Tag: Historic Everett Theatre

The Historic Everett Theatre, 1901 opera house at 2911 Colby Avenue in downtown Everett, WA

  • Pete Lee Brings His Tonight Show Standing-Ovation Comedy to the Historic Everett Theatre on June 27 — A Letterman-Vetted Storyteller Lands in the 1901 Opera House

    Pete Lee Brings His Tonight Show Standing-Ovation Comedy to the Historic Everett Theatre on June 27 — A Letterman-Vetted Storyteller Lands in the 1901 Opera House

    Verdict: GO

    Three reasons this one is worth clearing your Saturday night for:

    1. Unique-to-market booking. Pete Lee tours selectively. When a national headliner with nine Tonight Show with Jimmy Fallon appearances and a Showtime hour to his name routes through Snohomish County instead of dropping into a Seattle club, that is the entire reason a 1901 opera house exists in downtown Everett.
    2. Right-size room for the act. The Historic Everett Theatre seats around 800 — small enough that a storytelling comic’s quiet beats actually land, large enough that an act with this much network exposure can fill it. This is the platonic ideal of a comedy room for Pete Lee.
    3. A genuinely warm comedian in a town that doesn’t get many of them. Most national stand-ups working at this level are working blue, working political, or working trauma. Lee is the rare A-list comic whose entire reputation is built on being nice. His Showtime special is literally titled Tall, Dark and Pleasant. That’s the brand.

    If you’ve been meaning to see what HET feels like for a non-music night — and if you appreciate stand-up that doesn’t make you feel like you need a shower afterward — this is the show.

    The Show: Date, Time, and What You’re Buying

    When: Saturday, June 27, 2026, 8:00 PM doors and showtime Where: Historic Everett Theatre, 2911 Colby Avenue, Everett, WA 98201 Length: Roughly 90 minutes, including a host set from Cory Michaelis and opening comedians before Pete Lee headlines Seating: General admission throughout, with VIP tickets reserved for the first five rows Concessions: Beer, wine, liquor, and snacks available at the venue’s bar Tickets: Eventbrite is the official ticketing partner — search “Pete Lee Everett” or use the link from the venue’s events page at everetttheater.org/event-list

    A note on the seating model: HET runs general admission for most of its non-musical bookings, which means doors-time arrival actually matters if you want a good sightline. The VIP upgrade gets you guaranteed seats in the first five rows without the queue. For a comedy show, sightlines are less critical than they are for a tribute band — but a comedian who works with facial expressions as much as Lee does benefits from a closer seat.

    Who Pete Lee Is, and Why Jimmy Fallon Personally Booked Him

    The shortest version of the Pete Lee bio is the one that comedy bookers all repeat: He’s the first stand-up to ever get a standing ovation on Fallon. That happened in 2017. Standing ovations don’t normally happen on late-night talk shows — the format isn’t built for them, and the studio audience is famously tough to get all the way to their feet. Lee got there. Fallon liked the set enough to invite him back. And back. And back. As of 2025, Lee has nine Tonight Show appearances, which is more than almost any working stand-up under 50.

    The longer version: Lee grew up in Janesville, Wisconsin, raised by divorced parents and what his official bio describes as “a 19-inch television.” He moved to New York after college, got picked for the Just for Laughs festival in Montreal, made his network TV debut on NBC’s Last Comic Standing in 2008 (semi-finalist), and shot a Comedy Central Half Hour the same year. The Showtime hour Tall, Dark and Pleasant dropped in 2021 and made the rounds with critics who specifically noted what a relief it was to hear a comedian who wasn’t performing rage. He has also voiced the lead character Lamb in the Emmy-winning Jam Van on YouTube Kids — which is a credit most touring comics don’t have on their résumé.

    The Letterman appearance everyone references happened earlier in his career, on The Late Show — the venue that put a generation of stand-ups on the map and that, by the time Lee got his shot, was an increasingly rare get for newer comics. Both Letterman and the late-Fallon-era Tonight Show are taste-maker stages, not just exposure stages. Comics who get repeat bookings on them are vetted in a way that doesn’t show up on Bandsintown.

    The reason all this matters for an Everett crowd: when a comedian has been hand-picked by two different network late-night hosts, you are not gambling on the quality of the set. You are gambling on whether you like a particular flavor of warm Midwestern storytelling. Which, in this market, is a flavor most people end up liking once they hear it.

    Why HET Is the Right Room for This Booking

    The Historic Everett Theatre opened in 1901. It is one of the oldest continuously operating theaters in Washington state, and it has spent the last few years quietly building a reputation as the Pacific Northwest venue that books interesting national acts at sane prices. Geoff Tate is bringing the last-ever full performance of Operation: Mindcrime here on May 23. Grupo Niche is bringing a Latin Grammy-winning salsa orchestra here on May 31. Dana Gould — Simpsons writer, longtime touring stand-up — played the room on May 16. The programming is genuinely eclectic and genuinely curated.

    For comedy specifically, the room works because the back wall is close enough to feel intimate but the proscenium is theatrical enough that the act gets dignified production values. There is no two-drink minimum. The bar is full-service. The building has the kind of acoustics that only show up in turn-of-the-century opera houses with original wood interiors — which means Lee’s quieter beats, the pauses he uses for setups, will actually register at the back of the room.

    If you have only ever been to comedy clubs — Tacoma Comedy Works, Comedy Underground, that tier — a 1901 opera house comedy show feels different in a way that’s hard to articulate until you’ve sat through one. The applause sounds different. The laughs travel further. The room rewards a comic who’s confident enough to slow down.

    What to Expect Tactically

    Doors and show are both at 8:00 PM. Plan to arrive 20-30 minutes early if you don’t have a VIP ticket and want a good seat. Host Cory Michaelis runs the front of the show and brings on the opening comedians before Lee takes the stage for the headlining set. Total run time lands around 90 minutes, putting you out of the theater by roughly 9:30 PM — which is when downtown Everett’s restaurants and bars are still very much open and ready for the post-show wave.

    Pete Lee’s material runs clean-to-PG-13. He works in personal storytelling, observational humor, and the kind of family-and-relationship material that doesn’t require an asterisk. If you have brought a parent, a date, or coworkers to a show in this town, the worst-case scenario is they laugh.

    Where to Eat Before the Show

    The block around HET (Colby + Hewitt) has filled in considerably over the last two years. Within three blocks of the theater you can hit a Hewitt Avenue cocktail room, a wood-fired pizza spot, a Latin-American kitchen that runs late, or one of the new entries on downtown’s growing restaurant row. Plan dinner for 6:00 PM and you’ll have time for a leisurely meal plus the walk over.

    Frequently Asked Questions

    Is Pete Lee’s show appropriate for teenagers? The Historic Everett Theatre lists most comedy shows as suitable for older teenagers and adults. Lee’s material is on the cleaner end of the touring stand-up spectrum but does include adult themes. Parents should check the venue listing or ticketing page for any age advisory before bringing minors.

    How long is the Pete Lee show at HET? About 90 minutes total, including host Cory Michaelis, opening comedians, and Pete Lee’s headlining set. Doors and show start at 8:00 PM.

    Are there reserved seats for the Pete Lee Everett show? No reserved seating. All tickets are general admission. VIP tickets cover the first five rows on a first-come basis within that section.

    Where do I park for Historic Everett Theatre? Street parking is generally available on Colby Avenue and the surrounding blocks. Several public parking garages are within a few blocks of the theater. Arrive 20-30 minutes early if you are not paying for VIP.

    Has Pete Lee played Everett before? This is Pete Lee’s premier Everett stand-up date. He has played the broader Pacific Northwest before — Seattle, the Tacoma comedy circuit, Portland — but this is the first HET booking.

    Where can I watch Pete Lee before the show? Lee’s official website (petelee.net) and his YouTube channel host clips from his Showtime hour and his nine Tonight Show appearances. His podcast Snuggle Storm is also widely available.

    Is the Historic Everett Theatre wheelchair accessible? Yes — HET is accessible from the Colby Avenue entrance. Patrons with mobility needs should contact the venue ahead of time for seating arrangements.


    Pete Lee at the Historic Everett Theatre, Saturday, June 27, 2026, 8:00 PM. Tickets via Eventbrite (linked from everetttheater.org/event-list).

  • Geoff Tate Is Bringing Operation: Mindcrime — The Final Chapter to the Historic Everett Theatre on May 23 — The Last Time the 1988 Album Will Be Performed in Full

    Geoff Tate Is Bringing Operation: Mindcrime — The Final Chapter to the Historic Everett Theatre on May 23 — The Last Time the 1988 Album Will Be Performed in Full

    Geoff Tate Is Bringing Operation: Mindcrime — The Final Chapter to the Historic Everett Theatre on May 23 — The Last Time the 1988 Album Will Be Performed in Full

    Where can I see Geoff Tate perform Operation: Mindcrime in 2026? Geoff Tate brings the Operation: Mindcrime — The Final Chapter tour to the Historic Downtown Everett Theatre at 2911 Colby Avenue on Saturday, May 23, 2026. Doors open at 7:30 PM and the show starts at 8 PM. It is the only Pacific Northwest stop on the U.S. spring leg and the last time Tate will perform the full 1988 album live in the region. Tickets are sold through Eventbrite via the Historic Everett Theatre.

    Verdict: GO. A rare cluster of three yeses lines up here — a once-in-a-career performance window (the album is being retired from the live set after this tour), the right-sized 800-seat theater for a focused legacy act, and Eventbrite pricing well below the secondary-market resale benchmarks for the earlier 2026 dates. If you cared about Queensrÿche the first time, this is the one to clear the calendar for.

    The 1988 album that defined progressive metal is going away

    For thirty-eight years, Operation: Mindcrime has been the album people pull off the shelf when they want to argue that progressive metal could carry a full novel inside one record. Released in May 1988 by Queensrÿche, it told the story of Nikki — a heroin-addicted assassin programmed by a shadowy figure called Dr. X — across fifteen interlocking tracks built on Chris DeGarmo’s guitar architecture and Geoff Tate’s four-octave command. It is Queensrÿche’s only platinum studio record, the reason the band headlined arenas in 1990–91, and the album the original lineup captured live on the legendary Operation: LIVEcrime document.

    After this 2026 U.S. spring leg of Operation: Mindcrime — The Final Chapter, Geoff Tate will not perform it in full again.

    The Saturday, May 23 stop at the Historic Downtown Everett Theatre is the only Pacific Northwest date on the spring run. Doors open at 7:30 PM. The show runs 8 PM to 11 PM per the Eventbrite listing the venue links to from its official events page. Tate performs the original Mindcrime front-to-back with an enhanced production that adds strings and a laser show to the staging, then returns for an encore drawing on additional Queensrÿche-era material and selections from the brand-new Operation: Mindcrime III, which dropped on May 3, 2026.

