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Tag: Live Music Everett WA

  • Altered 2ks and Centuries Are Playing the 2000s Emo and Pop Punk Catalog at Tony V’s Garage on June 6 — Your Move

    Altered 2ks and Centuries Are Playing the 2000s Emo and Pop Punk Catalog at Tony V’s Garage on June 6 — Your Move



    Saturday night, June 6. Tony V’s Garage on Hewitt Avenue. Two bands. Four hours. The entire 2000s emo and pop punk catalog you burned onto a CD in middle school and still know word-for-word.

    Altered 2ks and Centuries are sharing the stage — and together they cover the decade that turned angst into arena anthems. My Chemical Romance. Fall Out Boy. Paramore. Taking Back Sunday. Hawthorne Heights. The Used. If you were a teenager when these songs dropped, you’ve been waiting for a night like this without knowing it.

    Who’s Playing and What to Expect

    Altered 2ks is the headline act — a tribute project built specifically around 2000s emo and pop punk. They don’t try to do everything from that era; they do the specific songs that mattered. The ones that opened the floodgates. They’ve played Tony V’s before and they know how to fill that room.

    Centuries opens the set. Same era, same energy, same devotion to getting the details right. This is a double bill with actual curatorial intent — both bands exist in the same sonic universe and the setlist arc from opener to closer is going to hit like a full playlist you built yourself at 15.

    Tony V’s Garage has been the right room for nights like this since it opened in Everett’s historic downtown. It’s not a theater. It’s not a club designed for distance between you and the stage. It’s a place where the band is close, the sound is loud, and the crowd knows every word. For a tribute show built around songs this emotionally loaded, the intimacy is the point.

    The Venue and What You Need to Know

    Tony V’s Garage sits at 1716 Hewitt Ave in Everett. The show starts at 8:00 PM on Saturday, June 6 and runs to 11:30 PM. Tickets are $23.18 on Eventbrite — sold by organizer AJ Verhey, who has been putting on shows at this venue consistently.

    This is a standing-room show. Capacity at Tony V’s is limited. If you want a spot close to the stage, you want to be there early. The venue does not hold tickets at will call for late arrivals in the way larger rooms do.

    Street parking is available on Hewitt and the surrounding blocks. Everett’s downtown is walkable from several parking structures if Hewitt fills up.

    Why This Night Works

    There’s a specific thing that happens when a well-prepared tribute band plays songs from a formative era in a small room. It’s different from seeing those songs on a stadium screen. You’re not nostalgic at a distance — you’re in the room with 200 people who all know the same lyrics, and the band is ten feet away playing them at full volume.

    Tony V’s has hosted Emo Prom at Tony V’s and built a track record of landing the right acts for Everett’s live music crowd. The Polkadot Cadaver show drew the same energy this room can hold — dedicated, loud, present. And if you’ve been watching what’s come through the April lineup at Tony V’s, you already know this venue doesn’t book filler.

    Altered 2ks and Centuries together on one bill on a Saturday night is not a casual decision. This is a deliberate, fully committed tribute event with a tight setlist focus. Show up for it.

    Tickets and the Short Version

    What: Altered 2ks + Centuries — 2000s emo and pop punk tribute night
    When: Saturday, June 6, 2026 — 8:00 PM to 11:30 PM
    Where: Tony V’s Garage, 1716 Hewitt Ave, Everett WA 98201
    Tickets: $23.18 on Eventbrite — limited capacity, buy before the weekend
    Ages: Check Eventbrite listing for age policy

    Get tickets on Eventbrite →

    FAQ

    When is Altered 2ks playing at Tony V’s Garage?

    Saturday, June 6, 2026 at 8:00 PM. Doors open before then — get there early.

    Where is Tony V’s Garage in Everett?

    1716 Hewitt Ave, Everett, WA 98201. Street parking on Hewitt and the surrounding blocks.

    How much are tickets for Altered 2ks at Tony V’s?

    $23.18 on Eventbrite. Limited capacity at Tony V’s — don’t wait on this one.

    What kind of music do Altered 2ks play?

    2000s emo and pop punk — My Chemical Romance, Fall Out Boy, Paramore, Taking Back Sunday, and the full early-2000s catalog you know by heart.

    Who is opening at the June 6 show?

    Centuries opens the night. They play the same era — this is a two-band throwback double bill.

  • Los Lobos & Los Lonely Boys Bring The Brotherhood Tour to Kings Hall on August 12 — One Pacific Northwest Stop, Two of America’s Most Important Mexican-American Rock Bands on One Stage

    Los Lobos & Los Lonely Boys Bring The Brotherhood Tour to Kings Hall on August 12 — One Pacific Northwest Stop, Two of America’s Most Important Mexican-American Rock Bands on One Stage

    Q: When are Los Lobos and Los Lonely Boys playing in Everett?
    A: Wednesday, August 12, 2026 at 7:00 PM at Kings Hall inside APEX Everett (1611 Everett Avenue). Tickets went on sale Friday, May 1 through Ticketmaster. The Brotherhood Tour pairs the East L.A. Grammy winners with the Garza brothers’ Texican rock trio for a single double-bill stop in the Pacific Northwest.

    If you only clear your calendar for one show this summer at Kings Hall, this is the one.

    Los Lobos and Los Lonely Boys are bringing The Brotherhood Tour to APEX Everett’s Kings Hall on Wednesday, August 12, 2026, doors typical for the room and the show running 7:00–10:00 PM. Two of the most important Mexican-American rock bands in the country, on one stage, in a downtown Everett ballroom that has spent the last eighteen months quietly turning into the best mid-size music room between Seattle and Vancouver. Tickets went on sale Friday, May 1 at 10 AM through Ticketmaster, and the floor is already moving.

    Curation verdict: GO. Clear the calendar. This is a once-in-a-tour bill that almost never passes through a room this size, and the room itself is a big part of why this matters.

    Why a double bill of Los Lobos and Los Lonely Boys actually matters

    You can list the hits and it still won’t capture it. Los Lobos are East L.A. lifers who started playing weddings and quinceañeras in the mid-1970s and ended up rewriting the rules for what a working American rock band could carry. They won the first Grammy in what was then called the “Mexican-American Performance” category, took “La Bamba” to number one in 1987, and have spent forty-plus years stitching rock, blues, Tex-Mex, son jarocho, and traditional Mexican folk into something that doesn’t actually sound like anyone else. David Hidalgo and Cesar Rosas trading guitar lines is one of the great underrated sounds in American music.

    Los Lonely Boys are the Garza brothers — Henry, Jojo, and Ringo — out of San Angelo, Texas, who broke nationally in 2004 with “Heaven” and a Grammy for Best Pop Performance by a Duo or Group. They call what they do “Texican rock ‘n’ roll,” which is shorthand for guitar-forward blues with three-part harmony brothers can only get from sharing a kitchen table for thirty years. Henry’s tone is famously the closest thing to Stevie Ray Vaughan that the modern blues circuit produces, and his brothers’ bass and drums lock in like a single pulse.

    Pairing them is the obvious move and somehow nobody had done it. The Brotherhood Tour started rolling in 2025 and has been one of the year’s harder tickets in markets that have seen it. Kings Hall in Everett is one of a small handful of West Coast stops on the run, and the Pacific Northwest gets exactly one shot.

    Why Kings Hall is the right room for this show

    This is the part that gets undersold. Kings Hall is the upstairs ballroom inside the APEX Art & Culture Center at 1611 Everett Avenue — a 1909 Beaux-Arts Masonic temple that APEX has spent the last two years rehabbing into one of the more thoughtful mid-size venues in the region. Soaring proscenium, hardwood floor, balcony seating, and sightlines that work from anywhere in the room. It’s not a barn. It’s not a club. It’s the size of room where a band like Los Lobos can stretch out on “Don’t Worry Baby” or a half-time son jarocho jam without losing the audience to bar noise.

    The smaller-room upside is real. Los Lobos plays sheds and theaters all summer. Los Lonely Boys plays casinos and amphitheaters across the South. They both play arena seats opening for bigger acts. Kings Hall is meaningfully more intimate than any of those, and the room reads warm — wood, plaster, none of the cinderblock-bounce that wrecks so many converted-warehouse venues. If you have ever wanted to hear “Will the Wolf Survive” without 9,000 people in front of you, this is the night.

    Practical details for August 12

    • What: Los Lobos & Los Lonely Boys — The Brotherhood Tour
    • When: Wednesday, August 12, 2026 — 7:00 PM start, scheduled to 10:00 PM
    • Where: Kings Hall at APEX Everett, 1611 Everett Avenue, Everett, WA 98201
    • Tickets: Ticketmaster (on sale since May 1, 2026); also listed via Live Nation and SeatGeek
    • Age: All ages with a paying adult; the venue serves 21+ at the bars
    • Parking: Hewitt Avenue meters are free after 6 PM; the Wall Street garage at 2820 Wall Street is the easiest walk-in

    Where this slots into a great Everett summer of live music

    The Brotherhood Tour is one stop on what is shaping up to be the strongest concert summer downtown Everett has had in a decade. Kings Hall alone has The Crystal Method and Rabbit in the Moon on June 13, Petty Thief and Pretenders UK on June 27, and now Los Lobos / Los Lonely Boys on August 12. Around the corner at the Historic Everett Theatre, Grupo Niche is bringing a Latin Grammy–winning salsa orchestra to an 1901 opera house on May 31, and Geoff Tate is closing the book on Operation: Mindcrime on May 23. Tony V’s Garage is stacking weekend bills on Hewitt that consistently outperform their billing.

    You can argue with the calendar but you can’t argue with the math. For roughly the price of one Climate Pledge Arena ticket, an Everett summer of music gets you four headline shows and a couple of weeknight surprises in a venue you can walk to from a downtown brewpub. The Brotherhood Tour is the best individual bill of any of them.

