work building right next door), cross over to Hewitt Avenue for Heath Heathen’s studio at 1806 B Hewitt upstairs, drop into Lucky Dime for Collage Night, swing by Obsidian Art Gallery, end at Port Gardner Bay Winery on Rucker Avenue with a glass of red and a stack of new artist statements in your hand. Every venue is within a five-block walk of every other venue. You do not move your car.

    The April 16 walk is the most recent one we have a verifiable line-up for, and the April line-up is the structural template. Schack hosted Water Ways: Healing the Circle of Water and Life — the spring exhibition that runs through May 16 — and the gallery stayed open past 8 PM for the walk. ArtSpace Everett Lofts opened from 5 to 8 PM with resident artists in their live-work studios. Heath Heathen took text-only studio appointments at 5 to 9 PM. Lucky Dime hosted Collage Night with Penny — a recurring third-Thursday hang where you cut, paste, layer, and build something unexpected with strangers. Salish Sea Ceramics ran a free community seed-planting workshop. Obsidian Art Gallery featured graffiti-and-stencil work by Dakota Dean. Artisans PNW (Books & Coffee) hosted Author TJ Poortinga and a live Noise Jam set with Esoteric Everett. Zamarama Gallery opened a tribute exhibition for Pacific Northwest artist R. Allen Jensen.

    The May 21 walk will do the same shape with a fresh roster. Watch everettartwalk.org the week of the walk for the venue-by-venue line-up — most of the participating spaces post their May features in the seven days before the third Thursday.

    Why this Art Walk matters more than you think

    Everett has been quietly building a real arts ecosystem. Schack Art Center anchors the visual arts side at 2921 Hoyt Avenue — the premier visual arts destination between Seattle and Vancouver, B.C., per schack.org/about. The Historic Everett Theatre, built in 1901 as the Everett Opera House, books touring acts that should be playing rooms three times its size. APEX Everett opened on Everett Avenue with Kings Hall as its anchor concert room. Tony V’s Garage on Hewitt Avenue is the loudest small-venue rock-and-roll club north of Seattle.

    The Art Walk is the seam where the visual arts side meets all of it. Many of the artists showing on May 21 also design posters for HET shows, paint album art for bands playing Tony V’s the next weekend, and sell ceramic mugs to coffee shops three blocks away. You walk the Art Walk and you start to see the network. You stop seeing downtown Everett as a thing to drive past on the way to Seattle and start seeing it as a thing to drive to.

    The venues to hit on May 21

    Below is the standing roster pulled from everettartwalk.org and the city’s calendar. Specific featured artists for May will post within seven days of the walk; what is below is the list of participating spaces you can plan a route around.

    Schack Art Center — 2921 Hoyt Avenue. The big one. Open until 8 PM. The Water Ways exhibition closes May 16, so the May 21 walk falls between shows — Contemporary Northwest Artists opens May 28. You may catch artists hanging work or staffing previews. Free admission as always.

    ArtSpace Everett Lofts — 2917 Hoyt Avenue, right next door to Schack. A 41-unit live-work building for working artists. On Art Walk nights the loft gallery on the ground floor is open 5 to 8 PM and several resident artists open their individual studios upstairs. This is the closest you will get in Everett to the open-studio model used in bigger arts cities.

    Lucky Dime — Hewitt Avenue. A bar that doubles as an Art Walk venue. Collage Night with Penny is the recurring third-Thursday format: tables full of magazines, scissors, glue sticks, and strangers building something between sips. No skill required. Free to walk in, drinks at bar prices.

    Obsidian Art Gallery — Hewitt Avenue. Contemporary work, edgier than most of the roster. Spray paint, stencil work, graffiti-adjacent pieces.

    Port Gardner Bay Winery — 3006 Rucker Avenue. Wine tasting with rotating artist features on the walls. The end-of-walk move for a lot of regulars.

    Tabby’s Coffee — 2702 Hoyt Avenue. Coffee, tea, and a modest gallery wall that turns over for each walk.

    Salish Sea Ceramics — A working ceramics studio that opens for the walk and frequently runs free hands-on workshops on Art Walk nights (April was a seed-planting workshop; May’s activity will post on everettartwalk.org).

    Zamarama Gallery — Contemporary fine art, often with Pacific Northwest themes.