    Why this is the show, and why this is the room

    Geoff Tate is sixty-six. He has been touring this album cycle in some configuration for nearly four decades — first with Queensrÿche, then under his own name after the 2012 split that ended his run as the band’s frontman. Blabbermouth and BraveWords both reported, when the U.S. leg was announced, that the spring 2026 dates would close out the “Final Chapter” framing. The last performances Tate will give of the full Mindcrime sequence happen on this run. Then the album, as a live entity, retires.

    The Historic Everett Theatre is the right room for it. Built in 1901, the venue seats roughly 800 — proscenium-arch sightlines and acoustic warmth that fit a guitar-and-keys progressive metal performance far better than an arena ever did. The original LIVEcrime recording was captured at Hammersmith Odeon, a 3,600-seat London theater; the Everett room is smaller, denser, more intimate, and that is the point. Tate’s spring routing has deliberately favored 800–2,000 seat theaters — Taft Theatre in Cincinnati, Rose Music Center in Huber Heights, Pabst Theater in Milwaukee. Everett fits that pattern exactly.

    It also lands in a remarkable spring at the 1901 building. The Historic Everett Theatre has been carrying a near-weekly slate — comedy from Dana Gould on May 16, the original Woodstock-era double bill of Canned Heat and Big Brother and the Holding Company on May 29, and the Latin Grammy–winning Grupo Niche on May 31. Geoff Tate slots in as the heaviest rock show of the month and the only progressive metal date the venue has booked all spring.

    What the new album means for the Everett setlist

    Operation: Mindcrime III arrived three weeks before the Everett show and changes how the encore should be read. Tate has been clear in interviews that III is structured as a parallel companion to the original — the same timeline told from the perspective of Dr. X, the puppet master who programs Nikki in the first record. Producer John Moyer (Disturbed bassist; long-time Tate collaborator since 2015) built the album heavier and more aggressive than I or II, with denser riffing and a modern metal sound Tate himself has called “super heavy.” Maximum Volume Music called it “an admirable attempt to give the trilogy a proper end.” MyGlobalMind framed it as the conclusion of “a metal masterpiece.”

    The encore, in other words, is no longer a victory lap of Queensrÿche radio singles. It is a contemporary statement about the same characters from a new vantage point, with strings and lasers built to support the heavier delivery.

    Tickets, VIPs, and the value question

    General admission and reserved seating are on Eventbrite through the Historic Everett Theatre’s official listing — the canonical ticket path, ahead of any third-party reseller. A separate VIP Meet and Greet package is sold directly through GeoffTate.com and includes a pre-show meet, a posed photo with Tate and the band, an autograph session, and early entry. Standard tickets are positioned at face value, before resale margins start chasing the earlier Pabst, Taft, and Rose Music Center dates upward — fair-market pricing for a once-in-a-career performance window in an 800-seat room.

    What to know before you go

    The Historic Downtown Everett Theatre sits at 2911 Colby Avenue, between Hewitt and Wall in the heart of downtown Everett. Street parking on Colby and Wetmore is metered through 6 PM, then free; the Everpark Garage at 2925 Wetmore is a block north. Pre-show dinner options cluster within a three-block walk on Hewitt and Colby. The 1901 venue is fully ADA-accessible from the main Colby entrance, with the box office at the corner of Colby and Wall.

    If you are tracking the broader legacy-act calendar in town, the Apex’s Kings Hall closes June with Petty Thief and Pretenders UK on June 27. The two rooms together are giving Everett a two-month run of bookings the city has not had in this density in years.

    The bottom line

    If Operation: Mindcrime shaped how you think about what a metal album can do, this is the one to clear the calendar for. The Final Chapter is the last living performance of the full 1988 sequence by the voice that originally sang it. The Historic Everett Theatre is the right-sized room. The album that closes the trilogy just hit the streets. Saturday, May 23, 2026. Doors at 7:30 PM. Show at 8 PM. 2911 Colby Avenue. Verdict: GO.

    Frequently Asked Questions

    Who is Geoff Tate?

    Geoff Tate is the original lead vocalist of progressive metal band Queensrÿche, best known for the platinum-selling 1988 concept album Operation: Mindcrime and hits including “Silent Lucidity,” “Empire,” and “Eyes of a Stranger.” He fronted Queensrÿche from 1982 until 2012 and has performed as a solo artist since.

    What is the Operation: Mindcrime – The Final Chapter tour?

    It is Geoff Tate’s farewell touring cycle for the original 1988 Operation: Mindcrime album. On The Final Chapter tour Tate performs Mindcrime in full one last time, with an enhanced production featuring strings and a laser show. The U.S. spring leg in 2026 is the last time the full album will be performed live.

    When and where is the Everett show?

    Saturday, May 23, 2026, at the Historic Downtown Everett Theatre, 2911 Colby Avenue, Everett, WA 98201. Doors open at 7:30 PM with the show at 8 PM.

    How do I buy tickets?

    General admission and reserved seating tickets are sold through Eventbrite via the Historic Everett Theatre’s official event listing. A separate VIP Meet and Greet package is sold through GeoffTate.com and includes a pre-show meet, photo, and autograph session with Geoff Tate and the band.

    What songs will Geoff Tate play in Everett?

    The set centers on the full 1988 Operation: Mindcrime album performed front-to-back, with Queensrÿche-era hits and selections from the new Operation: Mindcrime III, released May 3, 2026, expected in the encore segment.

    How long is the show?

    Eventbrite lists the run time at three hours from 8 PM to 11 PM, including the album performance, additional Queensrÿche material, and an encore.

    Is the Historic Everett Theatre the right size for this show?

    Yes. The 1901 venue seats roughly 800 in its main hall — exactly the right room for a legacy progressive metal act on a focused theater tour. The Final Chapter run is deliberately routed to mid-size theaters rather than arenas.

    Where should I park and eat before the show?

    Street parking and the Everpark Garage at 2925 Wetmore Avenue are within a block of the theater. Pre-show dinner options on Hewitt Avenue and Colby Avenue cluster within a three-block walk.



  • Dana Gould Is Coming to the Historic Everett Theatre on May 16 — Here’s Why You Should Be There

    Dana Gould Is Coming to the Historic Everett Theatre on May 16 — Here’s Why You Should Be There

    What time does Dana Gould perform at the Historic Everett Theatre on May 16?
    Dana Gould performs Saturday, May 16, 2026 at the Historic Everett Theatre (2911 Colby Ave, Everett, WA). Doors open at 7:00 PM, show starts at 8:00 PM. Tickets are $23 and available at the door. The show is presented by Everett Comedy Night.

    Verdict: GO. The headliner is unique to this market, the room is the right size, and $23 is a fair price for what you’re getting. All three boxes checked.

    The Short Version

    Dana Gould wrote and produced for The Simpsons for seven years. He’s been doing stand-up since he was seventeen. On Saturday, May 16, he’s performing at the Historic Everett Theatre as part of Everett Comedy Night’s Premier Stand-Up Comedy series. Doors at 7:00 PM. Show at 8:00 PM. Twenty-three dollars at the door. This is a real headliner playing a real room, and it doesn’t come around often in a market this size.

    Who Is Dana Gould

    Dana Gould was born in 1964 in Hopedale, Massachusetts and started doing stand-up comedy onstage at age seventeen. After studying briefly, he relocated to San Francisco to work full-time in the craft — years of sets, years of developing the perspective that eventually landed him a seat in the most competitive television writers’ room in the country.

    His run on The Simpsons lasted from 2001 through 2007. He worked as a writer and served as co-executive producer on seasons 14 through 18 — meaning he was in the room during one of the most widely distributed television eras in American history. In a 2005 episode he provided voice work as Don Knotts playing Barney Fife, an impression he’d been doing in his live act for years before it reached the show. If you’ve watched The Simpsons in the 2000s — and you have — some of those episodes have Gould’s fingerprints on them.

    The Simpsons credit is the one that puts his name in front of a general audience, but the rest of his career runs a different direction. In 2016 he created, wrote, executive produced, and starred in IFC’s Stan Against Evil — a horror-comedy series about a former small-town New Hampshire sheriff (played by John C. McGinley) who discovers the town is overrun by demonic entities tied to a seventeenth-century witch-burning event. Gould appeared as Kevin, a gravedigger and recurring presence throughout the show. Stan Against Evil ran for three seasons and 24 episodes across 2016–2018 before IFC cancelled it in January 2019. It’s exactly the kind of show that gets a cult following, and it has one.

    Since 2012, Gould has hosted The Dana Gould Hour podcast, which covers classic horror, pop culture, and comedy history with guests drawn from the community of people who care about the same strange corners of American entertainment that he does. Since 2021 he’s also hosted Hanging with Doctor Z on YouTube — a talk show recorded entirely with Gould in full Dr. Zaius makeup from Planet of the Apes, interviewing comedian and musician friends. It’s exactly what it sounds like.

    The thread running through all of it — the Simpsons years, the IFC series, the podcast, the Planet of the Apes talk show — is a very specific kind of intelligence about American popular culture. Fond, precise, and a little dark at the edges. That’s what you’re seeing on Saturday.

    Everett Comedy Night: The Series

    The show’s promoter is Everett Comedy Night, which runs the Premier Stand-Up Comedy series at the Historic Everett Theatre. Saturday is the 14th/4th Anniversary show — marking the series’ longevity and the established relationship between the promoter and the venue that makes events like this possible in a market this size.

    Getting a headliner of Gould’s caliber to play Everett requires the kind of track record that only comes from doing it consistently and not messing it up. Everett Comedy Night has that track record. When a real national touring comedian agrees to play a mid-sized Pacific Northwest city, it’s not by accident — it’s because someone has put in the work to make it worth doing.

    The Room

    The Historic Everett Theatre opened on November 4, 1901, as the Everett Opera House. A fire in 1923 required a full rebuild; the new building reopened in 1924. A restoration effort from 2000 through 2004 brought it back to working condition, and it operates today at approximately 800-seat capacity. Early performers in the building’s history include Lillian Russell, Al Jolson, and George M. Cohan — names that tell you what kind of room this was built to be.

    That capacity matters for comedy in a specific way. Stand-up at arena scale tends to lose something — the pauses, the timing, the audience relationship that makes the form work. At around 800 seats, a comedian of Gould’s caliber can do actual stand-up, not a version of it scaled up to fill a space too large for the act. The room fits the performer.

    Walking into a 125-year-old opera house to watch a comedian talk about writing for a cartoon and making a demon-hunting show is a particular kind of experience that doesn’t exist everywhere. The building adds something that a casino ballroom or a club with a low ceiling doesn’t.

    Three Reasons to Go

    The headliner doesn’t play Everett often. Dana Gould has credits that most touring comedians don’t — seven years on The Simpsons, a three-season IFC series, a podcast with a real following. When someone with that resume agrees to play Everett’s premier comedy series, you go.