    What to expect from the live show

    Both bands have framed this as a true co-bill, not an opener-and-headliner split. The pattern from earlier 2025 stops is each band doing roughly seventy minutes, then closing the night with a joint encore that has paired “La Bamba” and “Heaven” back-to-back, with all six players on stage. If you are coming for the catalog, you’ll get it: Los Lobos has been pulling deep cuts from Kiko and How Will the Wolf Survive? alongside the Ritchie Valens material, and Los Lonely Boys have rotated “Crazy Dream,” “More Than Love,” and “I’m a Stranger” into their core run.

    What you should not expect is a strict Latin-music night. Both bands draw from blues, classic rock, country, and gospel as much as anything Mexican-American specific. Los Lobos in particular is a roots-rock band that happens to also be one of the most important Mexican-American bands in history; the Tex-Mex framing under-sells what they do live. Bring earplugs if you want — the room can get loud — and bring the friend who still talks about that one time they saw Stevie Ray.

    Why this kind of booking matters for Everett

    Two summers ago, this show would not have stopped in Everett. It would have played the Moore in Seattle or skipped the Pacific Northwest entirely on its way to Portland. The fact that APEX has steadily landed Crystal Method, Canned Heat, Big Brother and the Holding Company, Petty Thief, and now The Brotherhood Tour in 2026 says something about how fast Kings Hall has become a real touring stop. Promoters route to rooms that fill seats and treat the artists right. Kings Hall has now done both, repeatedly, and it shows.

    For locals, that translates to fewer trips to Seattle. For visitors, it means a credible Wednesday-night reason to be in downtown Everett in August — three blocks from the Historic Everett Theatre, six blocks from Tony V’s, and a five-minute walk from the Schack Art Center, the Funko HQ store, and a stretch of Hewitt Avenue that increasingly looks like a real downtown again.

    August 12. Kings Hall. Two great American bands on one stage. Don’t miss it.

    Frequently Asked Questions

    How much do tickets cost for The Brotherhood Tour at Kings Hall?

    Pricing was set by APEX and Live Nation when tickets went on sale May 1, 2026. Across the run, Brotherhood Tour tickets have generally listed from the mid-$30s for general floor and rise into the $80s for premium reserved seating, with VIP tiers higher. Check Ticketmaster for the current Kings Hall price and any remaining premium reserves.

    Is Kings Hall a seated or standing venue?

    Kings Hall is a flexible-floor ballroom — for The Brotherhood Tour, expect a mix of reserved table seating, balcony seating, and a general-floor area near the stage. Configuration varies by show; the Ticketmaster seat map for August 12 reflects the final layout.

    Where is Kings Hall in Everett?

    Kings Hall is the upstairs ballroom inside the APEX Art & Culture Center at 1611 Everett Avenue, Everett, WA 98201, between Wetmore and Rockefeller in downtown Everett. The building dates to 1909 and was originally a Masonic temple.

    What’s the parking situation?

    Hewitt and Everett Avenue street meters are free after 6 PM. The Wall Street parking garage at 2820 Wall Street is the closest covered option (about a two-block walk). The lot at Wetmore and Pacific is the next best alternative.

    Will there be food and drink at the show?

    Yes. APEX runs El Sid, the on-site bar and lounge, plus 16Eleven downstairs for a sit-down dinner before the show. Reserve early — a Kings Hall headliner night fills 16Eleven by 6 PM.

    Is the venue accessible?

    Yes. APEX has an elevator to the Kings Hall floor and accessible seating sections. Note accessibility needs at the time of ticket purchase or call APEX directly to confirm placement.

    What other shows are coming up at Kings Hall?

    The Crystal Method and Rabbit in the Moon play June 13. Petty Thief: A Tribute to Tom Petty and Pretenders UK share the bill on June 27. The full APEX calendar is at apexeverett.com/events.

  • Geoff Tate Is Bringing Operation: Mindcrime — The Final Chapter to the Historic Everett Theatre on May 23 — The Last Time the 1988 Album Will Be Performed in Full

    Geoff Tate Is Bringing Operation: Mindcrime — The Final Chapter to the Historic Everett Theatre on May 23 — The Last Time the 1988 Album Will Be Performed in Full

    Geoff Tate Is Bringing Operation: Mindcrime — The Final Chapter to the Historic Everett Theatre on May 23 — The Last Time the 1988 Album Will Be Performed in Full

    Where can I see Geoff Tate perform Operation: Mindcrime in 2026? Geoff Tate brings the Operation: Mindcrime — The Final Chapter tour to the Historic Downtown Everett Theatre at 2911 Colby Avenue on Saturday, May 23, 2026. Doors open at 7:30 PM and the show starts at 8 PM. It is the only Pacific Northwest stop on the U.S. spring leg and the last time Tate will perform the full 1988 album live in the region. Tickets are sold through Eventbrite via the Historic Everett Theatre.

    Verdict: GO. A rare cluster of three yeses lines up here — a once-in-a-career performance window (the album is being retired from the live set after this tour), the right-sized 800-seat theater for a focused legacy act, and Eventbrite pricing well below the secondary-market resale benchmarks for the earlier 2026 dates. If you cared about Queensrÿche the first time, this is the one to clear the calendar for.

    The 1988 album that defined progressive metal is going away

    For thirty-eight years, Operation: Mindcrime has been the album people pull off the shelf when they want to argue that progressive metal could carry a full novel inside one record. Released in May 1988 by Queensrÿche, it told the story of Nikki — a heroin-addicted assassin programmed by a shadowy figure called Dr. X — across fifteen interlocking tracks built on Chris DeGarmo’s guitar architecture and Geoff Tate’s four-octave command. It is Queensrÿche’s only platinum studio record, the reason the band headlined arenas in 1990–91, and the album the original lineup captured live on the legendary Operation: LIVEcrime document.

    After this 2026 U.S. spring leg of Operation: Mindcrime — The Final Chapter, Geoff Tate will not perform it in full again.

    The Saturday, May 23 stop at the Historic Downtown Everett Theatre is the only Pacific Northwest date on the spring run. Doors open at 7:30 PM. The show runs 8 PM to 11 PM per the Eventbrite listing the venue links to from its official events page. Tate performs the original Mindcrime front-to-back with an enhanced production that adds strings and a laser show to the staging, then returns for an encore drawing on additional Queensrÿche-era material and selections from the brand-new Operation: Mindcrime III, which dropped on May 3, 2026.

    Why this is the show, and why this is the room

    Geoff Tate is sixty-six. He has been touring this album cycle in some configuration for nearly four decades — first with Queensrÿche, then under his own name after the 2012 split that ended his run as the band’s frontman. Blabbermouth and BraveWords both reported, when the U.S. leg was announced, that the spring 2026 dates would close out the “Final Chapter” framing. The last performances Tate will give of the full Mindcrime sequence happen on this run. Then the album, as a live entity, retires.

    The Historic Everett Theatre is the right room for it. Built in 1901, the venue seats roughly 800 — proscenium-arch sightlines and acoustic warmth that fit a guitar-and-keys progressive metal performance far better than an arena ever did. The original LIVEcrime recording was captured at Hammersmith Odeon, a 3,600-seat London theater; the Everett room is smaller, denser, more intimate, and that is the point. Tate’s spring routing has deliberately favored 800–2,000 seat theaters — Taft Theatre in Cincinnati, Rose Music Center in Huber Heights, Pabst Theater in Milwaukee. Everett fits that pattern exactly.

    It also lands in a remarkable spring at the 1901 building. The Historic Everett Theatre has been carrying a near-weekly slate — comedy from Dana Gould on May 16, the original Woodstock-era double bill of Canned Heat and Big Brother and the Holding Company on May 29, and the Latin Grammy–winning Grupo Niche on May 31. Geoff Tate slots in as the heaviest rock show of the month and the only progressive metal date the venue has booked all spring.

    What the new album means for the Everett setlist

    Operation: Mindcrime III arrived three weeks before the Everett show and changes how the encore should be read. Tate has been clear in interviews that III is structured as a parallel companion to the original — the same timeline told from the perspective of Dr. X, the puppet master who programs Nikki in the first record. Producer John Moyer (Disturbed bassist; long-time Tate collaborator since 2015) built the album heavier and more aggressive than I or II, with denser riffing and a modern metal sound Tate himself has called “super heavy.” Maximum Volume Music called it “an admirable attempt to give the trilogy a proper end.” MyGlobalMind framed it as the conclusion of “a metal masterpiece.”

    The encore, in other words, is no longer a victory lap of Queensrÿche radio singles. It is a contemporary statement about the same characters from a new vantage point, with strings and lasers built to support the heavier delivery.

    Tickets, VIPs, and the value question

    General admission and reserved seating are on Eventbrite through the Historic Everett Theatre’s official listing — the canonical ticket path, ahead of any third-party reseller. A separate VIP Meet and Greet package is sold directly through GeoffTate.com and includes a pre-show meet, a posed photo with Tate and the band, an autograph session, and early entry. Standard tickets are positioned at face value, before resale margins start chasing the earlier Pabst, Taft, and Rose Music Center dates upward — fair-market pricing for a once-in-a-career performance window in an 800-seat room.

    What to know before you go

    The Historic Downtown Everett Theatre sits at 2911 Colby Avenue, between Hewitt and Wall in the heart of downtown Everett. Street parking on Colby and Wetmore is metered through 6 PM, then free; the Everpark Garage at 2925 Wetmore is a block north. Pre-show dinner options cluster within a three-block walk on Hewitt and Colby. The 1901 venue is fully ADA-accessible from the main Colby entrance, with the box office at the corner of Colby and Wall.