    Artisans PNW (Books & Coffee) — Independent bookstore plus coffee shop. Hosts author readings and live music sets on Art Walk nights. April was an author event with TJ Poortinga and a Noise Jam set with Esoteric Everett.

    Heath Heathen Studio — 1806 B Hewitt Avenue, Suite 1, upstairs. Working artist studio, open 5 to 9 PM by text appointment (206-353-4971). The studio model — text the artist, walk up the stairs, see the work in the place where it is made — is rare in this part of Snohomish County and worth the climb.

    Gold E Lofts — 1705 1/2 Hewitt Avenue. Loft studios with rotating artist features.

    A note: this list is not exhaustive and the participating-venue roster changes month to month. Check everettartwalk.org for the May 21 confirmed list seven days out.

    How to walk it well

    Three pieces of practical advice from people who walk it every month.

    Park once, walk everything. Free street parking is generally available on Hoyt, Hewitt, Wetmore, and Colby in the late-afternoon-into-evening window. The Everpark Garage on Wall Street is the backup if street parking is tight. Every Art Walk venue is inside a five-block radius. You do not need to move the car.

    Eat before, drink during. Most venues serve hors d’oeuvres or light snacks. Wine and beer are available at Port Gardner Bay Winery, Lucky Dime, and several of the bar-adjacent venues. For a real dinner before, downtown Everett has restaurants on Hewitt and Colby.

    Talk to the artists. Most first-time walkers underuse this part. The artists are in their studios. They want to talk about the work. Ask what the piece is, ask what it took to make, ask what they are working on next. The cost of entry is one good question.

    Cross-Desk Handoff

    If you are pairing the Art Walk with dinner, downtown Everett has dinner options within two blocks of every Art Walk venue. Tygart Media’s food desk is the place to go for current restaurant-by-restaurant recommendations within walking distance of the walk.

    What the Art Walk does for the city

    Free public arts programming that runs every month, year-round, with a coordinated roster and an active organizing committee, is the kind of cultural infrastructure most Snohomish County cities do not have. Everett does. Every third Thursday is a small, repeated argument that downtown Everett is worth being in after dark — and the argument has been getting more convincing since the walk first formed. May 21 is the next chance to add yourself to the argument.

    Frequently Asked Questions

    Q: Is the Everett Art Walk free? A: Yes. There is no admission fee, no ticket, no RSVP. Walk in to any participating venue between 5 PM and 8 PM (some stay open later) on the third Thursday of every month.

    Q: What time does the May 2026 Everett Art Walk start and end? A: The official window is 5:00 PM to 8:00 PM on Thursday, May 21, 2026. Several venues stay open past 8 PM — Heath Heathen Studio runs studio appointments until 9 PM, and the bar-adjacent venues (Lucky Dime, Port Gardner Bay Winery) typically remain open well into the evening.

    Q: Do I need to RSVP or buy tickets? A: No. The Art Walk is a free, walk-in event. Show up at any participating venue between 5 and 8 PM and start your route from there.

    Q: Where do I park for the Art Walk? A: Free street parking is generally available on Hoyt, Hewitt, Wetmore, and Colby in the late-afternoon-into-evening window. The Everpark Garage on Wall Street is the paid backup. All Art Walk venues are within a five-block radius — park once, walk the whole route.

    Q: How many venues participate in the Everett Art Walk? A: More than a dozen galleries, lofts, coffee shops, bars, and studios participate, with the exact roster shifting month to month. Anchors include Schack Art Center, ArtSpace Everett Lofts, Lucky Dime, Obsidian Art Gallery, Port Gardner Bay Winery, Tabby’s Coffee, Salish Sea Ceramics, Zamarama Gallery, Artisans PNW, Heath Heathen Studio, and Gold E Lofts.

    Q: Is the Everett Art Walk family-friendly? A: Most venues are family-friendly during the 5-to-8 PM window. Bar venues (Lucky Dime, Port Gardner Bay Winery) follow standard 21+ rules at the bar but typically welcome families in the gallery space. Schack Art Center, Tabby’s Coffee, Artisans PNW, and the loft galleries are family-friendly throughout.

    Q: How do I find out which artists are featured for a given Art Walk month? A: Check everettartwalk.org in the seven days before the third Thursday — most participating venues post their featured artist for that month’s walk a week out. The Everett Art Walk Facebook page (@everettsartwalk) and the city’s calendar at everettwa.gov also list featured highlights.