    The price is right. Twenty-three dollars at the door for a comedian with this resume is a genuine deal. Compare what you’d pay for a comparable show at a Seattle venue, add parking and driving time, and the math isn’t close.

    The Historic Everett Theatre in May is worth your time. The building has had a strong spring — multiple well-produced shows, a room that feels alive. Saturday, May 16 is a good night to be in it.

    What You Need to Know

    Date: Saturday, May 16, 2026
    Doors: 7:00 PM
    Show: 8:00 PM
    Venue: Historic Everett Theatre, 2911 Colby Ave, Everett WA 98201
    Tickets: $23 — available at the door. Also via Eventbrite: Dana Gould in Everett! Premier Stand-Up Comedy! 14th/4th Anniversary!
    Note: This show is presented by Everett Comedy Night, not the Historic Everett Theatre. House gift certificates and theatre coupons are not valid for this event.

    May 16 Has Two Everett Options

    Saturday, May 16 is becoming a real night for downtown Everett events. On the same evening, All City Fight Night: Worlds Collide is running its six-hour amateur kickboxing card at Kings Hall at APEX Everett on 1611 Everett Ave. If you’re choosing: comedy at HET and kickboxing at APEX serve completely different audiences, and neither is a bad call for a Saturday night in May.

    If you’re already planning to be out that weekend, the rest of May at the HET is strong too. Canned Heat and Big Brother and the Holding Company — two of the original Woodstock bands — play the 29th, and Grupo Niche, the Latin Grammy-winning Colombian salsa orchestra, closes out May on the 31st. The building is having a moment this spring. May 16 is a good night to start.

    Frequently Asked Questions

    What time does Dana Gould perform at the Historic Everett Theatre on May 16?

    Doors open at 7:00 PM. The show starts at 8:00 PM on Saturday, May 16, 2026. The venue is at 2911 Colby Ave, Everett WA 98201.

    How much are tickets for Dana Gould at the Historic Everett Theatre?

    Tickets are $23 and available at the door. They are also available in advance via Eventbrite. This show is presented by Everett Comedy Night — house gift certificates and theatre coupons are not valid for this event.

    Is the Dana Gould show all ages?

    Age policy was not listed in the official event materials from the Historic Everett Theatre or Eventbrite listing. Check with the venue at events.theatreconcertconsulting.com or the Eventbrite listing before attending if age policy matters to your plans.

    What is Dana Gould famous for?

    Dana Gould is best known as a writer and co-executive producer on The Simpsons, where he worked from 2001 to 2007 across seasons 14 through 18. He also created, wrote, and starred in IFC’s horror-comedy series Stan Against Evil (2016–2018), which ran for three seasons and 24 episodes. He hosts The Dana Gould Hour podcast and has been a touring stand-up comedian since age seventeen.

    What is Everett Comedy Night?

    Everett Comedy Night is the promoter behind the Premier Stand-Up Comedy series at the Historic Everett Theatre. Saturday’s event is the series’ 14th/4th Anniversary show, reflecting the series’ history at the venue.

    Where is the Historic Everett Theatre?

    The Historic Everett Theatre is at 2911 Colby Ave, Everett WA 98201. The building opened on November 4, 1901 as the Everett Opera House. It operates today at approximately 800-seat capacity and has been hosting performances continuously since its restoration in the early 2000s.

    Are there other shows at the Historic Everett Theatre in May?

    Yes. Canned Heat and Big Brother and the Holding Company — two of the original Woodstock bands — perform May 29. Grupo Niche, a Latin Grammy-winning Colombian salsa orchestra, performs May 31. Both shows are ticketed through the HET box office at events.theatreconcertconsulting.com.

  • Grupo Niche Is Coming to the Historic Everett Theatre on May 31 — A Latin Grammy-Winning Salsa Orchestra in an 1901 Opera House

    Grupo Niche Is Coming to the Historic Everett Theatre on May 31 — A Latin Grammy-Winning Salsa Orchestra in an 1901 Opera House

    Is Grupo Niche playing in Everett, WA in 2026?
    Yes. Grupo Niche — the Latin Grammy-winning Colombian salsa orchestra founded in Cali in 1978 — performs at the Historic Everett Theatre (2911 Colby Ave, Everett WA) on Sunday, May 31, 2026 at 7:00 PM. Tickets are available through events.theatreconcertconsulting.com and secondary markets.

    Verdict: GO. Unique-to-market touring act. Right-size room for a brass-forward Latin orchestra. The Historic Everett Theatre’s most ambitious Latin booking since reopening under new ownership. If you have any connection to salsa music, clear Sunday, May 31.

    The Setup

    A Sunday night in a 125-year-old opera house. A Colombian salsa orchestra with 47 years of catalog and a Latin Grammy on the shelf. Eight hundred seats on Colby Avenue.

    That is what May 31 looks like at the Historic Everett Theatre.

    Grupo Niche — not a tribute act, not a cover band, but the actual Cali orchestra founded in 1978 by Jairo Varela — is coming to Everett. If you have any connection to Latin music, to salsa, to the specific joy of hearing a full brass section tear through “Cali Pachanguero” in a room this intimate, this is the show. It is not a show you will find again at this scale in the Pacific Northwest any time soon.

    Who Grupo Niche Is

    Grupo Niche was born in Cali, Colombia in 1978. Jairo Varela and Alexis Lozano built the orchestra with the conviction that Colombian salsa deserved to stand beside — and ahead of — the New York and Puerto Rican traditions that dominated the genre at the time.

    Their 1984 album No Hay Quinto Malo contained a single called “Cali Pachanguero,” a tribute to the city’s carnival spirit. It became one of the defining songs of the salsa genre. It still plays at every Grupo Niche concert, and when it does, rooms of 800 people tend to become one organism.

    The catalog extends well beyond that song. “Cali Ají,” “Sin Sentimiento,” “Una Aventura,” “Buenaventura y Caney,” “Debiera Olvidarla” — these are songs that defined Latin dancefloors across the Americas, Spain, and wherever the Colombian diaspora settled. In 1986, Grupo Niche became the first Colombian orchestra to perform at Madison Square Garden, part of the World Salsa Festival. In 1989, they played to one million fans at Lima’s Campo de Marte park in Peru.

    Maestro Jairo Varela died on August 8, 2012. The group continued under the direction of longtime members, and in 2020 won the Latin Grammy Award for Best Salsa Album with 40, a fortieth-anniversary record. The group is still recording, still winning hardware, and still performing at the level that earned those credentials. Forty-seven years in, this is not a nostalgia act — it is a working orchestra with an active catalog and a live show that has filled venues across two continents this decade.

    None of that usually arrives at a venue that seats 800 people in Snohomish County. May 31 is the exception.

    Why the Room Is Right

    The Historic Everett Theatre opened in 1901 as the Everett Opera House. The building survived a 1923 fire, was rebuilt in 1924, and operated for decades as one of the Pacific Northwest’s working music venues. By 2025, Bellevue real estate investor Johnny Phan had purchased it for $1.5 million and put hundreds of thousands more into renovations before reopening in September 2025 — the latest chapter for a room that has hosted everything from vaudeville performers to grunge-era tribute acts.

    For salsa, the room size is an asset. Salsa at 800 seats means the brass section hits differently than it does at a 5,000-seat amphitheater. You can hear the rhythm section individually. The coro — the call-and-response vocal hook that defines salsa’s live energy — echoes in a room this size instead of evaporating into a sound system the size of a building.

    If you have seen Grupo Niche in a large theater or arena context, the Historic Everett Theatre is a different kind of show. If you have never seen them live, this room is an argument for starting here rather than waiting for a bigger venue.

    What to Expect at the Show

    A typical Grupo Niche concert runs 90 minutes to two hours. The set draws from a catalog spanning four decades, and the group sequences it to build toward the signature moments. Recent setlists have included “Un Alto en el Camino,” “Buenaventura y Caney,” “Sin Sentimiento,” and “Cali Ají” alongside material from the 2020 Latin Grammy-winning 40 album. “Cali Pachanguero” is always in the set, and it always closes a chapter of the show at high volume.

    The touring lineup includes featured vocalists, a full horn section, piano, bass, percussion, and a coro that fills whatever space it occupies. There will be dancing. If you know how to salsa, you will find floor space near the stage. If you do not, watching the people who do from 20 feet away is its own kind of entertainment.

    Dress for dancing if you plan on it. The venue does not have a dress code, but you will not be the first person there in something worth moving in.

    The Full Last Weekend of May

    If you are building a cultural calendar around this show, the timing works unusually well. Three days of the same weekend offer three different reasons to be downtown.

    On Friday, May 29, Canned Heat and Big Brother and the Holding Company play the same stage — two bands that performed at the original Woodstock on one Historic Everett Theatre bill. The request is that you wear something that looks like it came out of 1969. This is a co-headliner at $65 general admission, and it is one of the stronger live-music bookings in Everett in years.

    On Saturday, May 30, the Schack Art Center’s Artists’ Garage Sale runs 9 AM to 3 PM on Hoyt Avenue — 140+ artists, work priced for actual purchase, free to browse. That same Saturday evening, EMO Prom lands at Tony V’s Garage on Hewitt — a tribute night for the era’s music, with the room dressed accordingly.

    Grupo Niche closes the weekend on Sunday. Three consecutive days, three completely different rooms, three different reasons to stay in Everett instead of driving to Seattle.

    Show Details

    • Artist: Grupo Niche
    • Date: Sunday, May 31, 2026
    • Show time: 7:00 PM
    • Venue: Historic Everett Theatre, 2911 Colby Ave, Everett WA 98201
    • Capacity: ~800
    • Tickets: events.theatreconcertconsulting.com (official); also available on SeatGeek, Vivid Seats, and Bandsintown
    • Parking: Street parking on Colby Ave; Everpark Garage (2919 Oakes Ave) nearby

    Frequently Asked Questions

    What time does Grupo Niche play at the Historic Everett Theatre?

    The show starts at 7:00 PM on Sunday, May 31, 2026. The Historic Everett Theatre is located at 2911 Colby Ave, Everett WA 98201. Arrive by 6:30 PM to find parking and get settled before the show.

    Where can I buy Grupo Niche tickets for the Everett show?

    Tickets are available through the Historic Everett Theatre’s official ticketing platform at events.theatreconcertconsulting.com, and through secondary markets including SeatGeek, Vivid Seats, and Bandsintown.

    What songs does Grupo Niche play in concert?

    Grupo Niche setlists draw from 47 years of catalog. Expect “Cali Pachanguero,” “Cali Ají,” “Sin Sentimiento,” “Buenaventura y Caney,” “Un Alto en el Camino,” and material from the 2020 Latin Grammy-winning album 40. “Cali Pachanguero” is performed at every concert without exception.

    How big is the Historic Everett Theatre?