    If you are tracking the broader legacy-act calendar in town, the Apex’s Kings Hall closes June with Petty Thief and Pretenders UK on June 27. The two rooms together are giving Everett a two-month run of bookings the city has not had in this density in years.

    The bottom line

    If Operation: Mindcrime shaped how you think about what a metal album can do, this is the one to clear the calendar for. The Final Chapter is the last living performance of the full 1988 sequence by the voice that originally sang it. The Historic Everett Theatre is the right-sized room. The album that closes the trilogy just hit the streets. Saturday, May 23, 2026. Doors at 7:30 PM. Show at 8 PM. 2911 Colby Avenue. Verdict: GO.

    Frequently Asked Questions

    Who is Geoff Tate?

    Geoff Tate is the original lead vocalist of progressive metal band Queensrÿche, best known for the platinum-selling 1988 concept album Operation: Mindcrime and hits including “Silent Lucidity,” “Empire,” and “Eyes of a Stranger.” He fronted Queensrÿche from 1982 until 2012 and has performed as a solo artist since.

    What is the Operation: Mindcrime – The Final Chapter tour?

    It is Geoff Tate’s farewell touring cycle for the original 1988 Operation: Mindcrime album. On The Final Chapter tour Tate performs Mindcrime in full one last time, with an enhanced production featuring strings and a laser show. The U.S. spring leg in 2026 is the last time the full album will be performed live.

    When and where is the Everett show?

    Saturday, May 23, 2026, at the Historic Downtown Everett Theatre, 2911 Colby Avenue, Everett, WA 98201. Doors open at 7:30 PM with the show at 8 PM.

    How do I buy tickets?

    General admission and reserved seating tickets are sold through Eventbrite via the Historic Everett Theatre’s official event listing. A separate VIP Meet and Greet package is sold through GeoffTate.com and includes a pre-show meet, photo, and autograph session with Geoff Tate and the band.

    What songs will Geoff Tate play in Everett?

    The set centers on the full 1988 Operation: Mindcrime album performed front-to-back, with Queensrÿche-era hits and selections from the new Operation: Mindcrime III, released May 3, 2026, expected in the encore segment.

    How long is the show?

    Eventbrite lists the run time at three hours from 8 PM to 11 PM, including the album performance, additional Queensrÿche material, and an encore.

    Is the Historic Everett Theatre the right size for this show?

    Yes. The 1901 venue seats roughly 800 in its main hall — exactly the right room for a legacy progressive metal act on a focused theater tour. The Final Chapter run is deliberately routed to mid-size theaters rather than arenas.

    Where should I park and eat before the show?

    Street parking and the Everpark Garage at 2925 Wetmore Avenue are within a block of the theater. Pre-show dinner options on Hewitt Avenue and Colby Avenue cluster within a three-block walk.



  • Petty Thief and Pretenders UK Hit Kings Hall on June 27 — A Double-Bill That Gets Classic Rock Right

    Petty Thief and Pretenders UK Hit Kings Hall on June 27 — A Double-Bill That Gets Classic Rock Right

    What is playing at APEX Everett on June 27, 2026?
    Petty Thief, Seattle’s tribute to Tom Petty and the Heartbreakers, headlines Kings Hall at APEX on Saturday June 27, 2026. Opening the night is Pretenders UK, a Seattle-based four-piece recreating the early 1980s Pretenders. Show time is 8:00 PM. Tickets from $41 via Ticketmaster (event 0F00647F843C4809). Kings Hall is located at 1611 Everett Ave, Everett, WA 98201.

    Verdict: GO. Petty Thief is the most authentic Tom Petty tribute in the Pacific Northwest — nineteen years running, a current lineup that has been working together since 2017, and a philosophy that treats the catalog as worth getting right. Pretenders UK brings the early Chrissie Hynde era specifically, which is where the Pretenders’ best work lives. Together on the Kings Hall stage for one Saturday night, this is the kind of double-bill where the opening act is not a throwaway.

    Three conditions met for GO: the lineup does not exist anywhere else in this market window, Kings Hall is the right room for this material, and tickets from $41 for two bands is fair-market or below.

    Everett’s newest dedicated concert stage has spent its first year building a habit of landing acts that could be playing larger rooms in Seattle but show up here instead. The Crystal Method and Rabbit in the Moon in June. All City Fight Night in May. Petty Thief and Pretenders UK on June 27 continues that calendar. The value of a room like Kings Hall is that it does not require an act to be an arena act. The material Tom Petty recorded was designed to be played live in a room where you can hear every guitar part, where the room fills with the sound of the band, and where the person next to you is as locked in as you are. That is what you get here.

    Petty Thief: Nineteen Years of Not Being a Novelty Act

    Tom Petty died on October 2, 2017. He was 66. He left behind 40 years of recordings with the Heartbreakers that defined what American rock looked like when it was running correctly — inducted into the Rock and Roll Hall of Fame in 2002, five number-one albums, and a catalog that still sounds like it was written yesterday when played in a room where the speakers are pointed at you.

    Petty Thief did not form in response to that loss. Andy Volmer started the band in 2007 as a Halloween spoof — he and some friends dressed as Tom Petty & the Heartbreakers and called themselves “Refugees” for one party. That was supposed to be the end of it.

    It wasn’t. By 2026, Petty Thief is in its nineteenth year, and the current lineup — Volmer, Steve Crabtree, Mark Mosholder, John Paredes, and Rick Bourgoin — has been performing together since the fall of 2017. The five of them locked in right after Petty’s death and set a standard for themselves that Volmer has described explicitly: “We wanted to approach the tribute genre as a true live rock and roll band, not a novelty act.”

    That matters because the Tom Petty tribute circuit has a lot of novelty acts. Costume shows. Medley bands. Revues built around three songs everyone knows and a lot of filler. Petty Thief plays the full catalog — “American Girl,” “Free Fallin’,” “I Won’t Back Down,” “The Waiting,” “Breakdown,” “Runnin’ Down a Dream,” “Learning to Fly” — and treats the material the way Petty would have wanted it treated: as rock songs, not museum exhibits.

    The current lineup is the most stable the band has ever been. When five musicians have been playing the same catalog together for almost a decade, what you hear is not a band approximating the sound — it’s a band that has internalised it. There is a difference, and you can hear it live.

    Pretenders UK: The Opening Act That Is Also a Reason to Show Up Early

    Pretenders UK opens the bill. They are a Seattle-based four-piece, and their specific commitment is to the early 1980s Pretenders — the Chrissie Hynde era that produced the records most people associate with the band’s peak.

    That era produced “Brass in Pocket” in 1979. “Talk of the Town” in 1981. “Back on the Chain Gang” in 1982. “Middle of the Road” in 1984. It is the decade when the Pretenders were defining what new wave sounded like when it had real guitar work behind it — harder than the synth acts of the period, more melodic than punk, built around Hynde’s rhythm guitar and voice in a way that no one else in that window matched.

    Pretenders UK focuses on that era specifically. That is a curatorial choice, and it’s the right one. The original Pretenders went through significant lineup changes across the decade — the early 1980s period is musically coherent in a way the later catalog is not. A tribute band that picks an era and commits to it is a different proposition than one trying to cover everything. Show up before 8:00 PM. Pretenders UK is not a warm-up.

    Why This Double-Bill Works

    Tom Petty and Chrissie Hynde were not the same kind of artist, and that is the reason this bill lands well. Petty was American heartland rock — guitars, road imagery, working-class romanticism delivered with a Gainesville, Florida drawl that managed to sound both regional and universal. The Pretenders were a British-American hybrid, new wave by genre classification but louder and more guitar-forward than that label implies, anchored by a frontwoman who wrote differently than her contemporaries.

    The two catalogs share a refusal to be precious. Petty’s music worked at stadium scale and on a car radio simultaneously. The Pretenders played arenas and sounded like they had something to prove every night. Both bands earned their place in the Rock and Roll Hall of Fame by making records that did not age out.

    A double-bill built around this pair of catalogs has internal logic. If you are the kind of person who stayed through the Heartbreakers set at any festival you attended in the last three decades, you are also the kind of person who already knows every word to “Brass in Pocket.” One night. One room. Same ticket. And if you need one more reason: Everett has proven this summer that it can host legacy classic rock acts done right — Canned Heat and Big Brother showed that in May.

    The Logistics

    Where: Kings Hall at APEX Art and Culture Center, 1611 Everett Ave, Everett, WA 98201.
    When: Saturday June 27, 2026. Show time 8:00 PM.
    Tickets: From $41 at Ticketmaster (event 0F00647F843C4809). Also available via SeatGeek. Purchase in advance — tribute shows at Kings Hall have sold ahead of date.

    Frequently Asked Questions

    What time does Petty Thief start at Kings Hall APEX Everett?

    Show time is 8:00 PM on Saturday June 27, 2026. Pretenders UK opens the night before Petty Thief headlines. Kings Hall at APEX Art and Culture Center is at 1611 Everett Ave, Everett, WA 98201. Tickets from $41 via Ticketmaster event 0F00647F843C4809.

    Who is opening for Petty Thief at APEX Everett on June 27?

    Pretenders UK opens the show — a Seattle-based four-piece dedicated to the early 1980s Pretenders catalog, including “Brass in Pocket,” “Back on the Chain Gang,” “Talk of the Town,” and “Middle of the Road.” This is not a warm-up act; they are the second reason to buy a ticket.

    Who is Petty Thief and are they from Seattle?

    Petty Thief is Seattle’s tribute to Tom Petty and the Heartbreakers. Founded in 2007 by Andy Volmer, the current five-piece lineup has been together since 2017. Volmer describes their approach as “a true live rock and roll band, not a novelty act.” They are the Pacific Northwest’s longest-running Tom Petty tribute.

    How much are tickets for Petty Thief at APEX Everett?

    Tickets start from $41 via Ticketmaster (event 0F00647F843C4809) and SeatGeek. For a two-band tribute night in a mid-size room, that is competitive pricing — single-act cover shows at seated venues in the greater Seattle area typically run $60–$90.

    What songs will Petty Thief play at APEX Everett?

    Petty Thief plays the full Heartbreakers catalog — expect “American Girl,” “Free Fallin’,” “I Won’t Back Down,” “The Waiting,” “Breakdown,” “Runnin’ Down a Dream,” “Learning to Fly,” and more. They play the hits and the catalog, not a three-song medley.

  • Grupo Niche Is Coming to the Historic Everett Theatre on May 31 — A Latin Grammy-Winning Salsa Orchestra in an 1901 Opera House

    Grupo Niche Is Coming to the Historic Everett Theatre on May 31 — A Latin Grammy-Winning Salsa Orchestra in an 1901 Opera House

    Is Grupo Niche playing in Everett, WA in 2026?
    Yes. Grupo Niche — the Latin Grammy-winning Colombian salsa orchestra founded in Cali in 1978 — performs at the Historic Everett Theatre (2911 Colby Ave, Everett WA) on Sunday, May 31, 2026 at 7:00 PM. Tickets are available through events.theatreconcertconsulting.com and secondary markets.

    Verdict: GO. Unique-to-market touring act. Right-size room for a brass-forward Latin orchestra. The Historic Everett Theatre’s most ambitious Latin booking since reopening under new ownership. If you have any connection to salsa music, clear Sunday, May 31.

    The Setup

    A Sunday night in a 125-year-old opera house. A Colombian salsa orchestra with 47 years of catalog and a Latin Grammy on the shelf. Eight hundred seats on Colby Avenue.

    That is what May 31 looks like at the Historic Everett Theatre.

    Grupo Niche — not a tribute act, not a cover band, but the actual Cali orchestra founded in 1978 by Jairo Varela — is coming to Everett. If you have any connection to Latin music, to salsa, to the specific joy of hearing a full brass section tear through “Cali Pachanguero” in a room this intimate, this is the show. It is not a show you will find again at this scale in the Pacific Northwest any time soon.

    Who Grupo Niche Is

    Grupo Niche was born in Cali, Colombia in 1978. Jairo Varela and Alexis Lozano built the orchestra with the conviction that Colombian salsa deserved to stand beside — and ahead of — the New York and Puerto Rican traditions that dominated the genre at the time.

    Their 1984 album No Hay Quinto Malo contained a single called “Cali Pachanguero,” a tribute to the city’s carnival spirit. It became one of the defining songs of the salsa genre. It still plays at every Grupo Niche concert, and when it does, rooms of 800 people tend to become one organism.

    The catalog extends well beyond that song. “Cali Ají,” “Sin Sentimiento,” “Una Aventura,” “Buenaventura y Caney,” “Debiera Olvidarla” — these are songs that defined Latin dancefloors across the Americas, Spain, and wherever the Colombian diaspora settled. In 1986, Grupo Niche became the first Colombian orchestra to perform at Madison Square Garden, part of the World Salsa Festival. In 1989, they played to one million fans at Lima’s Campo de Marte park in Peru.

    Maestro Jairo Varela died on August 8, 2012. The group continued under the direction of longtime members, and in 2020 won the Latin Grammy Award for Best Salsa Album with 40, a fortieth-anniversary record. The group is still recording, still winning hardware, and still performing at the level that earned those credentials. Forty-seven years in, this is not a nostalgia act — it is a working orchestra with an active catalog and a live show that has filled venues across two continents this decade.

    None of that usually arrives at a venue that seats 800 people in Snohomish County. May 31 is the exception.

    Why the Room Is Right

    The Historic Everett Theatre opened in 1901 as the Everett Opera House. The building survived a 1923 fire, was rebuilt in 1924, and operated for decades as one of the Pacific Northwest’s working music venues. By 2025, Bellevue real estate investor Johnny Phan had purchased it for $1.5 million and put hundreds of thousands more into renovations before reopening in September 2025 — the latest chapter for a room that has hosted everything from vaudeville performers to grunge-era tribute acts.

    For salsa, the room size is an asset. Salsa at 800 seats means the brass section hits differently than it does at a 5,000-seat amphitheater. You can hear the rhythm section individually. The coro — the call-and-response vocal hook that defines salsa’s live energy — echoes in a room this size instead of evaporating into a sound system the size of a building.

    If you have seen Grupo Niche in a large theater or arena context, the Historic Everett Theatre is a different kind of show. If you have never seen them live, this room is an argument for starting here rather than waiting for a bigger venue.

    What to Expect at the Show

    A typical Grupo Niche concert runs 90 minutes to two hours. The set draws from a catalog spanning four decades, and the group sequences it to build toward the signature moments. Recent setlists have included “Un Alto en el Camino,” “Buenaventura y Caney,” “Sin Sentimiento,” and “Cali Ají” alongside material from the 2020 Latin Grammy-winning 40 album. “Cali Pachanguero” is always in the set, and it always closes a chapter of the show at high volume.

    The touring lineup includes featured vocalists, a full horn section, piano, bass, percussion, and a coro that fills whatever space it occupies. There will be dancing. If you know how to salsa, you will find floor space near the stage. If you do not, watching the people who do from 20 feet away is its own kind of entertainment.

    Dress for dancing if you plan on it. The venue does not have a dress code, but you will not be the first person there in something worth moving in.

    The Full Last Weekend of May

    If you are building a cultural calendar around this show, the timing works unusually well. Three days of the same weekend offer three different reasons to be downtown.

    On Friday, May 29, Canned Heat and Big Brother and the Holding Company play the same stage — two bands that performed at the original Woodstock on one Historic Everett Theatre bill. The request is that you wear something that looks like it came out of 1969. This is a co-headliner at $65 general admission, and it is one of the stronger live-music bookings in Everett in years.

    On Saturday, May 30, the Schack Art Center’s Artists’ Garage Sale runs 9 AM to 3 PM on Hoyt Avenue — 140+ artists, work priced for actual purchase, free to browse. That same Saturday evening, EMO Prom lands at Tony V’s Garage on Hewitt — a tribute night for the era’s music, with the room dressed accordingly.

    Grupo Niche closes the weekend on Sunday. Three consecutive days, three completely different rooms, three different reasons to stay in Everett instead of driving to Seattle.

    Show Details

    • Artist: Grupo Niche
    • Date: Sunday, May 31, 2026
    • Show time: 7:00 PM
    • Venue: Historic Everett Theatre, 2911 Colby Ave, Everett WA 98201
    • Capacity: ~800
    • Tickets: events.theatreconcertconsulting.com (official); also available on SeatGeek, Vivid Seats, and Bandsintown
    • Parking: Street parking on Colby Ave; Everpark Garage (2919 Oakes Ave) nearby

    Frequently Asked Questions

    What time does Grupo Niche play at the Historic Everett Theatre?

    The show starts at 7:00 PM on Sunday, May 31, 2026. The Historic Everett Theatre is located at 2911 Colby Ave, Everett WA 98201. Arrive by 6:30 PM to find parking and get settled before the show.

    Where can I buy Grupo Niche tickets for the Everett show?

    Tickets are available through the Historic Everett Theatre’s official ticketing platform at events.theatreconcertconsulting.com, and through secondary markets including SeatGeek, Vivid Seats, and Bandsintown.

    What songs does Grupo Niche play in concert?

    Grupo Niche setlists draw from 47 years of catalog. Expect “Cali Pachanguero,” “Cali Ají,” “Sin Sentimiento,” “Buenaventura y Caney,” “Un Alto en el Camino,” and material from the 2020 Latin Grammy-winning album 40. “Cali Pachanguero” is performed at every concert without exception.

    How big is the Historic Everett Theatre?

    The Historic Everett Theatre holds approximately 800 people. It opened in 1901 as the Everett Opera House, survived a 1923 fire, and was renovated and reopened under new ownership in September 2025. For salsa, the room size is an advantage — you can hear the full orchestra clearly from anywhere in the hall.

    Who is Grupo Niche?

    Grupo Niche is a Colombian salsa orchestra founded in 1978 in Cali, Colombia by Jairo Varela and Alexis Lozano. They won the Latin Grammy for Best Salsa Album in 2020. They were the first Colombian orchestra to perform at Madison Square Garden (1986) and played before one million fans in Lima, Peru in 1989. Critics and audiences across Latin America consistently cite them as the continent’s most successful salsa orchestra of the past forty years.

    Is the Grupo Niche Everett show all ages?

    Age policy details should be confirmed at point of ticket purchase through the official ticketing page. Most Historic Everett Theatre shows are all ages unless otherwise noted. Check events.theatreconcertconsulting.com for the current listing.

  • All City Fight Night: Worlds Collide Lands at Kings Hall on May 16 — A Six-Hour Amateur Kickboxing Card on Everett’s Best New Stage

    All City Fight Night: Worlds Collide Lands at Kings Hall on May 16 — A Six-Hour Amateur Kickboxing Card on Everett’s Best New Stage

    Q: What is All City Fight Night: Worlds Collide and when is it at APEX Everett?
    A: All City Fight Night: Worlds Collide is an amateur kickboxing card on Saturday, May 16, 2026 at Kings Hall inside APEX Everett (1611 Everett Avenue, third floor). Doors are at 5 PM and the event runs until 11 PM. VIP tickets are on sale through Ticketmaster; general admission is set to drop later. The card features fighters from across the Pacific Northwest and is open to all ages with the venue’s standard event policies.