    The Historic Everett Theatre holds approximately 800 people. It opened in 1901 as the Everett Opera House, survived a 1923 fire, and was renovated and reopened under new ownership in September 2025. For salsa, the room size is an advantage — you can hear the full orchestra clearly from anywhere in the hall.

    Who is Grupo Niche?

    Grupo Niche is a Colombian salsa orchestra founded in 1978 in Cali, Colombia by Jairo Varela and Alexis Lozano. They won the Latin Grammy for Best Salsa Album in 2020. They were the first Colombian orchestra to perform at Madison Square Garden (1986) and played before one million fans in Lima, Peru in 1989. Critics and audiences across Latin America consistently cite them as the continent’s most successful salsa orchestra of the past forty years.

    Is the Grupo Niche Everett show all ages?

    Age policy details should be confirmed at point of ticket purchase through the official ticketing page. Most Historic Everett Theatre shows are all ages unless otherwise noted. Check events.theatreconcertconsulting.com for the current listing.

  • Polkadot Cadaver Is Coming to Tony V’s Garage on June 11 — Here’s Why This One Is Worth Your Thursday Night

    Polkadot Cadaver Is Coming to Tony V’s Garage on June 11 — Here’s Why This One Is Worth Your Thursday Night

    Polkadot Cadaver Is Coming to Tony V’s Garage on June 11 — Here’s Why This One Is Worth Your Thursday Night

    You’ve probably walked past Tony V’s Garage a hundred times without knowing what’s happening inside on any given Thursday. Here’s what’s happening on June 11, 2026: Polkadot Cadaver, one of the most genuinely weird and genuinely heavy bands working in American rock right now, is setting up at 1716 Hewitt Avenue and playing until nearly midnight. Tickets are $23.18 on Eventbrite. Doors open before 8 PM. Angry Toons open the night.

    That’s the short version. The longer version involves a 20-year creative obsession, a frontman who spent a decade rewriting what underground metal could sound like, and a venue that keeps pulling in acts Everett has no business booking — and yet somehow does.

    What Polkadot Cadaver Actually Sounds Like

    Polkadot Cadaver is the project of Todd Smith, who you might know better as the voice and primary creative force behind Dog Fashion Disco. If Dog Fashion Disco is the kind of band name that either stops you cold or makes you immediately pull up YouTube, you already have a sense of the territory. Smith has spent most of his adult life making music that doesn’t fit cleanly into any genre — avant-garde metal, experimental rock, dark circus, jazz-inflected hard rock — and Polkadot Cadaver is where that restlessness gets its most concentrated form.

    The band formed in the mid-2000s, initially as something of a side project while Dog Fashion Disco was on hiatus, and quickly developed its own distinct identity. Where Dog Fashion Disco can be theatrical and sprawling, Polkadot Cadaver tends to be heavier, faster, and more unsettling. The aesthetic runs toward horror and dark carnival imagery — not in a theatrical Halloween-costume way but in a genuinely off-kilter, dissonant-chord, what-key-is-this way. If you want a reference point: think late-period Primus meets Dillinger Escape Plan meets a Tom Waits album recorded in a basement at 2 AM. That still doesn’t quite capture it, but it’s closer than “metal band.”

    Albums like Megaton Shotblast (2009) and Sex Offender (2010) established the band’s reputation in the underground metal and experimental rock communities — not household names, but the kind of records that people who find them tend to keep for the rest of their lives. Smith’s vocal range is a significant part of what makes it work: he can go from a clean croon to a full thrash scream inside the same measure, and the band is tight enough to follow him wherever that goes.

    Why Tony V’s Is the Right Room for This

    Tony V’s Garage at 1716 Hewitt Avenue is a 400-capacity standing-room venue in the middle of downtown Everett. It books the kind of music that the Paramount doesn’t — touring acts who are too big for a bar but not quite at the theater level, with ticket prices that reflect that honestly. Twenty-three dollars gets you into a room where the stage is close enough that you can see the set list taped to the floor monitors.

    That intimacy matters for a band like Polkadot Cadaver. This is not music that benefits from distance. The odd time signatures and left-field genre pivots land differently when you’re close enough to feel the bass in your sternum. Tony V’s has hosted enough touring metal and hard rock acts over the years to know how to run a show at this volume level — the sound system is built for it, the staff know what they’re doing, and the crowd that shows up on a Thursday night for a bill like this tends to be there because they did the research, not because they stumbled in off the street.

    In a mid-size city with no dedicated all-ages metal venue and a concert market dominated by the Xfinity Center and the HET’s theater programming, Tony V’s fills a gap that matters. Polkadot Cadaver playing Everett at all is genuinely unusual — this is not a band that has historically saturated the Pacific Northwest touring circuit, and June 11 may be the only Washington date on this run.

    Angry Toons Opens

    Angry Toons is on the bill as the opening act. If you’ve been to enough shows at Tony V’s, you’ve probably encountered them — a local and regional punk-metal act that knows how to warm up a room without overstaying its welcome. Openers at this venue tend to take the set seriously, and getting the crowd moving before Polkadot Cadaver requires a band that can commit to the room’s energy. Showing up early is worth it. Doors and the opener are part of what makes a Thursday night at a 400-cap venue feel like an event rather than just a show.

    The Ticket Math

    $23.18 is the Eventbrite all-in price as of this writing, and the listing shows tickets in stock. The show is Thursday, June 11 — it starts at 8:00 PM and runs until 11:30 PM per the Eventbrite listing. That’s a real show, not a 45-minute set and out.

    For context: a comparable touring underground metal act at a Seattle venue would run you $28–$35 plus the drive, parking, and the particular joy of standing in line on Capitol Hill in the rain. June in Everett is drier, the venue is walkable from the downtown core, and the ticket is cheaper. The math is not complicated.

    Tickets are available now at eventbrite.com. Tony V’s Garage is at 1716 Hewitt Avenue, Everett WA 98201.

    The Bigger Picture

    Everett’s live music scene has a specific reputation problem: people who don’t live here assume there isn’t one. Shows at Tony V’s, APEX, and the Historic Everett Theatre have been quietly building a counter-argument to that for years, but the argument only works if people show up. Polkadot Cadaver is the kind of booking that — if the room fills — demonstrates that Everett can sustain a touring circuit for underground and experimental acts, not just cover bands and casino headliners.

    That’s not why you should go. You should go because Todd Smith is a genuinely exceptional songwriter and performer and the show is $23 on a Thursday night twelve minutes from most of downtown Everett. But the side effect of going is that it tells the booking infrastructure something useful: that this city will show up for something strange and heavy if you give it the chance.

    June 11. Tony V’s Garage. 8 PM. Polkadot Cadaver and Angry Toons. $23.18 at the door or on Eventbrite now while tickets last.

    Frequently Asked Questions

    What is Polkadot Cadaver?

    Polkadot Cadaver is an avant-garde metal and experimental rock project fronted by Todd Smith, the vocalist and primary songwriter of Dog Fashion Disco. The band blends heavy guitar riffs with jazz influences, dark carnival imagery, and unconventional song structures.

    Where is Tony V’s Garage in Everett?

    Tony V’s Garage is at 1716 Hewitt Avenue in downtown Everett, Washington 98201 — a standing-room live music venue with a capacity of approximately 400.

    How much are tickets to Polkadot Cadaver at Tony V’s on June 11, 2026?

    Tickets are $23.18 all-in and available through Eventbrite. The show starts at 8:00 PM and runs until approximately 11:30 PM.

    Is Polkadot Cadaver related to Dog Fashion Disco?

    Yes. Polkadot Cadaver is the primary side project and creative outlet for Todd Smith, the frontman of Dog Fashion Disco. The two bands share members and a similar avant-garde, dark aesthetic, though Polkadot Cadaver is generally heavier and more experimental in execution.

  • Red Karma Brings Taylor Swift’s Catalog to the Historic Everett Theatre This Friday — $30, All Ages, Doors at 6

    Red Karma Brings Taylor Swift’s Catalog to the Historic Everett Theatre This Friday — $30, All Ages, Doors at 6

    What time does Red Karma play at the Historic Everett Theatre on May 1?
    Red Karma takes the stage at the Historic Everett Theatre (2911 Colby Ave, Everett, WA 98201) on Friday, May 1, 2026 at 7:00 PM PDT. Doors open at 6:00 PM. Tickets are $30 general admission, with senior/military at $25 and children under 12 at $20.

    VERDICT: GO. All three criteria land: Red Karma is the only Taylor Swift tribute announced for this market this spring, the Historic Everett Theatre’s ~800-seat room is precisely the right size for this kind of act, and $30 GA undercuts every comparable tribute show in the Seattle market.

    The Historic Everett Theatre opened in 1901 as the Everett Opera House, and on Friday night — May 1 — it gets Taylor Swift.

    Not Taylor Swift. Red Karma, the Pacific Northwest tribute act that has spent years playing Swift’s catalog across the Emerald City and beyond. But in a 125-year-old building with original sight lines and real acoustics, with a stage that knows how to hold a show, the distinction matters less than you might think.

    The Essential Details

    The show is Friday, May 1 at 7:00 PM. Doors open at 6:00 PM. The venue is at 2911 Colby Ave, Everett, WA 98201. The show runs approximately 90 minutes, ending around 8:30 PM per the official listing. If you are driving downtown, plan for parking on the adjacent streets or in the nearby garages — Friday evening in downtown Everett fills up, but it fills up manageable.

    Tickets are $30 general admission. Senior and military pricing drops to $25. Children under 12 are $20. If you are bringing the whole family — three or more members — the Family Pack pricing comes out to $20 per person, making this one of the more affordable live music nights you will find anywhere in Snohomish County this spring. Tickets are available at events.theatreconcertconsulting.com/red-karma-2/.

    Why Red Karma in This Room Works

    Taylor Swift’s Eras Tour became the highest-grossing concert tour in recorded history. For the fans in Everett who could not get tickets, could not afford the resale prices, or simply did not want to navigate a stadium, the tribute band circuit has become the practical alternative — and it has gotten very good.

    Red Karma is a Pacific Northwest outfit. The band has built its reputation playing this specific market — Seattle stages, Puget Sound clubs, the broader Emerald City scene — and that touring knowledge shows. They understand this audience because they have played to it for years.

    The Historic Everett Theatre is the correct room for this act. The venue seats roughly 800 people. The stage is proportioned for a production that wants actual intimacy — where the performer can see the audience, where you can hear the arrangement without stadium reverb washing out the detail. Taylor Swift’s catalog spans more than a decade of genre-crossing: the country years, the pop transformation of 1989, the dark turn of Reputation, the indie-adjacent textures of Folklore and Evermore, the pop maximalism of Midnights. Getting any of those eras to land correctly requires a room where the sound does not fight itself. The HET stage has that.