    Verdict: GO. Three reasons, named: (1) amateur kickboxing on this scale is genuinely scarce in the I-5 corridor north of Seattle, and the matchups are billed as fighters traveling in from across the Pacific Northwest “and beyond,” (2) Kings Hall is the right room for a fight night — it is the largest room at APEX Everett, with sight lines built for stage-forward shows and capacity that sits in the meaningful middle between a club and an arena, and (3) the format is six hours of action from doors to last bell, which is the kind of value that does not happen at a music show in this city.

    The Friday-and-Saturday-night culture in downtown Everett right now is mostly tribute bands and touring rock acts at the Historic Everett Theatre and Tony V’s Garage. May 16 breaks that pattern. If you have ever wanted to watch live combat sports without driving to Tacoma or down to Tukwila, this is the date you put on the calendar.

    What’s Actually on the Card

    The official All City Fight Night listing through APEX Everett describes “Worlds Collide” as an evening of amateur kickboxing with fighters drawn from across the Pacific Northwest and beyond. The promoter pitches every bout as action-packed and skill-forward — language that the APEX events page reproduces verbatim from the All City Fight Night camp.

    A few specifics worth holding onto. Doors open at 5 PM. The event is scheduled to run six hours, ending at 11 PM. The venue is Kings Hall, which is the third-floor performance space inside APEX Everett at 1611 Everett Avenue. VIP tickets are already on sale through Ticketmaster — the event listing carries Ticketmaster’s “GA tickets drop soon” call-out at the time of publication, which means general admission has not yet been released to the public. Watch the Ticketmaster page if you want a non-VIP seat.

    The promoter — All City Fight Night, based in Everett — runs amateur kickboxing cards on a recurring basis under the same brand. Their .com lists the May 16 Kings Hall date among their upcoming events and routes ticketing directly to the same Ticketmaster URL APEX uses on its venue page. Two independent sources, same date, same venue, same ticket URL: the show is real.

    Why Kings Hall Is the Right Room for This

    Kings Hall is the largest performance room inside APEX Everett, a multi-floor downtown entertainment complex that the operators have built out specifically around live programming. It sits on the third floor of the building. Four other rooms operate inside APEX — El Sid, the Box Office Bar, Penny Lane, and the rooftop — but Kings Hall is where the touring acts land. The Crystal Method and Rabbit in the Moon are playing the same room on June 13. Antwane Tyler and Fretland played it on May 2.

    A kickboxing card needs a room with a center-stage focal point and clear sight lines from every level. Kings Hall delivers that. The capacity sits in the right zone for a regional amateur card — large enough to feel like a real event, small enough that no seat in the building is bad. That matters for combat sports because fight nights die in cavernous arenas where the crowd cannot see the canvas.

    The age policy for a typical Kings Hall touring show is 18-plus or 21-plus depending on the act. The All City Fight Night listing on the APEX events page does not explicitly call out an age restriction in the visible event metadata, so confirm at the door or via the Ticketmaster purchase flow before you bring anyone under 21.

    What “Amateur Kickboxing” Actually Means

    If you have not been to a live fight card before, here is the short version. Amateur kickboxing in the United States operates under sanctioning bodies that enforce weight classes, headgear and shin-pad requirements, three-round bout formats, and strict referee oversight. The fighters are not professionals — they do not get paid purses — but the talent at this level can be extraordinary. Many of the fighters on a card like this one are training out of legitimate gyms in the region and chasing either pro debuts or amateur national titles.

    Pacific Northwest amateur kickboxing has a deeper bench than most casual fans realize. Seattle, Tacoma, Spokane, Portland, and the smaller Snohomish County gyms feed cards like this one. The “and beyond” language in the promoter’s pitch suggests fighters traveling in from outside the immediate region as well — possibly British Columbia, Oregon, or Northern California, depending on the matchmaking.

    Six hours of fight cards typically means somewhere in the range of 10 to 14 bouts, with breaks between fights. Plan accordingly. Eat before you arrive. The Box Office Bar and El Sid downstairs in the APEX complex are options for between-fight food and drink without leaving the building.

    How to Get In and Where to Park

    APEX Everett sits at 1611 Everett Avenue in downtown Everett, two blocks east of Wetmore and a block north of Pacific. Kings Hall is the third-floor space; you’ll see signage in the lobby. The building has its own elevator access for upper floors.

    Parking in downtown Everett on a Saturday night is real but not impossible. The Everpark Garage at 2802 Wetmore Avenue runs $1 per hour and is a five-minute walk to APEX. Street parking on Hewitt, Wetmore, and Colby is free after 6 PM. The lots on the north side of Everett Avenue closer to APEX itself fill up first.

    VIP ticket holders should check their Ticketmaster confirmation for any included perks — fight cards in this format sometimes include early entry, reserved seating, or meet-and-greet access depending on the package. The general admission tickets, when they release, will be the standing-or-first-come seating in the rest of the room.

    What This Says About APEX’s Programming

    The question every venue operator in the city was quietly asking when APEX Everett opened was whether downtown could support another mid-size live entertainment room. The booking pattern through spring 2026 is the answer. Kings Hall is booking rock, electronic, country, comedy, and now combat sports — a programming spread that suggests the operators are betting on the room’s flexibility rather than a single genre.

    A May 16 fight card slotted between a country show on May 2 and an electronic-music night on June 13 is exactly the kind of programming a healthy mid-size venue does. Tony V’s Garage cannot host a kickboxing card. Historic Everett Theatre will not. The Funko Field grandstand is a baseball park, not a fight venue. Kings Hall is the only Everett room equipped to put on this kind of show, and they’re using it.

    The downtown cultural calendar is denser in May 2026 than in any month since pre-2020. Sorticulture is three weeks out. Schack Art Center’s Contemporary Northwest Artists exhibit opens May 28. The Historic Everett Theatre has Richard Marx on May 8, Corduroy on May 9, Canned Heat and Big Brother and the Holding Company on May 29. Tony V’s has a full slate. Inside that calendar, the All City Fight Night date is the one event that brings a different audience downtown — combat-sports fans who do not necessarily show up for a Pearl Jam tribute or a garden festival. That is good for the city.

    The Bottom Line

    May 16, 5 PM doors, 11 PM finish, Kings Hall at APEX Everett, 1611 Everett Avenue, third floor. VIP tickets through Ticketmaster now; GA when it drops. Six hours of amateur kickboxing on the best mid-size stage in downtown Everett. If the matchups even come close to the promoter’s pitch, this is the most interesting Saturday night the city has hosted in months.

    Wear something you can move in. The room is upstairs.

    Frequently Asked Questions

    Where is All City Fight Night: Worlds Collide on May 16, 2026?
    Kings Hall, the third-floor performance room at APEX Everett, 1611 Everett Avenue, downtown Everett.

    What time does it start?
    Doors at 5 PM, event runs through 11 PM Pacific Time.

    How do I buy tickets?
    VIP tickets are on sale through Ticketmaster. General admission is listed as “drop soon” on the APEX official event page and the All City Fight Night promoter’s site. Watch the Ticketmaster event page (event ID 0F00645A8B44775F) for the GA release.

    Is there an age restriction?
    The official APEX listing does not call out a specific age restriction in the visible event metadata. Confirm at point of purchase on Ticketmaster or at the door, especially if you plan to bring guests under 21.

    Where do I park?
    Everpark Garage at 2802 Wetmore Avenue is $1 per hour and a five-minute walk. Free street parking on Hewitt, Wetmore, and Colby after 6 PM. Lots closer to APEX on Everett Avenue fill up first.

    What kind of fights are on the card?
    Amateur kickboxing. The promoter pitches the bill as fighters from across the Pacific Northwest and beyond, with every bout described as action-packed and skill-forward.

    Where else is APEX programming this spring?
    The Crystal Method and Rabbit in the Moon are playing Kings Hall on June 13. Antwane Tyler, Fretland, and Racyne Parker played the same room May 2. APEX is becoming the booked-most-nights room in downtown Everett.



  • Polkadot Cadaver Is Coming to Tony V’s Garage on June 11 — Here’s Why This One Is Worth Your Thursday Night

    Polkadot Cadaver Is Coming to Tony V’s Garage on June 11 — Here’s Why This One Is Worth Your Thursday Night

    Polkadot Cadaver Is Coming to Tony V’s Garage on June 11 — Here’s Why This One Is Worth Your Thursday Night

    You’ve probably walked past Tony V’s Garage a hundred times without knowing what’s happening inside on any given Thursday. Here’s what’s happening on June 11, 2026: Polkadot Cadaver, one of the most genuinely weird and genuinely heavy bands working in American rock right now, is setting up at 1716 Hewitt Avenue and playing until nearly midnight. Tickets are $23.18 on Eventbrite. Doors open before 8 PM. Angry Toons open the night.

    That’s the short version. The longer version involves a 20-year creative obsession, a frontman who spent a decade rewriting what underground metal could sound like, and a venue that keeps pulling in acts Everett has no business booking — and yet somehow does.

    What Polkadot Cadaver Actually Sounds Like

    Polkadot Cadaver is the project of Todd Smith, who you might know better as the voice and primary creative force behind Dog Fashion Disco. If Dog Fashion Disco is the kind of band name that either stops you cold or makes you immediately pull up YouTube, you already have a sense of the territory. Smith has spent most of his adult life making music that doesn’t fit cleanly into any genre — avant-garde metal, experimental rock, dark circus, jazz-inflected hard rock — and Polkadot Cadaver is where that restlessness gets its most concentrated form.

    The band formed in the mid-2000s, initially as something of a side project while Dog Fashion Disco was on hiatus, and quickly developed its own distinct identity. Where Dog Fashion Disco can be theatrical and sprawling, Polkadot Cadaver tends to be heavier, faster, and more unsettling. The aesthetic runs toward horror and dark carnival imagery — not in a theatrical Halloween-costume way but in a genuinely off-kilter, dissonant-chord, what-key-is-this way. If you want a reference point: think late-period Primus meets Dillinger Escape Plan meets a Tom Waits album recorded in a basement at 2 AM. That still doesn’t quite capture it, but it’s closer than “metal band.”

    Albums like Megaton Shotblast (2009) and Sex Offender (2010) established the band’s reputation in the underground metal and experimental rock communities — not household names, but the kind of records that people who find them tend to keep for the rest of their lives. Smith’s vocal range is a significant part of what makes it work: he can go from a clean croon to a full thrash scream inside the same measure, and the band is tight enough to follow him wherever that goes.

    Why Tony V’s Is the Right Room for This

    Tony V’s Garage at 1716 Hewitt Avenue is a 400-capacity standing-room venue in the middle of downtown Everett. It books the kind of music that the Paramount doesn’t — touring acts who are too big for a bar but not quite at the theater level, with ticket prices that reflect that honestly. Twenty-three dollars gets you into a room where the stage is close enough that you can see the set list taped to the floor monitors.

    That intimacy matters for a band like Polkadot Cadaver. This is not music that benefits from distance. The odd time signatures and left-field genre pivots land differently when you’re close enough to feel the bass in your sternum. Tony V’s has hosted enough touring metal and hard rock acts over the years to know how to run a show at this volume level — the sound system is built for it, the staff know what they’re doing, and the crowd that shows up on a Thursday night for a bill like this tends to be there because they did the research, not because they stumbled in off the street.

    In a mid-size city with no dedicated all-ages metal venue and a concert market dominated by the Xfinity Center and the HET’s theater programming, Tony V’s fills a gap that matters. Polkadot Cadaver playing Everett at all is genuinely unusual — this is not a band that has historically saturated the Pacific Northwest touring circuit, and June 11 may be the only Washington date on this run.

    Angry Toons Opens

    Angry Toons is on the bill as the opening act. If you’ve been to enough shows at Tony V’s, you’ve probably encountered them — a local and regional punk-metal act that knows how to warm up a room without overstaying its welcome. Openers at this venue tend to take the set seriously, and getting the crowd moving before Polkadot Cadaver requires a band that can commit to the room’s energy. Showing up early is worth it. Doors and the opener are part of what makes a Thursday night at a 400-cap venue feel like an event rather than just a show.

    The Ticket Math

    $23.18 is the Eventbrite all-in price as of this writing, and the listing shows tickets in stock. The show is Thursday, June 11 — it starts at 8:00 PM and runs until 11:30 PM per the Eventbrite listing. That’s a real show, not a 45-minute set and out.

    For context: a comparable touring underground metal act at a Seattle venue would run you $28–$35 plus the drive, parking, and the particular joy of standing in line on Capitol Hill in the rain. June in Everett is drier, the venue is walkable from the downtown core, and the ticket is cheaper. The math is not complicated.

    Tickets are available now at eventbrite.com. Tony V’s Garage is at 1716 Hewitt Avenue, Everett WA 98201.

    The Bigger Picture

    Everett’s live music scene has a specific reputation problem: people who don’t live here assume there isn’t one. Shows at Tony V’s, APEX, and the Historic Everett Theatre have been quietly building a counter-argument to that for years, but the argument only works if people show up. Polkadot Cadaver is the kind of booking that — if the room fills — demonstrates that Everett can sustain a touring circuit for underground and experimental acts, not just cover bands and casino headliners.

    That’s not why you should go. You should go because Todd Smith is a genuinely exceptional songwriter and performer and the show is $23 on a Thursday night twelve minutes from most of downtown Everett. But the side effect of going is that it tells the booking infrastructure something useful: that this city will show up for something strange and heavy if you give it the chance.

    June 11. Tony V’s Garage. 8 PM. Polkadot Cadaver and Angry Toons. $23.18 at the door or on Eventbrite now while tickets last.

    Frequently Asked Questions

    What is Polkadot Cadaver?

    Polkadot Cadaver is an avant-garde metal and experimental rock project fronted by Todd Smith, the vocalist and primary songwriter of Dog Fashion Disco. The band blends heavy guitar riffs with jazz influences, dark carnival imagery, and unconventional song structures.

    Where is Tony V’s Garage in Everett?

    Tony V’s Garage is at 1716 Hewitt Avenue in downtown Everett, Washington 98201 — a standing-room live music venue with a capacity of approximately 400.

    How much are tickets to Polkadot Cadaver at Tony V’s on June 11, 2026?

    Tickets are $23.18 all-in and available through Eventbrite. The show starts at 8:00 PM and runs until approximately 11:30 PM.

    Is Polkadot Cadaver related to Dog Fashion Disco?

    Yes. Polkadot Cadaver is the primary side project and creative outlet for Todd Smith, the frontman of Dog Fashion Disco. The two bands share members and a similar avant-garde, dark aesthetic, though Polkadot Cadaver is generally heavier and more experimental in execution.

  • The Crystal Method and Rabbit in the Moon Are Playing Kings Hall in Everett This June — And This Bill Is Worth Clearing Your Calendar For

    The Crystal Method and Rabbit in the Moon Are Playing Kings Hall in Everett This June — And This Bill Is Worth Clearing Your Calendar For


    Q: What is The Crystal Method known for?
    The Crystal Method is a GRAMMY-nominated American electronic music act — originally the duo of Ken Jordan and Scott Kirkland, formed in Las Vegas in 1993 — who pioneered big beat electronica in the United States. Their platinum-selling debut album Vegas (1997) is one of the best-selling electronic albums in American history. Scott Kirkland now carries the project solo. On June 13, 2026, The Crystal Method headlines Kings Hall at APEX Everett alongside Florida rave legends Rabbit in the Moon.

    Verdict: GO. A GRAMMY-nominated act who headlined EDC, Lollapalooza, and Ultra Miami paired with one of the most theatrical rave acts America ever produced — all in an 800-person room. This is the kind of bill that plays much bigger cities than Everett.

    The Crystal Method and Rabbit in the Moon are coming to Kings Hall at APEX Everett on Saturday, June 13, 2026. Show time is 9:00 PM. Tickets start at $64 through Live Nation and Ticketmaster. This is an 18-and-older event.

    If you’re an electronic music fan living anywhere in Snohomish County and you’ve been waiting for a show that doesn’t require a drive to Seattle or a trip to a festival — this is the one.

    The Crystal Method: 30 Years of American Electronic Music, Distilled to One Stage

    There’s a version of American popular culture in the late 1990s and early 2000s that doesn’t exist without The Crystal Method’s fingerprints on it. The music appeared in video games, in films, in car commercials, in television soundtracks for the better part of a decade. It was everywhere because it was good — a specific American take on big beat and electronica that felt more muscular than what was coming out of the UK at the same time.

    Ken Jordan and Scott Kirkland formed The Crystal Method in Las Vegas in 1993, cutting their teeth on the early Los Angeles rave circuit after relocating. Their debut album, Vegas, came out in August 1997. It sold more than one million copies in the United States and was certified platinum by the RIAA in 2007. For a genre that was still fighting for shelf space in American record stores, that number meant something.

    They were GRAMMY-nominated. They headlined EDC, Lollapalooza, and Ultra Miami. They played more than 1,300 shows over the course of their run together. The Tweekend album in 2001 and Legion of Boom in 2004 followed Vegas into the Billboard Top 50 — high-altitude performance for electronic albums in that era. Divided by Night and the records that followed kept the project active through the 2010s.

    In 2017, Ken Jordan retired from music. Scott Kirkland carried the name forward as a solo project, continuing to write and perform as The Crystal Method. His most recent release, The Trip Out, is the seventh studio album under the Crystal Method banner and his second solo outing — a record that sounds like someone who has been making this music for 30 years and still finds it interesting.

    When Kirkland takes the stage at Kings Hall in June, he brings all of that history with him. The set will pull from the full catalog. If you have any nostalgia for Busy Child or Keep Hope Alive or Trip Like I Do, those songs still hit in a live setting in ways that the recordings don’t fully prepare you for.

    Rabbit in the Moon: The Most Theatrical Rave Act America Ever Produced

    The Crystal Method is the headliner. Rabbit in the Moon is the reason to arrive early.

    Rabbit in the Moon formed in Tampa, Florida, in the fall of 1992 — producer T.Confucius, DJ Monk, and performance artist Bunny. Orlando in the early 1990s was the underground rave capital of the American Southeast, and Rabbit in the Moon was among the acts who built that scene from nothing. They were among the first artists to mix theatrical live performance — costumes, staging, physical presence — with rave music at a time when most electronic acts were simply standing behind CDJs.

    Their 1993 track “O.B.E.” (Out-of-Body Experience) became one of the foundational records of American progressive breaks. Muzik magazine named it the most sought-after record of the previous decade when they ranked it in 2003 — a decade after it came out. That’s the kind of cultural shelf life that requires something genuinely original at the source.

    Their style draws from psychedelic trance, house music, and breakbeat, with a live presentation that prioritizes spectacle. A Rabbit in the Moon set isn’t background music for a room. It demands your attention. If you’ve never seen them, June 13 is an education.

    Kings Hall at APEX: The Right Room for This Bill

    This show happens in Kings Hall, the large-format concert room on the third floor of APEX Art and Culture Center at 1611 Everett Ave, Everett WA 98201.

    Kings Hall holds around 800 people. That’s the critical number here. The Crystal Method has played festival main stages and clubs that hold 5,000. Rabbit in the Moon has played massive warehouse events. When either of these acts plays a room this size, the energy concentrates. The show you get in an 800-person room is categorically different from what happens on a festival bill at scale — closer, louder from your position, more immediate.