    The building opened on November 4, 1901 as the Everett Opera House. It hosted Lillian Russell and Al Jolson in its early decades, survived a 1923 fire, was rebuilt in 1924, and was restored between 2000 and 2004. Seeing Taylor Swift’s catalog performed here — in a room that has held real theater, real concerts, and 125 years of Everett’s public life — is not a lesser experience than a stadium. It is a different experience. Specifically, it is better for almost every reason that matters in a live music context.

    The Ticket Math

    The Seattle comp range for comparable tribute acts at venues like the Neptune or Moore runs from roughly $35 to $60 or more for general admission on a Friday night. The $30 GA at HET is on the low end of that range for a dedicated performance space, not a bar stage.

    The Family Pack pricing at $20 per person for three or more members is worth naming directly. There is no Pacific Northwest market where you take three people to a live music event in a real theater for $60 total on a Friday night. That pricing, combined with an all-ages format, makes this a legitimate family event. If you have kids who are in the Swiftie phase right now and you have been looking for a way to make the live music experience work without stadium prices, this is it.

    What to Expect

    Red Karma covers Taylor Swift’s catalog across multiple eras. Expect the country-to-pop crossover material alongside the 1989 high points, the Reputation era, and material from Folklore, Evermore, and Midnights. The set runs approximately 90 minutes. The venue serves beverages. The building has coat check facilities.

    This is a Friday night in downtown Everett. Dinner before on Hewitt Avenue or Colby, show at 7, home by 10. That is a complete evening.

    The Rest of May at the Historic Everett Theatre

    Saturday, May 2, Trio Los Panchos — 50 Aniversario — brings the Latin ballad tradition to the same stage. Two consecutive nights, two completely different audiences, the same 1901 building. The following week brings Richard Marx on Friday, May 8, and Corduroy (Pearl Jam tribute) on Saturday, May 9. Later in the month, Canned Heat and Big Brother and the Holding Company land on May 29 for a night that puts two original Woodstock bands on one bill. Downtown Everett is putting together a legitimate entertainment calendar, and May is making the case.

    What You Need

    • Venue: The Historic Everett Theatre, 2911 Colby Ave, Everett, WA 98201
    • Date: Friday, May 1, 2026
    • Doors: 6:00 PM
    • Show: 7:00 PM — approximately 8:30 PM
    • Tickets: GA $30 / Senior-Military $25 / Children Under 12 $20 / Family Pack $20 per person (3+ members)
    • Ages: All ages
    • Buy tickets: events.theatreconcertconsulting.com/red-karma-2/

    Frequently Asked Questions

    Is the Red Karma show at the Historic Everett Theatre all-ages?

    Yes. The May 1, 2026 show is all-ages, with Family Pack pricing available for groups of three or more at $20 per person.

    What time do doors open for Red Karma at HET?

    Doors open at 6:00 PM. The show starts at 7:00 PM and runs approximately 90 minutes.

    How much are tickets for Red Karma at the Historic Everett Theatre?

    General admission is $30. Senior/military pricing is $25. Children under 12 are $20. Family pack (3 or more people) is $20 per person.

    Where is the Historic Everett Theatre?

    2911 Colby Ave, Everett, WA 98201. Phone: 253-422-4553. The building opened November 4, 1901 as the Everett Opera House.

    Is Red Karma a Seattle-area band?

    Red Karma is a Pacific Northwest tribute act based in the Seattle area, performing Taylor Swift’s catalog “across the stages of the Emerald City and beyond.”

    What songs does Red Karma play?

    Red Karma covers Taylor Swift’s catalog across multiple eras — from the country-era hits through Fearless and Red, through the pop transformation of 1989, Reputation, and into Folklore, Evermore, and Midnights.

    What other shows are coming to the Historic Everett Theatre in May?

    Richard Marx plays May 8, Corduroy (Pearl Jam tribute) plays May 9, and Canned Heat with Big Brother and the Holding Company headline May 29. Trio Los Panchos — 50 Aniversario — plays May 1 (same night as Red Karma, separate show). May at the HET is unusually strong.

  • Corduroy: The Pearl Jam Experience Lands at the Historic Everett Theatre May 9 — A Bay Area Tribute Plays the Grunge Catalog Inside a 1901 Opera House

    Corduroy: The Pearl Jam Experience Lands at the Historic Everett Theatre May 9 — A Bay Area Tribute Plays the Grunge Catalog Inside a 1901 Opera House

    Where can I see a Pearl Jam tribute band in Everett, WA? Corduroy: The Pearl Jam Experience plays the Historic Everett Theatre at 2911 Colby Avenue on Saturday, May 9, 2026. Doors open at 7:00 PM and the show starts at 8:00 PM. It’s an all-ages show. General Admission tickets are $40, with an Early Bird Special at $30 while supplies last. The dance floor will be open.

    Verdict: GO. This is a unique-to-this-market booking — a touring Pearl Jam tribute landing at Seattle’s nearest historic opera house — in the right-size room, at fair-market pricing for an all-ages show. Two of three GO criteria clear cleanly. The third — value — is well above the bar at $30 Early Bird.

    The Historic Everett Theatre opened in 1901 as the Everett Opera House. It is a 125-year-old building with a restored stage, hard sight lines, and roughly 800 seats when fully sold. That is the kind of room Pearl Jam grew out of — small theaters, opera houses, the rooms a band books before the rooms get too big to feel anything in. Forty miles down I-5, in a basement off the Off Ramp Café in October 1990, five guys playing under the name Mookie Blaylock opened a show that became Pearl Jam. The band has since played stadiums on every continent that has them. The Historic Everett Theatre is closer to the room those five guys started in than anything Pearl Jam has played in three decades.

    That is the frame for what happens on Saturday, May 9.

    The Show

    Corduroy: The Pearl Jam Experience is a Bay Area-based tribute band founded in the summer of 2016 in San Francisco. They are one of eleven Pearl Jam tribute acts worldwide that were selected to perform at the TEN 30th Anniversary Online Tribute Concert organized by Grunge Magazine in August 2021 — a peer-vetted credential, not a self-applied one. The band’s catalog runs from 1991 through current Pearl Jam material, which means the Ten, Vs., Vitalogy, and No Code eras get their full treatment alongside the post-2000 records.

    The Everett show is officially billed as Corduroy’s 10th Anniversary celebration — they took the stage as a band in summer 2016 and are working a year-long anniversary run through 2026.

    The basics, verified:

    • Date: Saturday, May 9, 2026
    • Doors: 7:00 PM | Show: 8:00 PM
    • Venue: The Historic Everett Theatre, 2911 Colby Avenue, Everett, WA 98201
    • Tickets: General Admission $40 (Early Bird Special $30 while available)
    • Age: All Ages
    • Format: Dance floor open

    Both the official venue listing at events.theatreconcertconsulting.com and Bandsintown event #108180402 confirm identical date, time, and venue.

    Why “Corduroy” Is the Right Name for a Tribute

    If you have to be a Pearl Jam tribute band, “Corduroy” is the name to take. The original song lives on Vitalogy, Pearl Jam’s third studio album, released in 1994. It hit number 13 on Billboard’s Modern Rock Tracks chart without ever being released as a commercial single. Eddie Vedder wrote it after seeing a replica of one of his thrift-store corduroy jackets in a fashion store at a markup of hundreds of dollars. The song is about a relationship — not between two people, but between one person and a million of them. It is the song where Pearl Jam, at the peak of their commercial moment, lashed out at the culture industry that had spent two years selling the band back to its own audience at retail.

    A tribute band naming itself after that specific track is making a small, sharp argument: we are here for the music, not the merch. That is the right argument to make in a 125-year-old room in downtown Everett.

    The Venue: Why It Matters

    The Historic Everett Theatre opened on November 4, 1901, as the Everett Opera House — a 1,200-seat room that hosted Lillian Russell, Al Jolson, and George M. Cohan in its earliest years. A 1923 fire gutted it. The building was reconstructed in 1924 as the New Everett Theater. The 2000–2004 restoration brought it back to its current configuration of roughly 800 seats with a working stage, full sound system, and the original architecture intact at the bones.

    For a Pearl Jam tribute show, this is the right room. Pearl Jam’s grunge-era catalog was written for spaces this size — the Crocodile, the Off Ramp, the Moore. When you scale those songs up to a stadium, you lose the feedback, the room noise, the sweat in the crowd. When you scale them down to a theater that has been hosting live performance since the McKinley administration, the songs carry differently. Black sounds like Black in an 800-seat opera house. It does not sound like Black in a 50,000-seat baseball park.

    Surrounding Context: The Historic Everett Theatre’s May Slate

    May 9 sits inside the busiest month the Historic Everett Theatre has run this spring. The full month, all dates verified against the venue’s Tickible JSON-LD:

    • Friday, May 1 — Red Karma: Taylor Swift tribute, doors 6:00 PM
    • Saturday, May 2 — Trio Los Panchos Nostalgia Tour: 50 Aniversario, externally ticketed via Tickeri
    • Friday, May 8 — Richard Marx: After Hours tour
    • Saturday, May 9 — Corduroy: The Pearl Jam Experience (this show)
    • Saturday, May 16 — Dana Gould: stand-up comedy via Eventbrite
    • Friday, May 29 — Canned Heat with Big Brother and the Holding Company: two original Woodstock bands co-headlining

    Six bookings in May, four of them music, two of them co-headlining heritage acts. The Historic Everett Theatre is not running a quiet spring — and June’s Sorticulture festival spills into the venue too with a free Ciscoe Morris lecture on June 7.

    What to Expect in the Room

    A few practical notes for anyone who has not seen a tribute show in this venue before. The dance floor will be open, per the event description — that is unusual for the Historic Everett Theatre and signals that the front of the house is being run as a standing pit rather than seated rows for this show. If you want to sit, arrive early and pick your spot. If you want to stand, arrive when doors open and walk to the front. Confirm seating policy at the box office on the night.

    The venue is at 2911 Colby Avenue. Street parking is free after 5:00 PM throughout downtown on Saturdays. The Everpark Garage is two blocks away on Hewitt Avenue if street is full.

    Why Pearl Jam Tributes Work Differently in the Pacific Northwest

    Pearl Jam was formed in Seattle in 1990 by Jeff Ament, Stone Gossard, and Mike McCready. Eddie Vedder joined as lead singer after writing lyrics on the back of a tape he received in San Diego. The band’s first official show was at the Off Ramp Café on October 22, 1990 — they took the stage as Mookie Blaylock and announced their new name as Pearl Jam onstage. Forty miles north of the Off Ramp, the Historic Everett Theatre was almost a century old by the time Vedder walked into a Seattle basement to audition.