    APEX has been booking at this level consistently: Antwane Tyler, Fretland, and Racyne Parker in May, The Crystal Method in June, Los Lobos and Los Lonely Boys in August. The booking calendar suggests the venue is staking a claim as a regional anchor for acts that don’t have a natural home between small clubs and arena shows. This is exactly the kind of venue Everett’s cultural calendar has needed.

    The venue is 18+ for this show. Tickets start at $64 through Live Nation (livenation.com) and Ticketmaster.

    The verdict breakdown:

    • Act unique to this market? Yes. Neither The Crystal Method nor Rabbit in the Moon has a scheduled Pacific Northwest show outside Everett in this window. If you want to see this bill in 2026, this is your show.
    • Right room for the act? Yes. 800 seats focuses rather than dilutes what both these acts do live.
    • Ticket price fair-market or below? From $64 for a co-headlining bill at this level is below what comparable shows cost in Seattle or Portland.

    Three for three. GO.

    What to Know Before You Go

    Date: Saturday, June 13, 2026
    Show time: 9:00 PM
    Venue: Kings Hall at APEX Art and Culture Center, 1611 Everett Ave, 3rd Floor, Everett WA 98201
    Phone: (425) 374-8307
    Age restriction: 18 and older
    Tickets: From $64 at Live Nation and Ticketmaster

    While you’re planning June, Sorticulture runs June 5–7 at Hewitt Avenue and Colby — a free outdoor garden festival that turns downtown into a different city for a weekend. If you’re making early June a cultural month, the two events don’t compete; they layer. The Schack Art Center’s Contemporary Northwest Artists Exhibition opens May 28 and runs through August 22 — the gallery is worth hitting before or after the show.

    Frequently Asked Questions

    Is The Crystal Method still active?

    Yes. Scott Kirkland continues to produce and perform as The Crystal Method following Ken Jordan’s retirement from music in 2017. The project’s seventh studio album, The Trip Out, is Kirkland’s second solo outing under the banner.

    Who is Rabbit in the Moon?

    Rabbit in the Moon is a Florida-based electronic music act formed in Tampa in 1992, consisting of producer T.Confucius, DJ Monk, and performer Bunny. Their 1993 track “O.B.E.” was ranked by Muzik magazine in 2003 as the most sought-after record of the previous decade. They were among the first acts to combine theatrical stage performance with rave music in the United States.

    How old do you have to be for the Crystal Method show at APEX Everett?

    The June 13, 2026 show at Kings Hall is an 18-and-older event. Valid ID required at entry.

    How much are tickets for Crystal Method at APEX Everett?

    Tickets start at $64 and are available through Live Nation and Ticketmaster. Prices may increase as the June 13 date approaches.

    Where is Kings Hall at APEX Everett?

    Kings Hall is on the third floor of APEX Art and Culture Center, located at 1611 Everett Ave, Everett WA 98201. The venue holds approximately 800 people and is APEX’s flagship mid-size concert room.

  • Red Karma Brings Taylor Swift’s Catalog to the Historic Everett Theatre This Friday — $30, All Ages, Doors at 6

    Red Karma Brings Taylor Swift’s Catalog to the Historic Everett Theatre This Friday — $30, All Ages, Doors at 6

    What time does Red Karma play at the Historic Everett Theatre on May 1?
    Red Karma takes the stage at the Historic Everett Theatre (2911 Colby Ave, Everett, WA 98201) on Friday, May 1, 2026 at 7:00 PM PDT. Doors open at 6:00 PM. Tickets are $30 general admission, with senior/military at $25 and children under 12 at $20.

    VERDICT: GO. All three criteria land: Red Karma is the only Taylor Swift tribute announced for this market this spring, the Historic Everett Theatre’s ~800-seat room is precisely the right size for this kind of act, and $30 GA undercuts every comparable tribute show in the Seattle market.

    The Historic Everett Theatre opened in 1901 as the Everett Opera House, and on Friday night — May 1 — it gets Taylor Swift.

    Not Taylor Swift. Red Karma, the Pacific Northwest tribute act that has spent years playing Swift’s catalog across the Emerald City and beyond. But in a 125-year-old building with original sight lines and real acoustics, with a stage that knows how to hold a show, the distinction matters less than you might think.

    The Essential Details

    The show is Friday, May 1 at 7:00 PM. Doors open at 6:00 PM. The venue is at 2911 Colby Ave, Everett, WA 98201. The show runs approximately 90 minutes, ending around 8:30 PM per the official listing. If you are driving downtown, plan for parking on the adjacent streets or in the nearby garages — Friday evening in downtown Everett fills up, but it fills up manageable.

    Tickets are $30 general admission. Senior and military pricing drops to $25. Children under 12 are $20. If you are bringing the whole family — three or more members — the Family Pack pricing comes out to $20 per person, making this one of the more affordable live music nights you will find anywhere in Snohomish County this spring. Tickets are available at events.theatreconcertconsulting.com/red-karma-2/.

    Why Red Karma in This Room Works

    Taylor Swift’s Eras Tour became the highest-grossing concert tour in recorded history. For the fans in Everett who could not get tickets, could not afford the resale prices, or simply did not want to navigate a stadium, the tribute band circuit has become the practical alternative — and it has gotten very good.

    Red Karma is a Pacific Northwest outfit. The band has built its reputation playing this specific market — Seattle stages, Puget Sound clubs, the broader Emerald City scene — and that touring knowledge shows. They understand this audience because they have played to it for years.

    The Historic Everett Theatre is the correct room for this act. The venue seats roughly 800 people. The stage is proportioned for a production that wants actual intimacy — where the performer can see the audience, where you can hear the arrangement without stadium reverb washing out the detail. Taylor Swift’s catalog spans more than a decade of genre-crossing: the country years, the pop transformation of 1989, the dark turn of Reputation, the indie-adjacent textures of Folklore and Evermore, the pop maximalism of Midnights. Getting any of those eras to land correctly requires a room where the sound does not fight itself. The HET stage has that.

    The building opened on November 4, 1901 as the Everett Opera House. It hosted Lillian Russell and Al Jolson in its early decades, survived a 1923 fire, was rebuilt in 1924, and was restored between 2000 and 2004. Seeing Taylor Swift’s catalog performed here — in a room that has held real theater, real concerts, and 125 years of Everett’s public life — is not a lesser experience than a stadium. It is a different experience. Specifically, it is better for almost every reason that matters in a live music context.

    The Ticket Math

    The Seattle comp range for comparable tribute acts at venues like the Neptune or Moore runs from roughly $35 to $60 or more for general admission on a Friday night. The $30 GA at HET is on the low end of that range for a dedicated performance space, not a bar stage.

    The Family Pack pricing at $20 per person for three or more members is worth naming directly. There is no Pacific Northwest market where you take three people to a live music event in a real theater for $60 total on a Friday night. That pricing, combined with an all-ages format, makes this a legitimate family event. If you have kids who are in the Swiftie phase right now and you have been looking for a way to make the live music experience work without stadium prices, this is it.

    What to Expect

    Red Karma covers Taylor Swift’s catalog across multiple eras. Expect the country-to-pop crossover material alongside the 1989 high points, the Reputation era, and material from Folklore, Evermore, and Midnights. The set runs approximately 90 minutes. The venue serves beverages. The building has coat check facilities.

    This is a Friday night in downtown Everett. Dinner before on Hewitt Avenue or Colby, show at 7, home by 10. That is a complete evening.

    The Rest of May at the Historic Everett Theatre

    Saturday, May 2, Trio Los Panchos — 50 Aniversario — brings the Latin ballad tradition to the same stage. Two consecutive nights, two completely different audiences, the same 1901 building. The following week brings Richard Marx on Friday, May 8, and Corduroy (Pearl Jam tribute) on Saturday, May 9. Later in the month, Canned Heat and Big Brother and the Holding Company land on May 29 for a night that puts two original Woodstock bands on one bill. Downtown Everett is putting together a legitimate entertainment calendar, and May is making the case.

    What You Need

    • Venue: The Historic Everett Theatre, 2911 Colby Ave, Everett, WA 98201
    • Date: Friday, May 1, 2026
    • Doors: 6:00 PM
    • Show: 7:00 PM — approximately 8:30 PM
    • Tickets: GA $30 / Senior-Military $25 / Children Under 12 $20 / Family Pack $20 per person (3+ members)
    • Ages: All ages
    • Buy tickets: events.theatreconcertconsulting.com/red-karma-2/

    Frequently Asked Questions

    Is the Red Karma show at the Historic Everett Theatre all-ages?

    Yes. The May 1, 2026 show is all-ages, with Family Pack pricing available for groups of three or more at $20 per person.

    What time do doors open for Red Karma at HET?

    Doors open at 6:00 PM. The show starts at 7:00 PM and runs approximately 90 minutes.

    How much are tickets for Red Karma at the Historic Everett Theatre?

    General admission is $30. Senior/military pricing is $25. Children under 12 are $20. Family pack (3 or more people) is $20 per person.

    Where is the Historic Everett Theatre?

    2911 Colby Ave, Everett, WA 98201. Phone: 253-422-4553. The building opened November 4, 1901 as the Everett Opera House.

    Is Red Karma a Seattle-area band?

    Red Karma is a Pacific Northwest tribute act based in the Seattle area, performing Taylor Swift’s catalog “across the stages of the Emerald City and beyond.”

    What songs does Red Karma play?

    Red Karma covers Taylor Swift’s catalog across multiple eras — from the country-era hits through Fearless and Red, through the pop transformation of 1989, Reputation, and into Folklore, Evermore, and Midnights.