    A Pearl Jam tribute playing the Historic Everett Theatre is not a tribute act passing through a generic venue. It is a tribute act playing the catalog of the Pacific Northwest’s defining rock band in a Pacific Northwest building that is older than the band’s drummer’s grandparents. Bay Area-based Corduroy gets to play Black, Yellow Ledbetter, Even Flow, and Alive in a room where the audience will know every word and where the building itself has been hosting live music since the year of Theodore Roosevelt’s first vice presidency.

    That is a specific kind of show. It does not happen often. It is happening on May 9.

    How to Get Tickets

    Tickets are sold through the Historic Everett Theatre’s box office at events.theatreconcertconsulting.com/corduroy-the-pearl-jam-experience/. The Early Bird Special at $30 is the better value while it lasts; once those run out, General Admission opens at $40. Both tiers sit well below the $50–$70 range that comparable tribute shows pull in Seattle proper. For an all-ages 800-cap room with a restored historic stage, this is fair-market pricing on the low side.

    The dance floor is open. Doors at 7:00 PM. Show at 8:00 PM. Bring layers — Everett Aprils get cold after sundown and the walk back to your car is two blocks of downtown air.

    Frequently Asked Questions

    What time does Corduroy: The Pearl Jam Experience start at the Historic Everett Theatre?

    Doors open at 7:00 PM and the show begins at 8:00 PM on Saturday, May 9, 2026.

    How much do tickets cost?

    General Admission is $40. An Early Bird Special is available at $30 while supplies last. Both tiers are sold through the venue’s box office.

    Is the show all ages?

    Yes. The Historic Everett Theatre lists this as an all-ages show, with the dance floor open during the performance.

    Where is the Historic Everett Theatre?

    The venue is at 2911 Colby Avenue, Everett, WA 98201, in downtown Everett. The building opened in 1901 as the Everett Opera House.

    Who is Corduroy: The Pearl Jam Experience?

    Corduroy is a San Francisco-based tribute band founded in summer 2016. They were one of eleven Pearl Jam tribute bands selected globally for Grunge Magazine’s TEN 30th Anniversary Online Tribute Concert in August 2021. The Everett show is part of their ten-year anniversary run.

    Is there parking at the Historic Everett Theatre?

    Free street parking is available throughout downtown Everett after 5:00 PM on Saturdays. The Everpark Garage on Hewitt Avenue is the nearest paid garage, two blocks from the venue.

    What other shows are happening at the Historic Everett Theatre in May 2026?

    The May slate includes Red Karma (Taylor Swift tribute) on May 1, Richard Marx on May 8, Dana Gould comedy on May 16, and Canned Heat with Big Brother and the Holding Company on May 29.



  • Sorticulture 2026 Returns to Downtown Everett June 5–7 — Ciscoe Morris, 140+ Vendors, and the Free Festival the City Built Its Summer Around

    Sorticulture 2026 Returns to Downtown Everett June 5–7 — Ciscoe Morris, 140+ Vendors, and the Free Festival the City Built Its Summer Around

    Sorticulture 2026 Returns to Downtown Everett June 5–7 — Ciscoe Morris, 140+ Vendors, and the Free Festival the City Built Its Summer Around

    Verdict: GO. Three reasons we’re calling it without hedging. (1) The lineup is unique to this market — over 140 garden artists and nurseries on one downtown grid, plus Ciscoe Morris on a 1901 stage on Sunday, plus the City of Everett, Schack Art Center, Funko, and Imagine Children’s Museum all within four blocks. (2) The room is the right size for the act — Sorticulture isn’t a stadium festival; it’s a downtown street festival that closes Colby and Wetmore and lets the venues hold the weekend. (3) Ticket value is honest: the festival is free, the yoga is free, the Ciscoe lecture is free, and the only money that has to leave your pocket is whatever you spend on plants, a glass of wine, or a food truck dumpling. The math is on Sorticulture’s side.

    If you have ever told yourself you should spend more weekends downtown, this is the one. Clear the calendar.

    The dates, the hours, the address — all of it

    Friday, June 5: 10 a.m. to 6 p.m.

    Saturday, June 6: 10 a.m. to 6 p.m.

    Sunday, June 7: 10 a.m. to 4 p.m.

    The festival fills the heart of downtown Everett along Colby Avenue from Everett Avenue to the north and Pacific Avenue to the south, then expands east and west along California Street toward Funko and Hewitt Avenue toward Port Gardner Bay. That’s a real footprint. You can spend three hours here without retracing your steps.

    Admission is free for all three days. No wristband, no ticket, no RSVP. Walk in.

    Ciscoe Morris at the Historic Everett Theatre — Sunday at 1 p.m.

    The single highest-leverage block on the schedule is Sunday, June 7, at 1 p.m. inside the Historic Everett Theatre at 2911 Colby Ave. Ciscoe Morris — the Pacific Northwest gardening voice most local gardeners grew up listening to on KIRO and watching on KING 5 — is giving a free lecture titled “Newest plant picks and Q&A,” and the venue’s own listing confirms it as a “free educational lecture on June 7, 1:00 pm.” This is a building that opened in 1901 as the Everett Opera House. The seating is real, the sight lines are real, and Ciscoe at 1 p.m. on a Sunday is the kind of programming you usually have to pay for at a botanical garden gala.

    If you have to pick one ticketed-feeling thing to do across the whole weekend, this is it. And it isn’t ticketed — it’s free.

    The Sunnyside Nursery Garden Stage — at Hewitt and Colby

    The festival’s main outdoor classroom sits at the intersection of Hewitt and Colby — about as central as Everett gets. The Sunnyside Nursery Garden Stage runs classes across all three days. Trevor Cameron from Sunnyside Nursery is the workhorse of the lineup, with sessions including “Hydrangea-licious!” (a deep cut on modern reblooming hydrangeas), “Japanese Maples,” “Gardening in the Shade,” and a “Pitcher Plants (Carnivorous Plants)” workshop at 11 a.m. that we’d happily watch sober.

    The stage is sponsored by Sunnyside Nursery — the venerable Marysville garden center that has been a fixture on the I-5 corridor for decades — and that sponsorship is the reason the stage exists in a recognizable form year after year. The festival itself is supported in part by Snohomish County Lodging Tax grants, which is what local lodging-tax dollars look like when they actually land in something the city’s residents can use.

    Free outdoor yoga at Wetmore Plaza

    Saturday and Sunday mornings, 11 a.m., Wetmore Plaza. Free. Hosted by Yoga Shala Everett. This is one of those rare festival add-ons that actually delivers — open-air yoga in a closed-street setting, surrounded by 140+ vendor booths, with garden art and the smell of plants on three sides. Bring a mat. If you forget the mat, bring a towel. If you forget the towel, the grass at Wetmore Plaza is forgiving.

    The wine garden, the food trucks, the kids

    The wine garden is hosted by Wick-Ed Wine & Social Club at 2707 Colby Ave, with live music inside the wine-garden zone. Snacks, beverages, and food trucks run throughout the festival footprint. You will not need to leave Sorticulture to eat.

    Youth activities are programmed by Imagine Children’s Museum, Everett Parks, and Funko — yes, that Funko. The Funko HQ flagship sits at 2802 Wetmore, less than two blocks from the festival’s spine, and Funko’s youth booths are part of why families with elementary-school kids treat Sorticulture as a default June weekend. The kids don’t run out of things to do, which is the entire point.

    Getting there, parking, and the Everett Transit shuttle

    ADA parking runs along Wetmore Avenue between Everett and California avenues. The downtown public parking garage is free on weekends — under-promoted but true. Pay lots in the immediate vicinity are inexpensive on a per-hour basis. And critically, Everett Transit runs a complimentary shuttle service to Sorticulture, which means if you live in north or south Everett you don’t need to fight the I-5 weekend traffic at all.

    Plan the visit as a downtown afternoon, not a quick stop. Park once. Walk the festival. Eat. Sit through a class. Walk back.

    How Sorticulture fits the rest of the weekend

    The Saturday night card downtown is heavy. Tony V’s Garage at 1716 Hewitt typically books shows the same weekend as Sorticulture, and the Historic Everett Theatre runs evening programming around the festival days too — recent culture-desk coverage of Schack Art Center’s Contemporary Northwest Artists exhibition opens around the same week, so a smart Saturday looks like Sorticulture during the day, gallery walk through Schack on Hoyt Avenue late afternoon, dinner downtown, and a show after sundown.

    The downtown cultural cluster — Schack at 2921 Hoyt, the Historic Everett Theatre at 2911 Colby, Funko at 2802 Wetmore, Tony V’s at 1716 Hewitt, and Imagine Children’s Museum nearby — is the reason Sorticulture works as well as it does. The festival is the pretext. The cluster is the product.

    What to actually buy at Sorticulture (the only opinionated section)

    If you have never been: skip the impulse buys on Friday and walk the entire grid first. The most interesting work — handmade pots, garden steel, ceramic ware, sculptural plant supports — sits in the middle blocks of the footprint, not the edges, and the best vendors sell out by Saturday afternoon. If you see a piece on Friday and it’s between $50 and $200, buy it then; if it’s over $200, sleep on it and come back Saturday morning before the foot traffic ramps. If you’re plant shopping, hit the Sunnyside Nursery presence and the regional nurseries first — the festival is one of the few places those nurseries bring inventory off their home lots.

    Frequently Asked Questions

    When is Sorticulture 2026?

    Friday through Sunday, June 5–7, 2026, with festival hours of 10 a.m. to 6 p.m. on Friday and Saturday and 10 a.m. to 4 p.m. on Sunday. Admission is free.

    Where exactly is Sorticulture held?

    Downtown Everett, along Colby Avenue from Everett Avenue (north) to Pacific Avenue (south), and east-west along California Street toward Funko HQ and Hewitt Avenue toward Port Gardner Bay. The Sunnyside Nursery Garden Stage is at the intersection of Hewitt and Colby.

    Is Ciscoe Morris really speaking at Sorticulture 2026?

    Yes. Ciscoe Morris is presenting “Newest plant picks and Q&A” on Sunday, June 7, 2026, at 1 p.m. inside the Historic Everett Theatre at 2911 Colby Ave. The event is free per the venue’s own listing and is part of the festival’s continuous-learning programming.

    How much does Sorticulture cost?

    Sorticulture is free. There are no admission fees, no wristbands, and no ticket purchases required for general festival access, the Sunnyside Nursery Garden Stage classes, the outdoor yoga, or the Ciscoe Morris lecture at the Historic Everett Theatre.

    Where do I park for Sorticulture?

    ADA parking is along Wetmore Avenue between Everett and California avenues. The downtown public parking garage is free on weekends. Affordable pay lots are available in the immediate vicinity. Everett Transit also runs a complimentary shuttle service to the festival.

    Is Sorticulture good for kids?

    Yes. Youth activities are programmed by Imagine Children’s Museum, Everett Parks, and Funko. Strollers work fine on the closed-street footprint, and Wetmore Plaza has open space for kids who need to burn energy between vendor stops.

    Are dogs allowed at Sorticulture?

    Sorticulture is an outdoor downtown street festival on closed public streets, so well-behaved leashed dogs are generally welcome in the festival footprint. Dogs are typically not permitted inside indoor venues like the Historic Everett Theatre or vendor tents that explicitly post otherwise. Bring water and watch the heat.

    What time does Ciscoe Morris speak?

    Sunday, June 7, 2026, at 1 p.m. inside the Historic Everett Theatre at 2911 Colby Ave. The lecture title is “Newest plant picks and Q&A” and seating is first-come.




  • Canned Heat and Big Brother and the Holding Company Land at the Historic Everett Theatre May 29 — Two Bands That Played the Original Woodstock, on One Stage in Downtown Everett

    Canned Heat and Big Brother and the Holding Company Land at the Historic Everett Theatre May 29 — Two Bands That Played the Original Woodstock, on One Stage in Downtown Everett


    If you have ever wished you could have been at Max Yasgur’s farm in August 1969, the Historic Everett Theatre is doing the next best thing this spring. On Friday, May 29, 2026, two of the original Woodstock bands — Canned Heat and Big Brother and the Holding Company — are sharing one downtown Everett stage for a single night, in a venue that has been hosting live music in this town since five years before the Wright Brothers flew at Kitty Hawk.

    The official ask from the box office is delightful: “Dress up in your favorite 60’s hippie gear.” The official price tag on the marquee event is reasonable: $65 General Admission, $60 Senior/Military, $55 Family Pack when you buy three or more. And the official venue is a 1901 opera house at 2911 Colby Avenue, two blocks off Hewitt, that has been quietly building one of the most interesting tribute and heritage-act calendars on the I-5 corridor.

    This is one to clear the calendar for. Here is everything you need to know.

    The Show: Two Headliners, One Night, Doors at 6

    According to the official Historic Everett Theatre listing for the event, here are the confirmed details:

    • Date: Friday, May 29, 2026
    • Doors: 6:00 PM
    • Show: 7:00 PM (event ends approximately 10:30 PM per the venue’s posted end time)
    • Venue: The Historic Everett Theatre, 2911 Colby Ave, Everett, WA 98201
    • General Admission: $65
    • Senior / Military: $60
    • Family Pack: $55 per ticket when buying 3 or more
    • Box office / tickets: events.theatreconcertconsulting.com (the official ticketing site for the venue)

    This is a co-headlining bill. Both bands are listed equally on the venue’s marquee, both are playing full sets, and both are being marketed as a tribute to Woodstock-era rock. The “Relive Woodstock 1969” subtitle is the venue’s own framing.

    The HeraldNet entertainment desk also flagged the show in their April 22, 2026 weekly preview, which is how a lot of folks in Snohomish County first heard about it. If you missed that one in the paper, this is your second look.

    Who Is Canned Heat in 2026?

    Canned Heat formed in Los Angeles in 1966 — roughly six decades ago, depending on which day you count from. They are not a tribute band. They are the band, with original member Adolfo “Fito” de la Parra still anchoring the kit as drummer, bandleader, and unofficial historian of the project. Per the band’s official bio published on the venue’s event page, the current touring lineup is:

    • Fito de la Parra — drums, bandleader (in his 58th year with the group)
    • Dale Spalding — vocals, harmonica, guitar (18-year tenure as of 2026; coming out of New Orleans, with a deep blues résumé)
    • Rick Reed — bass (joined four years ago after stints with Paul Butterfield, John Mayall, and the Chicago Blues Reunion)
    • Jimmy Vivino — lead guitar and vocals (best known for his 28-year run as guitarist, arranger, and music director for Late Night with Conan O’Brien; before that, a 20-year career playing with Al Kooper, Charlie Musselwhite, Michael McDonald, and many others)

    The catalog they are pulling from is genuinely iconic. Per the band’s official biography, their three signature worldwide hits are “On The Road Again,” “Going Up The Country,” and “Let’s Work Together.” They played the 1967 Monterey Pop Festival. They headlined the original Woodstock in 1969 — Canned Heat’s set notes from setlist.fm and the Woodstock archives confirm they took the stage Saturday, August 16, 1969 around 7:30 PM at sunset, ripping through “Going Up the Country” and closing with “On the Road Again” as the encore.

    What makes this stop interesting beyond the catalog: in 2024, Canned Heat released “Finyl Vinyl,” their first studio album in fifteen years. The venue’s listing notes the record put the band back on charts around the world and got named to multiple Top 10 Blues Albums of the Year lists. So when they hit the stage at Everett, they are not just running through the hits. There is a reason to bring fresh ears.

    Who Is Big Brother and the Holding Company in 2026?

    Big Brother and the Holding Company is the band that, more than any other, you associate with Janis Joplin’s voice cutting through the late 1960s. They wrote and recorded “Piece of My Heart,” “Summertime” (the Gershwin standard, reimagined as a haunted blues), “Ball and Chain,” and “Bye Bye Baby” — songs that defined a moment. They were Janis’s band. They played Monterey Pop. They played Woodstock. They were the hinge between San Francisco psychedelia and stadium rock.

    The band has continued touring since reforming in 1987. Per their official bbhc.com bio and the venue’s event listing, the current lineup centers on two original members: drummer/songwriter David Getz and bassist/songwriter Peter Albin — both of whom were on the records, both of whom were on the Monterey and Woodstock stages. They are joined on this run by Darby Gould on lead vocals (formerly of Jefferson Starship; she handles the Janis catalog, including “Piece of My Heart,” “Summertime,” “Down On Me,” “Ball and Chain,” “Me and Bobby McGee,” and “Mercedes Benz”) and Tom Finch on guitar.

    The venue’s listing for May 29 calls them “the original architects” of the songs and notes that the band continues to introduce new material alongside the catalog. That is the right framing. This is not a tribute act. This is the band — with the original rhythm section — performing songs they wrote.

    About the Venue: A 1901 Opera House Hosting Woodstock-Era Legends

    The Historic Everett Theatre opened on November 4, 1901 as the Everett Opera House. Per the venue’s history page and Cinema Treasures, it was originally designed to seat 1,200 — about a sixth of Everett’s entire population at the time. The building faces 70 feet along Colby Avenue near the intersection with Hewitt and fills a trapezoidal lot 119 feet deep. In its first decades it hosted Lillian Russell, Al Jolson, Eddie Foy and the Seven Little Foys, and George M. Cohan. A 1923 fire gutted the interior. The theatre was rebuilt and reopened in 1924 as the New Everett Theatre.

    Today the venue’s working capacity is approximately 800. It is one of the longest-continuously-operating performing arts venues in Washington State, and its 125-year heritage is exactly the kind of room a Canned Heat set was made for: hardwood floors, a real stage, a real audience, no festival mud.

    Address: 2911 Colby Ave, Everett, WA 98201. Two blocks off Hewitt Avenue. Walking distance to most of downtown.

    Should You Go? Yes. Here Is the Honest Take.

    This is a curated recommendation, not a press release. There are three reasons this show is worth clearing your Friday for:

    1. The age math is real. Fito de la Parra is in his 58th year with Canned Heat. David Getz and Peter Albin have been playing these songs since they wrote them. Co-headlining tours of bands of this vintage do not come through Everett every year. Most folks who want to see a Woodstock-era band live at this point are buying a Las Vegas residency ticket and a flight. This is a $65 ticket eight blocks from the Funko HQ.

    2. The venue is the right size. The Historic Everett Theatre’s ~800-seat configuration means you will actually hear the band, see the band, and feel the room. Canned Heat at a stadium amphitheater is a different experience than Canned Heat in an 1,200-original-seat opera house. Pick the room.

    3. The pricing is not a gimmick. General Admission at $65 with a Senior/Military rate of $60 and a Family Pack rate of $55 (when buying 3+) is fair-market for a co-headlining heritage-act bill. Ticketmaster resale on this kind of pairing tends to land north of $100. Buy direct from the venue and you are getting the real number.

    The room is going to lean older — many of the people in attendance are going to have first-hand memories of these songs on the radio in 1969. Bring earplugs anyway. Canned Heat’s current live mix is loud the way it is supposed to be loud.

    The “Dress Up in Your 60’s Hippie Gear” Thing

    The venue’s official event listing — including their meta description — leads with the line “DRESS UP IN YOUR FAVORITE 60’S HIPPIE GEAR.” This is not optional flair on the marketing; it is the actual ask. Everett does not get a lot of theme nights at this scale. If you have a fringed vest in the closet, this is its night.

    If you don’t, downtown Everett’s vintage shops on Hewitt have you covered. Bell-bottoms, a tie-dye, a headband, you are good to go.

    How to Buy Tickets

    Tickets are sold through the official venue ticketing site at events.theatreconcertconsulting.com under the Canned Heat with Big Brother and the Holding Company event listing. The three available ticket types as of publication:

    • General Admission — $65
    • General Admission Senior/Military — $60
    • Family Pack (3+ tickets) — $55 per ticket

    A small ticketing fee is added at checkout, per the venue’s standard. Do not buy resale; buy direct from the venue’s Tickible-powered store.

    The Bigger Picture: The Historic Everett Theatre’s Spring 2026 Calendar

    The Canned Heat / Big Brother bill is the headliner of a May calendar that has been quietly stacking up. The same week, the Historic Everett Theatre is also presenting:

    • May 1 — Red Karma (Taylor Swift Tribute)
    • May 8 — Richard Marx (After Hours Tour, Friday, the show we already covered separately)
    • May 9 — Corduroy: The Pearl Jam Experience
    • May 16 — Dana Gould (stand-up comedy, presented by Everett Comedy Night)

    For a 1901 opera house running 800-seat shows, that is a serious month. Canned Heat closes it out the night before Memorial Day weekend.

    Frequently Asked Questions

    Is this a tribute band or the original Canned Heat?

    This is the original Canned Heat. Drummer and bandleader Adolfo “Fito” de la Parra has been with the band since 1968 and is in his 58th year as of 2026. The current lineup also includes Dale Spalding (vocals/harmonica/guitar), Rick Reed (bass), and Jimmy Vivino (lead guitar — formerly the music director for Late Night with Conan O’Brien). Per the band’s official bio published on the venue’s listing, this is the touring lineup.

    Is this a tribute band or the original Big Brother and the Holding Company?

    This is the original Big Brother and the Holding Company, with original members David Getz on drums and Peter Albin on bass — both of whom played on the Janis Joplin–era records, the 1967 Monterey Pop Festival, and the 1969 Woodstock Festival. Lead vocals on this tour are handled by Darby Gould (formerly of Jefferson Starship), who covers the Janis catalog. Tom Finch is on guitar.

    What time does the show start?

    Doors open at 6:00 PM. Show starts at 7:00 PM. The venue’s posted end time is approximately 10:30 PM.

    Where is the Historic Everett Theatre?