    What other shows are coming to the Historic Everett Theatre in May?

    Richard Marx plays May 8, Corduroy (Pearl Jam tribute) plays May 9, and Canned Heat with Big Brother and the Holding Company headline May 29. Trio Los Panchos — 50 Aniversario — plays May 1 (same night as Red Karma, separate show). May at the HET is unusually strong.

  • Corduroy: The Pearl Jam Experience Lands at the Historic Everett Theatre May 9 — A Bay Area Tribute Plays the Grunge Catalog Inside a 1901 Opera House

    Corduroy: The Pearl Jam Experience Lands at the Historic Everett Theatre May 9 — A Bay Area Tribute Plays the Grunge Catalog Inside a 1901 Opera House

    Where can I see a Pearl Jam tribute band in Everett, WA? Corduroy: The Pearl Jam Experience plays the Historic Everett Theatre at 2911 Colby Avenue on Saturday, May 9, 2026. Doors open at 7:00 PM and the show starts at 8:00 PM. It’s an all-ages show. General Admission tickets are $40, with an Early Bird Special at $30 while supplies last. The dance floor will be open.

    Verdict: GO. This is a unique-to-this-market booking — a touring Pearl Jam tribute landing at Seattle’s nearest historic opera house — in the right-size room, at fair-market pricing for an all-ages show. Two of three GO criteria clear cleanly. The third — value — is well above the bar at $30 Early Bird.

    The Historic Everett Theatre opened in 1901 as the Everett Opera House. It is a 125-year-old building with a restored stage, hard sight lines, and roughly 800 seats when fully sold. That is the kind of room Pearl Jam grew out of — small theaters, opera houses, the rooms a band books before the rooms get too big to feel anything in. Forty miles down I-5, in a basement off the Off Ramp Café in October 1990, five guys playing under the name Mookie Blaylock opened a show that became Pearl Jam. The band has since played stadiums on every continent that has them. The Historic Everett Theatre is closer to the room those five guys started in than anything Pearl Jam has played in three decades.

    That is the frame for what happens on Saturday, May 9.

    The Show

    Corduroy: The Pearl Jam Experience is a Bay Area-based tribute band founded in the summer of 2016 in San Francisco. They are one of eleven Pearl Jam tribute acts worldwide that were selected to perform at the TEN 30th Anniversary Online Tribute Concert organized by Grunge Magazine in August 2021 — a peer-vetted credential, not a self-applied one. The band’s catalog runs from 1991 through current Pearl Jam material, which means the Ten, Vs., Vitalogy, and No Code eras get their full treatment alongside the post-2000 records.

    The Everett show is officially billed as Corduroy’s 10th Anniversary celebration — they took the stage as a band in summer 2016 and are working a year-long anniversary run through 2026.

    The basics, verified:

    • Date: Saturday, May 9, 2026
    • Doors: 7:00 PM | Show: 8:00 PM
    • Venue: The Historic Everett Theatre, 2911 Colby Avenue, Everett, WA 98201
    • Tickets: General Admission $40 (Early Bird Special $30 while available)
    • Age: All Ages
    • Format: Dance floor open

    Both the official venue listing at events.theatreconcertconsulting.com and Bandsintown event #108180402 confirm identical date, time, and venue.

    Why “Corduroy” Is the Right Name for a Tribute

    If you have to be a Pearl Jam tribute band, “Corduroy” is the name to take. The original song lives on Vitalogy, Pearl Jam’s third studio album, released in 1994. It hit number 13 on Billboard’s Modern Rock Tracks chart without ever being released as a commercial single. Eddie Vedder wrote it after seeing a replica of one of his thrift-store corduroy jackets in a fashion store at a markup of hundreds of dollars. The song is about a relationship — not between two people, but between one person and a million of them. It is the song where Pearl Jam, at the peak of their commercial moment, lashed out at the culture industry that had spent two years selling the band back to its own audience at retail.

    A tribute band naming itself after that specific track is making a small, sharp argument: we are here for the music, not the merch. That is the right argument to make in a 125-year-old room in downtown Everett.

    The Venue: Why It Matters

    The Historic Everett Theatre opened on November 4, 1901, as the Everett Opera House — a 1,200-seat room that hosted Lillian Russell, Al Jolson, and George M. Cohan in its earliest years. A 1923 fire gutted it. The building was reconstructed in 1924 as the New Everett Theater. The 2000–2004 restoration brought it back to its current configuration of roughly 800 seats with a working stage, full sound system, and the original architecture intact at the bones.

    For a Pearl Jam tribute show, this is the right room. Pearl Jam’s grunge-era catalog was written for spaces this size — the Crocodile, the Off Ramp, the Moore. When you scale those songs up to a stadium, you lose the feedback, the room noise, the sweat in the crowd. When you scale them down to a theater that has been hosting live performance since the McKinley administration, the songs carry differently. Black sounds like Black in an 800-seat opera house. It does not sound like Black in a 50,000-seat baseball park.

    Surrounding Context: The Historic Everett Theatre’s May Slate

    May 9 sits inside the busiest month the Historic Everett Theatre has run this spring. The full month, all dates verified against the venue’s Tickible JSON-LD:

    • Friday, May 1 — Red Karma: Taylor Swift tribute, doors 6:00 PM
    • Saturday, May 2 — Trio Los Panchos Nostalgia Tour: 50 Aniversario, externally ticketed via Tickeri
    • Friday, May 8 — Richard Marx: After Hours tour
    • Saturday, May 9 — Corduroy: The Pearl Jam Experience (this show)
    • Saturday, May 16 — Dana Gould: stand-up comedy via Eventbrite
    • Friday, May 29 — Canned Heat with Big Brother and the Holding Company: two original Woodstock bands co-headlining

    Six bookings in May, four of them music, two of them co-headlining heritage acts. The Historic Everett Theatre is not running a quiet spring — and June’s Sorticulture festival spills into the venue too with a free Ciscoe Morris lecture on June 7.

    What to Expect in the Room

    A few practical notes for anyone who has not seen a tribute show in this venue before. The dance floor will be open, per the event description — that is unusual for the Historic Everett Theatre and signals that the front of the house is being run as a standing pit rather than seated rows for this show. If you want to sit, arrive early and pick your spot. If you want to stand, arrive when doors open and walk to the front. Confirm seating policy at the box office on the night.

    The venue is at 2911 Colby Avenue. Street parking is free after 5:00 PM throughout downtown on Saturdays. The Everpark Garage is two blocks away on Hewitt Avenue if street is full.

    Why Pearl Jam Tributes Work Differently in the Pacific Northwest

    Pearl Jam was formed in Seattle in 1990 by Jeff Ament, Stone Gossard, and Mike McCready. Eddie Vedder joined as lead singer after writing lyrics on the back of a tape he received in San Diego. The band’s first official show was at the Off Ramp Café on October 22, 1990 — they took the stage as Mookie Blaylock and announced their new name as Pearl Jam onstage. Forty miles north of the Off Ramp, the Historic Everett Theatre was almost a century old by the time Vedder walked into a Seattle basement to audition.

    A Pearl Jam tribute playing the Historic Everett Theatre is not a tribute act passing through a generic venue. It is a tribute act playing the catalog of the Pacific Northwest’s defining rock band in a Pacific Northwest building that is older than the band’s drummer’s grandparents. Bay Area-based Corduroy gets to play Black, Yellow Ledbetter, Even Flow, and Alive in a room where the audience will know every word and where the building itself has been hosting live music since the year of Theodore Roosevelt’s first vice presidency.

    That is a specific kind of show. It does not happen often. It is happening on May 9.

    How to Get Tickets

    Tickets are sold through the Historic Everett Theatre’s box office at events.theatreconcertconsulting.com/corduroy-the-pearl-jam-experience/. The Early Bird Special at $30 is the better value while it lasts; once those run out, General Admission opens at $40. Both tiers sit well below the $50–$70 range that comparable tribute shows pull in Seattle proper. For an all-ages 800-cap room with a restored historic stage, this is fair-market pricing on the low side.

    The dance floor is open. Doors at 7:00 PM. Show at 8:00 PM. Bring layers — Everett Aprils get cold after sundown and the walk back to your car is two blocks of downtown air.

    Frequently Asked Questions

    What time does Corduroy: The Pearl Jam Experience start at the Historic Everett Theatre?

    Doors open at 7:00 PM and the show begins at 8:00 PM on Saturday, May 9, 2026.

    How much do tickets cost?

    General Admission is $40. An Early Bird Special is available at $30 while supplies last. Both tiers are sold through the venue’s box office.

    Is the show all ages?

    Yes. The Historic Everett Theatre lists this as an all-ages show, with the dance floor open during the performance.

    Where is the Historic Everett Theatre?

    The venue is at 2911 Colby Avenue, Everett, WA 98201, in downtown Everett. The building opened in 1901 as the Everett Opera House.

    Who is Corduroy: The Pearl Jam Experience?

    Corduroy is a San Francisco-based tribute band founded in summer 2016. They were one of eleven Pearl Jam tribute bands selected globally for Grunge Magazine’s TEN 30th Anniversary Online Tribute Concert in August 2021. The Everett show is part of their ten-year anniversary run.

    Is there parking at the Historic Everett Theatre?

    Free street parking is available throughout downtown Everett after 5:00 PM on Saturdays. The Everpark Garage on Hewitt Avenue is the nearest paid garage, two blocks from the venue.

    What other shows are happening at the Historic Everett Theatre in May 2026?

    The May slate includes Red Karma (Taylor Swift tribute) on May 1, Richard Marx on May 8, Dana Gould comedy on May 16, and Canned Heat with Big Brother and the Holding Company on May 29.