    2911 Colby Avenue, Everett, WA 98201. Two blocks west of Hewitt Avenue, in the heart of downtown Everett.

    How much are tickets?

    General Admission is $65. Senior/Military is $60. Family Pack (when buying 3 or more tickets in one order) is $55 per ticket. A small ticketing fee is added at checkout.

    Is there assigned seating?

    The venue’s listing offers General Admission tickets for this event, meaning seating is first-come, first-served within the 800-capacity room. Arriving close to doors at 6:00 PM is recommended for sight lines.

    What should I wear?

    The venue’s official event listing requests that attendees “dress up in your favorite 60’s hippie gear.” This is encouraged but not enforced. Tie-dye, fringe, bell-bottoms, headbands, and 1960s-era denim all welcome.

    Will Canned Heat play “On The Road Again” and “Going Up The Country”?

    The band’s current set list pulls from their full catalog of three worldwide hits — “On The Road Again,” “Going Up The Country,” and “Let’s Work Together” — alongside material from their 2024 album Finyl Vinyl, which was their first studio release in fifteen years and earned multiple Top 10 Blues Albums of the Year placements. Specific setlist for the Everett date has not been published in advance.

    Will Big Brother and the Holding Company play the Janis Joplin–era songs?

    Yes. Per the band’s official bio, lead vocalist Darby Gould performs the Janis catalog including “Piece of My Heart,” “Summertime,” “Ball and Chain,” “Down On Me,” “Me and Bobby McGee,” and “Mercedes Benz.” The venue’s listing specifically names “Piece of My Heart,” “Summertime,” “Ball and Chain,” and “Bye Bye Baby” as part of the show.

    Is the Historic Everett Theatre accessible?

    The Historic Everett Theatre is a 1901-built opera house with 1924 reconstruction. For specific accessibility questions including ADA seating and accessible entrances, contact the venue directly via the box office number listed on theeveretttheatre.org.

    Are food and drinks available at the venue?

    Concession options at the Historic Everett Theatre vary by event. Check the venue’s FAQ at theatreconcertconsulting.com/frequently-asked-questions for current concession details.

    Bottom Line

    Two of the bands that defined the late-1960s American rock canon — both with original members on stage, both with current studio material to back the catalog — are co-headlining one night at a 1901 opera house in downtown Everett for $65 a ticket on Friday, May 29. This is the kind of show Everett used to drive to Seattle to see. On May 29, Seattle is going to be driving here.

    Get the tickets. Wear the fringe. Show up at 6.

  • Richard Marx’s After Hours Tour Lands at the Historic Everett Theatre May 8 — And This Friday Night Is Already Running Out of Seats

    Richard Marx’s After Hours Tour Lands at the Historic Everett Theatre May 8 — And This Friday Night Is Already Running Out of Seats

    Richard Marx — yes, that Richard Marx, the guy who held down the top of the Billboard Hot 100 in the late ’80s like it was his personal lease — is bringing his After Hours Tour into the Historic Everett Theatre on Friday, May 8, 2026 at 7:30 PM. One night. One of the most historically loaded rooms on Colby Avenue. And according to Bandsintown’s listing for the show, ticket availability is already down to a sliver.

    If you came up on “Right Here Waiting” on the car radio, if “Hold On to the Nights” was your slow-dance song, if “Endless Summer Nights” is permanently wired into your summer memory — this is the kind of show that only makes sense to skip if you truly hate joy. It is also, genuinely, one of the more unexpected bookings Everett has landed this spring.

    Here is everything worth knowing before you click buy.

    The Show at a Glance

    • **Who:** Richard Marx — five-time No. 1 Billboard hitmaker, After Hours Tour
    • **What:** Richard Marx live, supporting his January 2026 jazz-infused album After Hours
    • **When:** Friday, May 8, 2026 — 7:30 PM
    • **Where:** Historic Everett Theatre, 2911 Colby Avenue, Everett, WA 98201
    • **Tickets:** Official box office and links through everetttheater.org and theeveretttheatre.org; also listed on Bandsintown
    • **Availability:** Bandsintown’s listing for the Everett date showed very limited inventory remaining at time of publish

    If you have ever talked yourself out of a show because “we’ll grab tickets closer to the date” — do not do that here.

    Why This Booking Is a Big Deal for Everett

    Let’s zoom out for a second. The Historic Everett Theatre is not a 5,000-seat amphitheater. It is an intimate, roughly 800-seat room with 1901 opera-house bones — a building that’s been hosting touring artists since vaudeville was the dominant American art form. An artist with Richard Marx’s catalog — the kind of catalog that would sell out rooms five times the Everett Theatre’s size in bigger markets — playing a venue this small and this historic is the entire reason we keep telling people to watch this theater’s calendar.

    Between this booking, Canned Heat with Big Brother and the Holding Company on April 29, Trio Los Panchos on May 7, and Corduroy’s Pearl Jam tribute on May 9, the Historic Everett Theatre is quietly putting up one of the most stacked weekends in its modern concert history. Richard Marx on a Friday and a tribute to Pearl Jam the very next night in the same 1901 room — that’s not an accident of scheduling. That’s a room that’s been carefully programmed by people who know what they’re doing.

    About the After Hours Tour

    After Hours is Richard Marx’s jazz-infused studio album, released January 16, 2026. According to Marx’s interview with Billboard and his official tour site, the record was cut entirely live with a 24-piece ensemble — full takes, no studio patchwork, the way jazz records used to be made. The album’s lead-up singles included:

    • **”Big Band Boogie”** featuring saxophonist Kenny G
    • **”All I Ever Needed”** — a jazz-infused ballad featuring trumpeter Chris Botti
    • **”Magic Hour”** — co-written with Marx’s wife, Daisy Fuentes

    The tour officially kicked off April 16, 2026 and moves through Australia, the United States, the United Kingdom, and Canada through the year, including headline stops at Red Rocks and the London Palladium. Marx is also joining Rod Stewart for select dates on Stewart’s tour, and the two released a duet version of “Young at Heart” in 2026.

    The Everett Theatre show sits in a tight West Coast run. According to the official tour site, it is sandwiched between the Elsinore Theatre in Salem, Oregon (May 9) and the Holly Theatre in Medford, Oregon (May 10) — meaning Everett is the northernmost stop on that West Coast swing. This is the room and the date for the Puget Sound region. There is no closer option.

    What to Expect from the Setlist

    Tours built around a new jazz record still tend to honor the hits. On Richard Marx’s recent runs, the setlist has braided the new After Hours material with the songs everyone in the theater actually came to hear: “Right Here Waiting,” “Hold On to the Nights,” “Endless Summer Nights,” “Hazard,” “Satisfied,” “Should’ve Known Better,” “Now and Forever.”

    Here’s the career footnote worth appreciating while you’re there: according to his Wikipedia entry and Billboard’s own historical chart data, Richard Marx is the only male artist in history whose first seven singles all reached the top five of the Billboard Hot 100. That is an absurd statistic. That is a “you were extremely good at this” statistic. Sitting in a theater built in 1901 watching the guy who did that perform them live with a band — that’s the kind of thing you tell people about at work on Monday.

    Historic Everett Theatre: The Quick History

    If this is your first time inside the Historic Everett Theatre, here’s the context that makes the night hit harder:

    • **1901** — Opens as the Everett Opera House, hosting opera, vaudeville, and legitimate theater. Early-20th-century performers to grace the stage included Lillian Russell, Al Jolson, Eddie Foy and the Seven Little Foys, and George M. Cohan.
    • **1923** — A fire tears through the building, destroying the interior and collapsing part of the front wall.
    • **1924** — Rebuilt and reopened as the 1,200-seat New Everett Theater.
    • **2000–2004** — Restored to its current form. The room now operates as a classic movie screen, concert venue, and stage-production house, seating roughly 800.

    In other words: the same room that hosted Al Jolson in the 1910s is hosting Richard Marx on May 8. That lineage is not a marketing line. It is the physical building. That matters.

    Getting There + Logistics

    • **Address:** 2911 Colby Avenue, Everett, WA 98201
    • **Start time:** Doors typically open an hour before showtime; show at 7:30 PM
    • **Parking:** Colby Avenue street parking plus nearby downtown Everett garages — the Everpark Garage is one of the closest options for downtown events
    • **Box office / ticket links:** everetttheater.org and theeveretttheatre.org both route to the official ticketing. Show is also listed on Bandsintown for tracking
    • **Food and drink before the show:** Downtown Everett’s Hewitt Avenue is a four-minute walk. Tony V’s Garage, Lucky Dime, the restaurants along the Colby/Hewitt corridor — any of them will put you inside the theater well before the 7:30 curtain

    The Honest Verdict

    If you are the kind of person who already has tickets, you didn’t need this article. You’ve known for weeks.

    If you are the kind of person who wasn’t paying attention — this is your nudge. Five No. 1 Billboard hits. A brand-new jazz record cut live with a 24-piece ensemble. A 125-year-old theater that Al Jolson once played. Tickets already showing as limited availability. A Friday night in Everett.

    It is not complicated. Go.

    Frequently Asked Questions

    Q: What time does Richard Marx go on at the Historic Everett Theatre?

    A: The show is scheduled for Friday, May 8, 2026 at 7:30 PM. Doors typically open around an hour before showtime.

    Q: Where is the Historic Everett Theatre located?

    A: The Historic Everett Theatre is at 2911 Colby Avenue, Everett, WA 98201, in downtown Everett.

    Q: Are tickets still available for Richard Marx in Everett?

    A: At time of publication, Bandsintown’s listing for the Everett date showed very limited inventory remaining. Check everetttheater.org, theeveretttheatre.org, or Bandsintown for the current availability — this show may already be sold out by the time you read this.

    Q: What tour is this show part of?

    A: This is Richard Marx’s After Hours Tour, supporting his January 2026 jazz-infused album of the same name. The Everett date sits in a West Coast run between Salem, Oregon (May 9) and Medford, Oregon (May 10).

    Q: Will Richard Marx play his old hits or just new jazz material?

    A: Based on setlists from the tour, Marx is braiding material from the new After Hours album with his catalog of Billboard hits including “Right Here Waiting,” “Hold On to the Nights,” “Endless Summer Nights,” and “Hazard.”

    Q: How big is the Historic Everett Theatre?

    A: The current seating capacity is roughly 800 seats. That makes this show an unusually intimate setting for an artist of Richard Marx’s commercial stature.

    Q: Is the venue all-ages?

    A: The Historic Everett Theatre hosts all-ages concerts as a general rule. Verify at the box office if you’re bringing younger family members.

    Q: What’s the best place to eat before the show?

    A: Downtown Everett’s Hewitt Avenue corridor is a short walk. Tony V’s Garage, Lucky Dime, and the Colby/Hewitt dining cluster all work if you want to grab dinner and walk to the theater.